Bomarzo, a village in Lazio at the foot of Mount Cimino, possesses a unique work, the Villa of Marvels, also called the Sacred Wood or Park of Monsters. lt was designed by Prince Vicino Orsini and the great architect Pirro Ligorio in 1552.
The park is unique, even if it belongs to the erudite architectural-naturalistic culture of the second half of the sixteenth century. Refined ltalian style gardens follow geometric and perspective rationality with embellishments such as wide terraces, fountains with water games and mannerist sculptures. On the contrary the learned Prince of Bomarzo dedicated himself to creating an eccentric "wood" having the blocks of peperino emerging from the ground sculpted into enigmatic figures of monsters, dragons, mythological subjects and exotic animals, a crooked house, a funerary temple, fountains, seats and obelisks with carved mottoes and inscriptions.
The Sacred Wood is an unusual solution which does not follow sixteenth century usage; the different elements have no perspective relationship between each other and have no coherence or common proportions. Everything is invented with iconological criteria which escape even the most impassioned scholars, a labyrinth of symbols which envelopes anyone who enters. They inspired many artists at the time including Annibal Caro, Bitussi and Cardinal Madruzzo. After the death of Vicino Orsini nobody took charge of the place and it only began to be appreciated by intellectuals and artists such as Claude Lorrain, Johann Wolfgang von Goethe, Salvador Dali, Mario Praz and Maurizio Calvesi after centuries of neglect.
Salvador Dalí visited the park and loved it. He was so inspired, he shot a short film there, and the sculptures inspired his 1946 painting The Temptation of Saint Anthony. Jean Cocteau was also a fan of the park. Other artists followed, and a novel, libretto, and opera have all been based on the park.
While there is no way of truly knowing how the Prince felt about the park, the final addition indicates that perhaps he was getting over his melancholy. Built 20 years after the park was begun, it is not a monster but a temple, built to honor his second wife.
When you visit the park, be sure to enter the giant screaming mouth (known as “the mouth of hell”), inside which, on the tongue, stands a picnic table and enough seating for a small group to have lunch.
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6 окт 2024