Schubert - Symphony No 9 in C major, D 944 - Muti 

I don’t understand those who put dislike?? If you’re not into this type of music why listen?

One of my favorites compositions

I was reading while listening to this and had to just stop reading.....this symphony just grabs your attention and holds it. The rhythms, the beautiful melodic themes, the conversation between the instruments. Awesome!

dopo 200 anni questa musica non perde nemmeno un grammo del proprio splendore, anzi ne acquista...ecco perché la musica classica è immortale ♥️

Every Saturday nihgt I listen this wonderful simphonia.Schubert, Ricardo Muti and the Wiener Philarmonic makes me happy very happy.Thanks very much

hello this can help =) 1 Andante - Allegro ma non troppo 00:01 2 Andante con moto 17:16 3 Scherzo. Allegro vivace - Trio 33:40 4 Finale. Allegro vivace 44:24

This is Schubert's masterpiece. The third movement's opening string melody, which is repeated during that movement, is perhaps the most beautiful found in any symphonic work.

To me, that's one of the most beautiful symphonies made ever!!!

Это Вам спасибо,при этом не просто спасибо,а большое уважительное за то что вы нам старым и убогим даёте возможность хоть немного почувствовать вкус жизни

SUBLIME! SCHUBERT, MAESTRO MUTI, VIENNA PHILARMONIC ORCHESTRA! Thank you for elevating my spirit!

Why is this symphony so underrated? Every time I prefer some movements over others but here I love all of them. It's so magic!

Love how he holds back the tempo and really beefs up the unison C's around 54:52. Such an epic moment

The Muti Schubert 9ths with the VPO and the BPO are the finest I’ve ever heard. He gets this masterpiece.

Già la sola entrata degli archi rivela la straordinaria maestria di Muti. Orchestra fantastica. Schubert immenso per immaginazione musicale e invenzione.. Non si può dire di meno.

00:00 Andante - Allegro ma non troppo 17:14 Andante con moto 33:38 Scherzo. Allegro vivace - Trio 44:22 Finale. Allegro vivace

Wonderful Schubert, Maestro Muti. Thank you for elevating my spirit !

Wunderschöne Aufführung dieser großartigen Sinfonie mit perfekt synchronisierten und gut phrasierten Töne aller Instrumente. Der geniale Maestro dirigiert das weltklassige Orchester im rhythmischen Tempo mit effektiver Dynamik. Einfach wunderbar!

Schubert's Ninth never sounded better. The VPO was magnificent. Just watching Muti conduct was itself worth the price of admission. Superb.

한달전의 세종에서의 감동을 잊지 못하고 있습니다 오래오래 건강하세요 무티마에님💓💓

Thanks for sharing with us, greetings from Brazil.

WOW! One of the great interpretations of the ages. Would love to hear all the great conductors of the past, going back to the premier.

My first time hearing this. What a delightful symphony.

Magnifique ! Une oeuvre extraordinaire magistralement dirigée et interprétée. Merci pour ce moment d'évasion.

Сегодня 225 лет со дня рождения Франца Шуберта. И это симфония - потрясающая. Особенно 2 часть...

This wonderful performance is a gift of avid desire to Schubert enthusiasts all over the world

39:45 is such an amazing chord progression/harmonization - how great to be in an amazing orchestra like this and get to play this.

Splendid, absolutely splendid, this symphony always gladdens the heart.

Breathtaking

Muti is THE Maestro!

Very excellent full of passion❤

This is one of the great underrated masterpieces of the classical repertoire and Riccardo Muti's romanticism is perfectly suited for it. Munch with the Boston Symphony Orchestra is still my favorite but I admire this interpretation.

This profomence is absolutely stunning this conductor and orchestra are out of this world this is the best l have seen Schubert symphony no 9 played , the 3rd movement is very good indeed Schubert would be a very very happy man with this profomence.

Schubert was not only a maestro of the piano, the lieder, the chamber music, he also mastered the orchestra in an incredible way. Look for indsance at the way how trombons are used. Even in Beethoven's score, you do not find such an advanced treatment.

Para esas tardes grises..viene muy bien escuchar esta bella sinfonìa.

Just amazing

Grande Schubert, grande Muti y gran orquesta con sus perfectos ralentandos y retenutos explosiones maravillosas vientos cuerdas como lo hubiese querido el mismo Schubert, esas combinaciones de las maderas y metales violines y timbales

Schubert, un genio della musica, talento infinito morto a solo 31 anni. Quale altre magnifiche sinfonie avrebbe composto se avesse vissuto tanto quanto Cherubini morto a 82 anni! Grazie alla straordinaria bravura del maestro Muti poi la grandezza di questa opera si manifesta gloriosamente.

Bellísima.la novena sinfonía de Schubert y la Inconclusa también.--

Orchestre exceptionnel + salle exceptionnelle + chef exceptionnel = régal absolu

Fico pensando como é q ainda existem seres q não aplaudem uma excelência de música como essa. Mas, enfim, seres humanos são assim mesmo

La Symphonie no 9 en ut majeur, D. 944, connue sous le nom de « Grande Symphonie », est la dernière à avoir été achevée par Franz Schubert. Le compositeur l'avait d'abord surnommée « Grande ut majeur » afin de la distinguer de son autre symphonie en ut majeur, la Sixième ou « Petite Symphonie », mais ce surnom est aujourd'hui souvent considéré comme le reflet de l’œuvre, de par sa longueur et sa majesté. Cette symphonie ne reçut pas un accueil favorable à son début. Les musiciens de la Gesellschaft der Musikfreunde la jugèrent « difficile et pompeuse » (« schwierig und schwülstig »), au point que lors du concert posthume du 14 décembre 1828, elle fut remplacée par la « Petite ». En 1838, dix ans après la mort de Schubert, Robert Schumann se rendit sur la tombe du compositeur puis rencontra son frère aîné Ferdinand Schubert, qui disposait des manuscrits inédits. Schumann ramena la symphonie à Leipzig, où il la fit exécuter par Felix Mendelssohn lors du concert du 21 mars 1839, ainsi qu'il en rendit compte dans sa gazette Neue Zeitschrift für Musik. La légende veut que, pendant la répétition du premier mouvement, un musicien ait demandé à son collègue s'il avait réussi à entendre une seule mélodie. D'autres sources racontent que Schumann aurait dit, après avoir entendu la première exécution de l'œuvre, qu'il s'agissait là de la plus grande pièce orchestrale depuis la mort de Beethoven. La pièce ne reçut pas non plus un bon accueil à Londres, où la répétition dirigée par François-Antoine Habeneck fut ponctuée des rires des violonistes. La pièce fut finalement donnée aux États-Unis avant Paris, où elle ne fut jouée qu'en 1851. Souvent considérée comme la meilleure pièce symphonique de Schubert, la Grande Symphonie en ut majeur est aussi l'une de ses œuvres les plus novatrices. Si l'on retrouve encore le style de Beethoven dans le développement thématique de l'œuvre, le soin apporté à la mélodie est très personnel, ce qui, de la part d'un maître du lied, ne saurait surprendre. Ce nouveau style a incité Schumann à poursuivre ses propres ambitions symphoniques. ............................................................................................................................... Symphony No. 9 in C major, D. 944, known as the "Great Symphony," was the last to be completed by Franz Schubert. The composer first called it "Great C major" in order to distinguish it from his other symphony in C major, the Sixth or "Little Symphony," but this nickname is today often considered the reflection of the work , by its length and majesty. This symphony did not receive a favorable reception at its beginning. The musicians of the Gesellschaft der Musikfreunde considered it "difficult and pompous" ("schwierig und schwülstig"), so much so that at the posthumous concert of December 14, 1828, it was replaced by the "Petite". In 1838, ten years after Schubert's death, Robert Schumann went to the composer's grave and met his elder brother, Ferdinand Schubert, who had unpublished manuscripts. Schumann brought the symphony back to Leipzig, where he performed it by Felix Mendelssohn during the concert of March 21, 1839, as reported in his gazette Neue Zeitschrift für Musik. Legend has it that, during the rehearsal of the first movement, a musician asked his colleague if he had succeeded in hearing a single melody. Other sources say that Schumann would have said, after hearing the first performance of the work, that it was the largest orchestral piece since Beethoven's death. Nor was the play welcomed in London, where the rehearsal led by François-Antoine Habeneck was punctuated by the laughter of the violinists. The play was finally given to the United States before Paris, where it was not played until 1851. Often considered Schubert's best symphonic piece, the Great Symphony in C major is also one of his most innovative works. If we still find Beethoven's style in the thematic development of the work, the care given to the melody is very personal, which, on the part of a master of the lied, can not surprise. This new style prompted Schumann to pursue his own symphonic ambitions.

One of greatest symphonies!!! And Muti very very good in Schubert, as usual

An amazing symphony excellently directed.

Wow, the conductor really does make a difference. I have heard this symphony many times (nearly on a weekly basis, at those times when I want to inspire myself to get work done), but never before with such power.

La "Grande" no solo es tal, es grandiosa. Bellísima y compleja. Desafío para cualquier orquesta y director. Esta versión es excelente

WHAT A GREAT SYMPHONY!

I've never heard it said, but I find rhythm to be one of Schubert's main characteristics. The Great certainly has some wonderfully rhythmic passages, don't you think?

Sages have portrayed life as a river flowing onward. When I listen to this symphony it feels like a great river carrying me forward and in this case I am being carried in the arms of my beloved Schubert

52:01 I just love how this theme comes back one more times! Truly amazing.

Enorme. Grandiosa. 👏👏👏

Maestro Mutti and the Vienna Phil. bring out the best of this majestic symphony. It has earned the appellation of "The Great" because it is just that. It will endure for eternity.

Muy bello😊

Una exelente sinfonía, se disfruta sus contrastes de variación ďe sonidos altos y bajos.

There's something to be said for a conductor who doesn't over-try to shape every phrase, but lets the music emerge naturally as Muti seems to do without being a control freak.

A música de Shubert nos leva para dentro de um sonho.

5:09 My favourite part of the 1st movement of the Schubert 9th Symphony!

Just Sublime.

Una de las más altas cumbres del arte universal de todos los tiempos!🦅

- Andante et Allegro ma non troppo - La symphonie s'ouvre avec les deux cors qui jouent le thème de l'Andante, le thème sera ensuite transmis aux hautbois et aux clarinettes, puis les altos et les violoncelles (divisée en deux) de reprendre un nouveau pour arriver fortissimo et tutti sur le thème. S'en suit 10 mesures ou le premier hautbois et l’orchestre se répondent. Ensuite les deux violons vont marteler un rythme de triolet passant de piano au forte pour enfin passer au allegro ma non troppo et enchaîner sur le premier thème en ut majeur. Soudain, Schubert fait un pont pour passer sur le deuxième thème en mi mineur introduit par les bassons et les hautbois. Après, Schubert fait un développement sur les 2 thèmes pour continuer sur la réexposition en ut majeur. A la mesure 570, le tempo s’accélère (Piu mosso) et la coda vient de commencer. Soudain le thème de l'Andante revient en fortissimo et Tutti il est repris par les cordes pour finir le premier mouvement sur un accord de ut majeur. Le mouvement compte 685 mesures et dure environ 13 minutes (16 minutes avec la reprise). - Andante con moto - Les cordes introduisent doucement (piano) ce mouvement en la mineur, le hautbois vient avec le thème qui sera ensuite repris par la clarinettes en la. Soudain, comme par magie, la tonalité la mineur part et c'est la tonalité de la majeur qui s’installe mais pour six mesures seulement avant que la mineur revienne avec un grand accord éclatant de mi. Ce mouvement est le mineur de la symphonie. Le mouvement compte 380 mesures et dure environ 13 minutes. .............................................................................................. - Andante and Allegro ma non troppo - The symphony opens with the two horns which play the theme of the Andante , the theme will then be transmitted to oboes and clarinets, then violas and cellos (divided into two) to resume a new to arrive fortissimo and tutti on the theme. There are ten measures or the first oboe and the orchestra answer each other. Then the two violins will pound a rhythm of triple passing from piano to forte to finally pass to the allegro ma non troppo and chain on the first theme in C major. Suddenly, Schubert made a bridge to pass on the second theme in E minor introduced by the bassoons and the oboes. Afterwards, Schubert made a development on the 2 themes to continue on the re-exhibition in C major. At measure 570, the tempo accelerates (Piu mosso) and the coda has just begun. Suddenly the theme of Andante returns in fortissimo and Tutti it is taken again by the strings to finish the first movement on a chord of C major. The movement takes 685 measurements and lasts about 13 minutes (16 minutes with the recovery). - Andante con moto - The strings gently introduce this piano movement in A minor, the oboe comes with the theme which will then be picked up by the clarinets in the. Suddenly, as if by magic, the tone A minor leaves and it is the tonality of the major that settles but for six measures only before the minor returns with a brilliant chord of mi. This movement is the minor of the symphony. The movement is 380 measurements and lasts about 13 minutes.

Bravo maestro, uma das melhores versões desta grandiosa sinfonia. Orquestra sonoramente equilibrada. Os tímpanos fizeram a diferença no primeiro movimento. Andamento correto no trio do terceiro, pode-se ouvir perfeitamente os diversos naipes das madeiras que não ficaram encobertos pelas cordas. A música flui e a orquestra "canta" com eloquência. Enfim, uma execução grandiosa!

Deze romantische muziek brengt mij naar andere tijden en plaatsen, ver weg van deze profane wereld, naar een verheven wereld.

Maestro Mutti. More handsome and talented that Hollywood actors. Covid-19 no concerts. all cancelled CSO 😪

Mi sinfonia preferida.

La "Inconcusa" de Schubert ; la Filarmónica de Viena con R.Muti ....!!! Que deleite !!

Meraviglia! Ogni volta che ascolto Shubert mi rammarico per la sua morte prematura e penso a cosa avrebbe ancora potuto creare se fosse vissuto più a lungo. Tristezza..

Qué maravilla! Y pensar que nunca había escuchado esta sinfonía! Sublime.

Son Wagneriano y busqué esta música por 15 años!!!

34:14 A beautiful melody from the violins and cellos!

Logra este genio interpretar con una profundidad única esa melancolía ese sentimiento de finitud que a veces nos golpea a los humanos.

1 Andante - Allegro ma non troppo 00:01 2 Andante con moto 17:16 3 Scherzo. Allegro vivace - Trio 33:40 4 Finale. Allegro vivace 44:24

Maravilha! Schubert te amo.

love the exciting 4th movement finale....excellent vibrant tempo...brilliant!!!

Grandissimi Schubert e Muti!

Maestro! Welcome to Korea in this november! Waiting for you listening to your videos. GRAZIE♥♥♥

E' la composizione piu'magnifica che ha composto Schubert !

Grande Muti!!! Entusiasmo alle stelle!!

Riccardo Muti and the Vienna Philharmonic at La Scala! Fantastico!

Excelente 👏👏☀️❤️

Este início é fabuloso! Puro romantismo.

Sinfónica de Viena con R.Muti , por siempre..gracias..

Glorious...Magical...Joyous! The spirit of the music is wonderfully expressed through conductor Riccardo Muti.

Maravilloso… Bravi

Combinación sublime: Schubert, Muti, Viener.. hi from Barranquilla Colombia

Che dire. Tendenzialmente sono portato ad apprezzare di più Abbado ( sempre capace di dare un’impronta personale) . All’epoca la registrazione in studio della sua integrale di Schubert è stata valutata di Riferimento. È una esecuzione certamente di altissima qualità, oserei dire “ teatrale “ come in un’opera. È in piena regola con il gusto musicale del nostro. Un direttore tutto “ Italiano “. Un operista straordinario!

Excellent performance.....

Riccardo Muti (né le 28 juillet 1941 à Naples) est un chef d'orchestre italien, d'origine napolitaine et des Pouilles.Il étudie la philosophie, puis la direction d'orchestre à Naples, puis à Milan. Il a 8 ans quand il commence le violon avant de bifurquer vers le piano à l'âge de 13 ans. Après avoir remporté le premier prix du Concours Guido Cantelli en 1967, il devient chef de l'Orchestre du Mai musical florentin et sa renommée devient internationale. Il dirige en 1971 au festival de Salzbourg et succède à Otto Klemperer à la tête du Philharmonia Orchestra. En 1980, il prend la direction de l'Orchestre de Philadelphie, où il succède à Eugene Ormandy, puis la tête de la Scala de Milan de 1986 à 2005. En mai 2008, il est nommé directeur musical par l'Orchestre symphonique de Chicago à compter de la saison 2010-2011. En 1993, 1997, 2000, 2004 et 2018, il a été invité à diriger le Concert du nouvel an de l'Orchestre philharmonique de Vienne. Il est un des chefs invités les plus réguliers de l'Orchestre philharmonique de New York et de l'Orchestre national de France. Il a également réalisé des enregistrements avec l'Orchestre philharmonique de Berlin, l'Orchestre symphonique de la Radiodiffusion bavaroise et l'orchestre du Royal Opera. À l'opéra, il a beaucoup dirigé Verdi et Mozart, ainsi que Rossini, Puccini... Dans le domaine symphonique, il a enregistré des intégrales de Beethoven, Schubert, Schumann (à deux reprises), Brahms, Tchaïkovsky et Scriabine (symphonies, Poème de l'extase et Prométhée) et des œuvres de Mozart, Mahler (1re symphonie), Bruckner (4e et 6e symphonies), Chostakovitch (5e symphonie). Dans le domaine de la musique vocale sacrée, il a dirigé Haydn (Sept dernières paroles du Christ en croix), Rossini, Verdi et surtout une série d'œuvres assez rares de Cherubini. Il a également enregistré des pages de Stravinsky, Prokofiev, Debussy, Ravel, Chausson, Richard Strauss... ...................................................................................... Riccardo Muti (born July 28, 1941 in Naples) is an Italian conductor of Neapolitan origin and Apulia. He studied philosophy, then orchestral conducting in Naples and then in Milan. He is 8 years old when he begins the violin before turning to the piano at the age of 13 years. After winning the first prize at the Guido Cantelli Competition in 1967, he became conductor of the Orchester du Mai musicale Florentin and his fame became international. He directed the Salzburg Festival in 1971 and succeeded Otto Klemperer as head of the Philharmonia Orchestra. In 1980 he took over as director of the Philadelphia Orchestra, where he succeeded Eugene Ormandy and then headed the Scala of Milan from 1986 to 2005. In May 2008 he was appointed music director by the Chicago Symphony Orchestra as of the 2010-2011 season. In 1993, 1997, 2000, 2004 and 2018, he was invited to conduct the New Year's Concert of the Vienna Philharmonic Orchestra. He is one of the most regular guest conductors of the New York Philharmonic Orchestra and the Orchester National de France. He has also made recordings with the Berlin Philharmonic, the Bavarian Radio Symphony Orchestra and the Royal Opera Orchestra. In the symphonic field, he recorded the integrals of Beethoven, Schubert, Schumann (twice), Brahms, Tchaikovsky and Scriabin (symphonies , Poem of Ecstasy and Prometheus) and works by Mozart, Mahler (1st Symphony), Bruckner (4th and 6th Symphonies), Shostakovich (5th Symphony). In the field of sacred vocal music, he directed Haydn (Seven Last Words of Christ on the Cross), Rossini, Verdi and especially a series of rather rare Cherubini works. He has also recorded pages of Stravinsky, Prokofiev, Debussy, Ravel, Chausson, Richard Strauss ...

Eine hervorragend gespielte neunte Sinfonie

Grande Maestro Muti!

Muti es sin duda uno de los mejores directores dirigiendo la mejor sinfonía de Schubert, conocida como la grande, soberbia ejecución

Magnífica versión.

I saw Muti and the Philadelphia Orchestra perform the Schubert 9 at the Academy of Music in Philadelphia in the late seventies.

Best version ever

БРАААВО МАЭСТРО!!!!!!!👏👏👏👏👏👏👏

Schubert just got to know how to write a 'proper' symphony and hes dead. This work by far exceeded those composed previously

esta hemosa sinfonia 9 la grande, que empieza con esos sutiles y lejanos cornos, nos lleva al dramatismo y fuerza de toda orquesta, es dramitico y por eso me hace decir que schubert a pesar que en parte es del periodo clasico, igual percibo elementos del periodo romantico, hermosa sinfonia, fue la primera obra con la que me inicie en las luces de esta hermosica expresion de la musica clasica

참 좋은 음악, 멋지고 훌륭한 영상입니다~!!

einfach nur megageil

So beautiful a Symphony!

I am curious to know which conductor is more in sync with his/her orchestra these days than Maestro Muti? His leadership and relationship his musicians is unmatched.... He inspires musicians to play at their best. Incredible... Hard to find.

This is a beutifull piece and one of my favorite ones, trully worth to be heard.