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Robin O'Neill, Principal Bassoon, on The Rite of Spring | Stravinsky: Myths&Rituals

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Robin O'Neill, Principal Bassoon of the Philharmonia Orchestra, knows the famous opening notes of The Rite of Spring intimately and has played them in countless concerts. Watch his chat backstage with broadcaster Sara Mohr-Pietsch to find out more about what it takes to nail Stravinsky's infamous solo.
Discover this film, and others, as an interactive documentary, and book tickets for Stravinsky: Myths & Rituals: www.philharmonia.co.uk/stravinsky
The Rite of Spring is published by Boosey & Hawkes and used with their permission within this film. Find out more here: www.boosey.com/stravinsky
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Опубликовано:

24 апр 2016

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Комментарии : 36

@philharmonia_orchestra 8 лет назад

#savethebassoon

@jameschristiansson3137 6 лет назад

When he mentioned the French bassoon I almost fell out of my chair. Merci! #savethefrenchbasson

@Chachboon1 3 года назад

For info, the solo is based on "Tu, manu seserele," a Lithuanian folk song. It is #157 in Anton Juszkiewicz’s Melodje ludowe litewskie.

@suppohkram 5 лет назад

0:45 “not that high/difficult” flashback to me in high school losing a lung trying to squawk out the first note

@ghosttoast2073 5 лет назад

suppohkram I feel you buddy

@marklandgraf7667 3 года назад

"One of the most important pieces ever written. Obviously." Oh, yes, of course. Obviously.

@JoaoFurtadoCoelho777 8 лет назад

Thank you so much for this very interesting interview. I'd never thought about the possible influence of Debussy's "Prelude" on "The Rite". Listening to a good and clever musician is always rewarding!... Shared on Google+

@derycktrahair8108 Год назад

Robin ONeill is brilliant. Hear it & play it is the lesson. Don't wimp out.. It's your solo & you are the boss of your instrument. Just do it..they'll let you know if they want it another way. PS don't argue with Conductor..just look as if you might.

@StanleyKSCBP 8 лет назад

I agree with what he's saying very much. Great man and wonderful player.

@philharmonia_orchestra 8 лет назад

+Stan Kaye-Smith Thank you Stan! Robin delivered a great performance of The Rite at our opening Stravinsky series concert on Sunday.

@AudiophiliaChannel 9 месяцев назад

Fabulous, Robin. Thank you.

@echodots 8 лет назад

very colorful descriptions, thank you.

@philharmonia_orchestra 8 лет назад

+Echo Dots Thank you for watching!

@muzboz 4 года назад

I love his descriptions and thoughts on this! :)

@classicalperformances8777 Год назад

Amazing

@alexalestareon695 3 года назад

I love this solo!!!! I taught it to myself because I a) wanted a challenge and b) I heard it was the most difficult bassoon solo and I’m stubborn so I wanted to learn it. Come to find out it actually isn’t horrible.

@hudsoncampos2201 Год назад

👏🏽👏🏽👏🏽

@crumbybooch1851 5 лет назад

What brand of Bassoon is his? It looks amazing!

@thomashenderson4230 4 года назад

Looks like a Heckel

@royeolt 8 лет назад

@ashtonlyons2139 4 года назад

Well it’s actually a well-known Lithuanian tune. It’s called Tu Mano Sisserele. It translates “Oh, my sister”. The fact he doesn’t know the name of the tune is surprising...

@BoburmirzoSultonovBassoonist 4 года назад

Rite of spring , it's difficult pieces

@isaacmcareavey237 2 года назад

Is that a soulsby bassoon?

@smalysbassoon 7 лет назад

Stravinsky used about 20 Lithuanian folk songs in this ballet

@agogobell28 4 года назад

As far as I know, only about three Lithuanian folk songs made it into the Rite.

@smalysbassoon 4 года назад

@@agogobell28 there are several articles regarding this, with examples. Stravinsky bought a book of Lithuanian folk songs on his way from Petersburg to Paris, and found them sufficiently "ancient sounding" to use them in this ballet

@agogobell28 4 года назад

@@smalysbassoon No, I know this already. I was, however, mistaken when I said three Lithuanian melodies showed up -- according to Morton (1979), "Footnotes to Stravinsky Studies: 'Le Sacre du Printemps'", there are no fewer than 6 melodies from the Juszkiewicz collection -- to wit, in the act 1 Introduction, Augurs, Abduction, and Spring Rounds.

@agogobell28 4 года назад

@@smalysbassoon Furthermore, according to Taruskin (1980), "Russian Folk Melodies in 'The Rite of Spring'", several Russian folk melodies were the source of melodic material (albeit quoted much less literally or directly than the Lithuanian melodies from the Juszkiewicz collection) in Spring Rounds, Abduction, Dance of the Earth, Mystic Circles, and Ritual Action.

@agogobell28 4 года назад

@@smalysbassoon This is not, of course, to minimise the importance of the Lithuanian folk melodies as the source material for the Rite, but rather to simply say that they were part of a heterogeneous mixture of folk-derived source material.