I truly hope you get the opportunity to hear the recording made by the Berlin Philharmonic when Gerd Seifert was lead. Ridiculous. Preposterous. Obscene. Frikkin' unbelievable. Gerd Seifert... yeah. I do so hope you ever hear that recording.
I was so puzzled since the small score does not go to high E in the video, but on the actual manuscript it does, with all it's 3 ledger line glory! Then there is a small emendation bringing it down an octave in pencil.
@@lau4871 wow how did you know about that piece??? I immediately listened to it and its so beautiful. But your little comment belittling it pisses me off. "Not as beautiful" my butt, it's amazing. Both are really good, though Schumann's repeats similar themes a lot to (still great melodies), while Hublers is so many unique themes... it sounds amazing. Don't underrate either, they're all amazing.
Robert Schumann:Versenymű négy kürtre és zenekarra Op.86 1.Vivace 00:00 2.Romanza:Andante con moto,ma non troppo 07:03 3.Molto vivace 12:01 Forradalom és Romantika Zenekara Vezényel:Sir John Eliot Gardiner
Who said it was being played on period instruments? If so, that’s incredible! However, Schumann wrote the piece specifically to celebrate the advent of the valved horn. It would actually not be historically correct to attempt this with hand stopping alone (I think…).
@@clintow Single F horns: the rich, glorious sound!!! Why not? Your chops determine the pitch - and a longer tube length acually creates more natural resistance, making high notes easier (more 'slippery', but yeah - your CHOPS determine the pitch, so get some chops, eh?)
@@cmw12 this is The Sir Elliot Gardiner recording with the Revolutionary and Romantic Orchestra who all pkay on period instruments. Their recording of all 4 Schumann and Berthoven symphonies are superb
actually, take that 5 second part, layer it a bunch of times on top of itself repeatedly, then you get Poledo. Then add some screaming and set it into mono, and then you got the buzzing evil choir sound.
It is absolutely fascinating that Schumann had written that score for natural horns. How it is possible to play the two extreme movements? Even with valve horns, it is somehow challenging.
I believe that the first performance had two natural horns on the 1st two parts because of the range. It was difficult to play on the heavy valved horns so they played it on natural horns
Roger Montgomery (1st hn) Gavin Edwards (2nd hn) Susan Dent (3rd hn) Robert Maskell (4th hn) Orchestre Révolutionnaire et Romantique John Eliot Gardiner 1998
@@calebhu6383 Conductors don't specialise in anything, apart from taking the credit for real musicians' hard graft. Stick wavers are a waste of 10s of thousands of £s a concert, conmen and vagabonds the lot!
Take that up with the copyright holder. They are the ones who have RU-vid insert commercials. Just get an RU-vid Add-Blocker and they won't bother you any longer.
Tiefe Verbeugung vor der künstlerischen Leistung, mir persönlich an manchen Stellen zu viel des Guten, was die Lautstärke vor allem des Orchesters betrifft.
