Setlist: 01. Fascinating Rhythm - 00:00 02. Here's That Rainy Day - 04:09 03. In A Mellow Tone - 11:26 04. There Will Never Be Another You - 15:48 05. Comecar De Novo - 18:04 06. Just Friends - 24:26 07. Goodbye - 28:04 08. From This Moment On - 33:30 09. Send In The Clowns - 37:55
In 1987 she released Brazilian Romance, her last album. This concert shows her utter mastery of the American songbook and her love of Brazilian ballads. Thanks for sharing. Her old comment that she came on stage looking like Lena Horne and left looking like Sarah Vaughan never got old. She was the Divine One.
@@monicabella7894 Billie was more expressive and she had more feeling but was uncreative about her vocal range and vocal abilities. Sarah and Dinah were much more creative and both had a much broader vocal range. Even though Holliday had a better musical repertoire than Vaughan.
@@11rokerito "Music ist the shorthand of emotion." (Lew Tolstoi) As Billie said: "I don't sing, I feel". The vocal range/abilities aren't important. Even opera singers claim her as the best female vocalist.
So glad this performance was captured...to have been in this audience...would be a dream come true.... such an amazing display of talent ...every note brimming with feeling and emotion. ❣
Thanks sooo very much for sharing. Great seeing comments from someone who knew her personally.Always wished I could have met her in person. Words will never be able to describe how beautiful and amazing she was as a person and singer.
Truly, Sarah Vaughn was Divine with such a Marvelous, Beautiful voice!! Truly, she was one of the Greatest Romantic Jazz musicians ever! What a Loss!! She is now making the Heavenly Hosts happy with those fantastic renditions!!
The golden voice, Remember ❤ ❤ ❤ the best 👌 ❤ ✨ 💓 how fortunate to Remember her, the Voice that brings 🔥 👌 💯 to our cherished memories. Thank you for sharing ❤ 😊 ☺ 🙏 💕 ♥ these beautiful memories ❤ 💖 💕 ♥ 💗 💙 ❤ 💖
The most imaginative, accomplished and inehaustible musical mind with a voice to match it--the only voice seemingly immune to the effects of illenss, bad habits and aging. Hearing her 1985 Paris Concert ("In the City of Lights") was a revelation about her power and depth as America's true prima donna, offering the most definitive interpretations of jazz and American pop standards when accompanied by a pianist with a talent matching hers (the unheralded Frank Collett, who made his piano Sarah's "second brain"--following and often provoking her every thought and scintilla of feeling during performances demonstraing the meaning of the word "symbiosis." (Drummer Harold Jones is missing--had he gone on with Tony Bennett by this time?)
what a masterful singer! An amazing sense of humor! The Lena Horne story had me laughing for five minutes. I love how she told the engineer to leave the mic settings alone. Been there done that! I never heard her live but I'm so glad we have this concert. Wow.
Adorable “ The Best Ever ,Jazz Lady *** , Cheers for this showcase, - from ( South Wales ,U.K.-& p’s - not forgetting the Superb “ backing musicians of course * .&. ( Sarah” can make me = smile, laugh, & sing , but most of All’ from an artist - she can unashamedly make me CRY ! With her performance etc . Never to be forgotten .
How I love this song 🎵 ❤ 😍 💕 💜 ♥ so, so beautiful 😍 ❤ 💕, i don't believe I have heard this before. Thank you, so very Much. The words Are Spectacular and how captivating
@ 18:12 "Comecar de Novo" is the Ivan Lins/Victor Martins classic "The Island". Her third and last studio album of Brazilian music was produced by Sergio Mendes. This rendition of " Send in The Clouns" epitomizes her technical vocal ability. It was truly a blessing when God said "let there be Sarah Vaughan.......!"
I recall my Mum played Sarah Vaughn when my ears, cortex developing. Her kindness & spirit were ignited upon suggestion. RU-vid lit up shop. Nice one. 🙂.
Every young female singer should closely watch an learn from her how to handle a microphone. When she kindly asks the front of house technicians "Put some lows on the microphone, so you don't hear me breath", I just had to laugh, because probably the engineer meant well but being usually drawn to roll of the lows because of technically unaware singers that "eat the mic" and would make pops and all sorts of plosive noises that simply have to be tamed. But Sarah just handles the mic so consciously ALL THE TIME. She was forced to put the mic closer to her mouth in order to let us hear the full spectrum and "body" of her vocals. So she requested the lows to be able to keep the mic away and still retain that beautiful low end. When at the end she tells the sound(wo?)man to just leave the mic now the way it is, and let go of his buttons and "enjoy the show" I just had to LOL and smile. What a great lady!
Sarah Vaughan in concert 1987, Sarah la divina la más influyente del jazz del siglo 20, su voz maravillosa única con unas frecuencias insuperables, una de las cantantes femeninas más grandes del pasado siglo, un concierto impresionante para tener en el recuerdo para siempre, Sarah eres la más grande del jazz femenino del pasado siglo.
Correcto,,,,,también lo son ,,,,,amigo hay muchas cantantes del.passdo.Siglo muy influllentes en el Jazz pero no se pueden siempre nombran a todas ......
Maravilhosa!!! O que é Sarah cantando alguns dos compositores importantes da música brasileira, tais como: Ivan Lins, Vitor Martins, Edu Lobo e Torquato Neto.
Isn't it rich? Are we a pair? Me here at last on the ground, You in mid-air, Where are the clowns? Isn't it bliss? Don't you approve? One who keeps tearing around, One who can't move, Where are the clowns? There ought to be clowns? Just when I'd stopped opening doors, Finally knowing the one that I wanted was yours Making my entrance again with my usual flair Sure of my lines No one is there Don't you love farce? My fault, I fear I thought that you'd want what I want Sorry, my dear! But where are the clowns Send in the clowns Don't bother, they're here Isn't it rich? Isn't it queer? Losing my timing this late in my career But where are the clowns? There ought to be clowns Well, maybe next year
