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Rossini - La donna del lago - Acto I (Muti) 

Rafael Fernández de Larrinoa
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6 дек 2016

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Комментарии : 29   
@cliffgaither
@cliffgaither 10 месяцев назад
_Mura infelici_ is my favorite mezzo-soprano aria by Rossini. The mezzo-soprano here did a great job. She deserved the "Bravos !"
@sandymyers3148
@sandymyers3148 Год назад
My favorite Opera from my time in the music conservatory of Panama 🇵🇦
@mirjamdevries9376
@mirjamdevries9376 Год назад
Opera incantevole! Magico Rossini. Meravigliosa June Anderson! La sua coloratura è gradevolissima!🌹🌈 Mi piace molto anche Blake nel ruolo di Giacomo V, che a mio parere calza a pennello.
@viorelbadiceanu8150
@viorelbadiceanu8150 4 года назад
Thank you for posting this jewel with this glorious cast!
@giovannirimini3837
@giovannirimini3837 7 лет назад
great Rossini, great singers, and great Maestro Muti!!! Dear Milanese public, who have you lost, thanks to a low level direction of La Scala Theatre in these last years???
@dolorsrosello4901
@dolorsrosello4901 3 года назад
Vivaaaaaa Rossini!!!!!!!!
@josepassos1019
@josepassos1019 5 лет назад
Magnífico!
@GSHAPIROY
@GSHAPIROY Год назад
At 20:37 there should be a short duet of Albina and Serano and I cannot understand why it was cut from this production, especially as the singer playing Albina has such a rich and beautiful voice...
@alexfernandohuenten1374
@alexfernandohuenten1374 2 года назад
Awesome
@angusmcrandy
@angusmcrandy 4 года назад
Elena (Ellen), Lady of the Lake soprano: June Anderson Malcom (Malcolm) Groeme (Graeme), Rebel chieftain, Elena's lover: mezzo soprano Martine DuPuy Uberto di Snowdon, alias of Giacomo V, Re di Scozia (King James V of Scotland) enamored of Elena: tenor Rockwell Blake Duglas (Douglas) d'Angus, Elena's father, rebel and former tutor to King James: bass Giorgio Surjan Rodrigo (Roderick) di Dhu, Rebel chief of the Highlanders, betrothed to Elena: tenor Chris Merritt Serano, Douglas's retainer: tenor Ernesto Gavazzi Albina, Elena's confidante: mezzo soprano Marilena Laurenza Bertram, Servant to the King: bass Ferrero Poggi Act 1 Scene 1: The shores of Loch Katrine, with the Ben Ledi mountains in the background Shepherds are watching flocks at dawn on the shore and men in the nearby forests are hunting (Chorus: Del dì la messaggiera già il crin di rose infiora / "It is the day of the harvest and rose tresses are fully blossomed). Elena appears in a boat on the lake and sings of her longing for her true love, Malcolm (Cavatina: Oh mattutini albori| vi ha preceduti Amor / "Love has preceded you, to awake me again from my slumbers"). At the edge of the lake, Elena hears the sound of horns and vainly hopes that Malcolm will be among the hunters. However, King James - who has disguised himself as "Uberto" in the hope of meeting the beautiful Elena - approaches from a distance, claiming to be a lost hunter. She offers him shelter and James accepts, and the two cross the lake towards Elena's home (Duettino: Scendi nel piccol legno / "Get into my little boat"). As they sail off, the men in his entourage arrive, searching for the disguised King (Chorus: Uberto! Ah! dove t'ascondi? / "Oberto, where are you hiding?"). Frustrated, they agree to widen the search and pray for guidance in finding their leader. Scene 2: Douglas's home Arriving at her home, Elena explains her simple life. But Uberto/King James sees insignias of his ancestors and learns that Elena's father is Douglas, the King's tutor, who has since become a rebel exiled from the court, a decision which Uberto in an aside says the King regrets. Elena's friends arrive and sing of her betrothal by her father to Rodrigo, chief of the Highlanders, a Scots tribe opposed to King James. Uberto/James becomes jealous. However, he suspects that Elena is not in love with Rodrigo (Duet: Le mie barbare vicende / "What good will it do to hear about my cruel fortunes?"). Directly, he asks if there is someone she loves, and learns this was only a brief episode in her past. Encouraged, he prepares to leave Elena's house (Duet: Cielo! in qual estasi! / "Heavens, I feel myself transported in ecstasy"), and he and Elena expresses similar emotions. All leave as Elena goes inside. Malcolm arrives, having decided to join the Highlanders (Mura felici, ove il mio ben si aggira! / Dopo più lune io vi riveggo / "Happy walls, that shelter my beloved. After so long I will see her again!"). Alone, he recalls fond memories of Elena: (Aria: Elena! oh tu, che chiamo!, Deh vola a me un istante / "Elena! you whom I call!, Ah!, fly back to me for a moment, come back to me and say I love you"). Then he swears he will take her away from the strongest man or die in the attempt. Unseen, Malcolm then watches Elena and her father discussing her upcoming marriage to Rodrigo. She is reluctant, but Douglas orders her to obey his command: (Aria: Taci, lo voglio, e basti / "Be quiet! It is my wish...Show me that you're a daughter worthy of her father"). As he leaves, trumpets announce Rodrigo; Douglas orders Elena to follow him. Malcolm, who has overheard the conversation, approaches Elena and they pledge their undying devotion to each other (Duettino: Vivere io non saprò/ potrò, mio ben, senza di te / (Elena, then Malcolm): "Beloved, I shall not be able to live, my love, without you"). Together they leave. Scene 3 The Highland warriors urge one another to fight (Chorus: Qual rapido torrente / "Like a swift-flowing stream, surging over obstacles in its way") and welcome Rodrigo. He pledges to lead them to victory but, aside, expresses anxiety to see his future bride: (Cavatina: Eccomi a voi, miei prodi / "I come to you my brave honor of the native soil"). His soldiers assure him he will win the hand of the woman he loves, as well as military victory. Douglas enters and he and Rodrigo greet one another, the latter fervently expressing his desire to see Elena. (Rodrigo and Chorus: Ma dov'è colei / "But where is Elena, who kindles such a sweet flame in my breast"). Acclaimed by the assembled crowd for her beauty, Elena enters. Rodrigo approaches, declaring his love: (Aria: Quanto a quest'alma amante / "My loving soul finds the sweetness of this moment"). Concerned that she does not appear to respond, Douglas assures Rodrigo that she is restrained by modesty. Father, daughter and suitor each express their hopes, concerns and fears: (Trio: Di opposti affetti un vortice / "A whirlwind of contrary emotions, Swirls about me"). Malcolm and his men arrive to join the Highlanders, demanding to be put to the test. Elena tries to hide her emotions, but Douglas immediately understands where her heart lies. At the same time, Rodrigo offers friendship to Malcolm and introduces Elena as his bride-to-be; but he, too, perceives a connection between Malcolm and Elena. In a quartet accompanied by the chorus of soldiers and women, each expresses his or her conflicting emotions: (Rodrigo: Crudele sospetto, Che me agiti il petto / "Cruel suspicion That sets me shuddering"; then Elena and Malcolm together: Ah cèlati, o affetto, nel misero petto! / "Ah my affection - keep yourself hidden"; then Douglas: Ah l'ira, il dispetto, mi straziano il petto! / "Ah! Anger and resentment Tear my heart apart"; finally Albina and chorus: Crudele sospetto gli serpe nel petto! / "Cruel suspicion twists Like a snake"). Abruptly, Serano enters to warn of an attack by the King's forces. The Bards (Coro dei Bardi) enter and sing Già un raggio forier d'immenso splendor, addita il sentier di gloria, di onor, in which they are then joined by Albina E vinto il nemico, domato l'audace. As Rodrigo, Malcolm and the Highland warriors prepare to depart for battle, everyone joins in singing Su... amici! guerrieri! / "Go on, friends and warriors, Go on, let's march, let's fight". All leave for battle.
@viorelbadiceanu8150
@viorelbadiceanu8150 4 года назад
Thank you!
@angusmcrandy
@angusmcrandy 4 года назад
@@viorelbadiceanu8150 My pleasure.
@davidpayne697
@davidpayne697 Месяц назад
Very much appreciated. Thank you so much
@lucynka102
@lucynka102 6 лет назад
Rockwell Blake and Joan Sutherland are wonderful
@SalemVocals
@SalemVocals 5 лет назад
While you are absolutely perfectly right, so is June Anderson :-)
@suzannederringer1607
@suzannederringer1607 4 года назад
June Anders5was a Sutherland Wannabe and looked something like her. But she lacked Joan's originality.
@angusmcrandy
@angusmcrandy 4 года назад
Act 2 Scene 1: A thick wood with a cave In the woods, Uberto/King James has come to find Elena, hoping to save her from the coming battles (Cavatina: Oh fiamma soave, che l’alma mi accendi! pietosa ti rendi a un fido amator. / "Oh sweet flame. Show compassion To a faithful lover"). Meanwhile, Elena asks Serano to find her father, whom she expects to see before he goes off to fight; Serano leaves. Uberto/King James then approaches Elena and declares his love, but she tells him she loves Malcolm: (Duet, leading to a trio: Elena and Uberto: Alla ragion deh rieda / "Ah! may your agitated and overburdended soul Return to reason's control"). Nevertheless, Uberto gives Elena a ring he says the King gave him, and emphasizes that it will see her through any danger. He prepares to leave, but Rodrigo steps forward, having overheard their exchange: (Duet: Qual pena in me già desta / "What distress in my fatal misfortune"". This becomes a trio with Rodrigo's: Misere mie pupille! / "O my wretched eyes!".) [32] Overwhelmed with rage and jealousy, Rodrigo orders his men to reveal themselves and kill this stranger. Elena pleads with Rodrigo's men, and Rodrigo decides to duel with Uberto himself. The two exit; Elena, trying in vain to calm them, follows. Scene 2: The interior of the cave Malcolm enters, looking for Elena, but finds only Albina. Serano joins them, explaining that Elena has gone in search of her father, Douglas, who is on a peace mission to the King's palace. Despondent at losing Elena, Malcolm seeks his own death: (Aria: Ah! si pera: ormai la morte! fia sollievo a’ mali miei / "Ah! Let me perish; death now Would be a relief for my ills. But if she comes to me she will bring eternal happiness to my life"). However, he is confronted by the arriving clansmen who announce that Rodrigo has been slain and the Highlanders face certain defeat. Malcolm leaves for the palace, determined to rescue Elena even if it means his life. Scene 3: A room in the King's palace Douglas begs his former student King James for forgiveness, not for himself but for his daughter and those who helped him on the field of battle. The King refuses, and orders him imprisoned. As Douglas is led away, the King is saddened by having to act so severely. Meanwhile, Elena has gained entry to the palace by showing her ring from "Uberto", and hopes to save her father, Malcolm and Rodrigo (of whose death she is unaware). Suddenly, in the next room, she hears the voice of "Uberto" expressing love for her: (Aria: Aurora! ah sorgerai avversa ognor per me? D’Elena i vaghi rai mostrarmi. / "Dawn! Ah! will you always Arise inauspiciously for me? Oh God! Why show me Elena's fair eyes?"). When "Uberto" comes in, Elena is thrilled, certain he will help her gain an interview with the King. Scene 4: The King's Throne Room The two enter the throne room as members of the court join them: (Chorus: Imponga il Re: noi siamo servi del suo voler / "Let the King give us his orders"). Elena, puzzled by the courtiers' behaviour towards "Uberto", suddenly she realises that Uberto and King James are one. King James, softened by his affection for Elena, decides to forgive Douglas; but he makes a show of severity by condemning Malcolm. Finally, he relents and brings the young couple together. In her rondo finale, Elena rejoices to have saved both her father and her true love, while everyone else rejoices that peace has been restored: (Rondo: Tanti affetti in tal momento! mi si fanno al core intorno, che l’immenso mio contento / "So many emotions at such moment / Come clamouring about my heart / That I cannot explain to you / My immense happiness")
@viorelbadiceanu8150
@viorelbadiceanu8150 4 года назад
Thank you!
@angusmcrandy
@angusmcrandy 4 года назад
@@viorelbadiceanu8150 You're quite welcome. It's nice when these are appreciated.
@user-tr1be3lx5s
@user-tr1be3lx5s 3 года назад
thank you for uploading this artistic treasure!This is the best version I have ever heard,and the costume as well as settings are also outstanding.I'm tired of those"NEW version".What piece of shit Joyce DiDonato performed.
@Vanchy58
@Vanchy58 7 лет назад
En qué año fue producido este montaje? Se nota que es superior en calidad interpretativa tanto vocal como escénica a la versión de 1992 en el mismo teatro de la Scala de Milán. La dirección del maestro Riccardo Muti es soberbia y extraordinariamente precisa digna de uno de los mejores directores italianos que ha contado La Scala desde el siglo XX. Bravo tutti!!!
7 лет назад
Yo diría que es el de 1992 de la Scala de Milán...
@Vanchy58
@Vanchy58 6 лет назад
Gracias por el dato Rafael entonces no me equivoqué con la fecha de 1992. La soprano June Anderson quien interpreta uno de los papeles protagónicos de esta maravillosa ópera rossiniana estaba en la cumbre de su carrera.
@antoniosergio7701
@antoniosergio7701 5 лет назад
gostaria de ver todas as operas do saite sem esta fracionada.ok obrigado
@JesusEtxabe
@JesusEtxabe 6 месяцев назад
Sinopsis
@suzannederringer1607
@suzannederringer1607 4 года назад
Ugly Production that doesn't exactly call to mind Stuart Scotland...Ugly Costumes, and what seems like NO Stage Direction. Might as well have been a Concert Performance. But good to hear a live Performance of what uses to be a Rarity.
@rogermarten5969
@rogermarten5969 3 года назад
How dare YOU .... who ever YOU may be ... to insult a World Star with such disgusting words YOU may dislike her personally ... but that has nothing to do with her performance . Obviously you missed in the class of education ... the caption of MANNERS ... which totally and utterly YOU missed I agree as You I don't like the new versions of modern cloth performance .... BUT again it shows how uneducated you are and shows clearly how little you understand about OPERAS ... the MODERN VERSIONS are created for the young people of today ... to make them and educate them to understand and attract them to hundred year old version of operas ... to let them come and see this wonderful creations of MASTER CREATORS OF MUSIC for hundreds of years and still exist for another century Classic or modern ... it will live FOREVER ......... SHAME ON YOU FOR YOUR UNEDUCATED LANGUAGE ... Roger Marten
@mdrakic
@mdrakic Год назад
Exactly, nothing to do with Scotland. Since when do they speak Italian in the Highlands?
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