i dont think people understand how hard bassoon is and how amazing this is. one of the hardest instruments on the planet and this girl shreds it. amazing
Concerto for Bassoon and Orchestra in D minor RV 481 - Antonio Vivaldi 00:00 I. Allegro 03:34 II. Larghetto 08:34 III. Allegro molto Concerto for Bassoon and Orchestra in Bb Major KV 191 - Wolfgang Amadeus Mozart. 11:25 I. Allegro 19:20 II. Andante ma Adagio 26:24 III. Rondo 31:34 Nyx for Bassoon and Piano - Evis Sammoutis.
!!!!!. Así se debe tocar los instrumentos, con ganas, donaire, verraquera...sintiendo en los tuétanos cada nano sonido. Y nosotros que no sabemos de música también nos contagiamos y bailamos.!!!!. Tu gran energía emitida, tácitamente me ordeno : !.TIENES QUE ESCUCHARME 1000 VECES Y LLEGARAS AL CIELO.!. Gracias Rie Koyama por existir y a este canal por promocionar sonidos hermosos. Saludos desde Ecuador Suramérica.
So amazing........... the bassoon's sound took me to the another world of music. I can't express more about the playing ability of Rie Koyama. It was really exceptional. 1 trillion thanks for that.
Amazing. What I fail to understand is how the HELL this performance was awarded 2nd prize and no one was worthy of winning 1st?? Rie Koyama is an incredible talent, and deserved to win. The ARD should be ashamed for running a bullsh$t competition. Love your work Rie!
There was no first place. It was a tie between Sophie Dartigalongue won the Public Prize. Rie Koyama won for the best interpretation of the commissioned work.
Wow.... just wow.... stupendous performance. Great musicianship and technically transcendental. I would say that she's definitely on the top line amongst the other young players at her age.
I am listening to this while working, and from the sound only I thought I was listening to some established, well-known major professional bassoon player. WOW, she has REALLY got the right stuff!
One day bassoonists will stop playing the same concertos over and over and start exploring in depth the amazing repertoire available to them. ''Beyond Mozart: A bassoonist's fantastic journey'' is something that will get done.
But playing the same ones gives a useful metric for competitions - and competitions are how players start their careers. If she, say, had played something modern it would have been apples-and-oranges - and how do you decide then? Playing something not well-known also sends the message that you're "not a team player", and that's the kiss of death in almost any human endeavor.
Have you heard John William's Bassoon Concerto? It's so cool! I wanted to play it for a school competition last year but it didn't get approved because the orchestra parts are too hard for high school students
For bassoonists we don't really have a difference between double and triple tonguing. They both use the Ta and Ka or Duh Guh syllables, it just the instances that you'd use them in. So you're both right
Is no one going to talk about how she is doing this with the orchestra without a conductor?? The communication is on point! Along with all of everyone else's comments! Kudos to you and the orchestra's performance!
This if just the semi-finale. In the finale she played André Jolivet (Konzert für Fagott, Streichorchester, Harfe und Klavier). She play beautifully! Should have anon the 1st price!
Very interesting concert for basson. Are there anyone ho knows who has written the concert. Can it be one of the 39 concertos from Vivaldi ? Ver fine played.
Si nota anche un'eccellente conduzione orchestrale (che orchestra è?Chi la dirige?), con una sapiente alternanza dei volumi di suono e un fraseggio agile che dà spessore pagine spesso eseguite con sciatteria. Strepitosa ovviamente la solista.
