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Schumann: Cello Concerto - Nicolas Altstaedt - Live concert HD

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Schumanns 'Celloconcert op. 129' (versie voor cello en strijkorkest) door cellist Nicolas Altstaedt en het Concertgebouw Kamerorkest.
Opname: het Zondagochtend Concert van 29 mei 2016, in het Concertgebouw te Amsterdam.
Het Zondagochtend Concert is een concertreeks van NPO Radio 4. Ga voor meer informatie en de kaartverkoop van het seizoen 2016-2017 naar: www.radio4.nl/z....

Опубликовано:

6 сен 2024

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Комментарии : 42

@jerlamb26 7 лет назад

That guy is a beast of a cellist.

@luizamsalgado 3 года назад

@Jeremy Lamb Altstaed is a Sensation, and one of the most incredibly charismatic of musicians ! And he really assume risks and..dare ! The result are superb for he is a great and rare musician...

@dudeforcaster8630 7 лет назад

This has to be the most revolutionary interpretations of this concerto I have ever heard. Bravo.

@jasjjb 8 лет назад

I have over time heard many beautiful renditions of this great concerto by many famous cellists however this execution and interpretation was somehow different and more beautiful.I have to admit never having hear of Nicola's Altsteadt but I will certainly look out for him now.It was simply stunning quality ! Thank you !!

@paolamelloni5460 7 лет назад

grandissimo cellista e altrettanto grandissimo interprete!!!!!!!!! Grazie Nicolas!!!

@benmeitzen4184 5 лет назад

Highly unique and passionate performance, I love it.

@MaybeLater500 8 лет назад

Look at that! It was published today, 06/16/2016.

@barbaraporciani3716 Год назад

beautiful and very passsionate intepretaition. bravo Nicolas!

@sternernickwill 7 лет назад

I'm glad to see the musical philosophy of Daniil Shafran is alive and well.

@notaire2 8 лет назад

Sehr moderne Interpretation dieses romantischen Meisterwerks mit perfekter Technik und ohne überflüssige Leidenschaft. Danke fürs rechtzeitige Hochladen!

@jennifs6868 Год назад

Hardest working man in classical music.

@batecado250400 4 месяца назад

Jajaja

@violetachelista1996 2 года назад

Sensibility is all in this world

@pieterderaad 8 лет назад

Wat een heerlijke macho; wordt subliem gespeeld. Ook het Kamerorkest heeft ie in zijn ban. Fantastisch

@tamarkapanadze3485 3 года назад

Very beautiful interpretation.. Thanks!

@franzlisztish 8 лет назад

STUNNING AND SUBLIME!

@joannasachryn6877 7 лет назад

Bravi, Nicolas!

@barbavassilis 5 лет назад

Second part...there is also a damn cello orchestra solo...c'mon directors...show that guy too

@mohamadkassar3977 8 лет назад

Erste keet voor mij ... Heel mooi . dank u .

@ilmrethernal3137 7 лет назад

Great Schumann.

@AthSamaras 8 лет назад

Very nice. thank you.

@anisometropie 8 лет назад

2:30 holy shit, the amount of different steps involved in turning the page.

@tigerstar1980 8 лет назад

Veramente un ottimo violoncellista, grande talento,avrà in programma di iscriversi alla Formula 1? Ma che senso ha suonare così veloce, si vince un premio? il tempo giusto è sempre il migliore. saluti A.

@chatbud 4 года назад

Wait, where are the winds and the timpani??

@Harambe2016 8 лет назад

sublime

@jasjjb 8 лет назад

Great !

@cellopodcast 4 года назад

Molto bravo! Quindi è possibile suonare questo concerto con i metronomi di Schumann . Molto più bello . Grazie !

@marianicolae6994 3 года назад

GREAT! ❤THANK YOU!🙏

@ademirsorato 4 года назад

Bravooo 👋👋👋👋

@WBFbySteefen 3 года назад

Well, let me go check out Yo-yo Ma performing this piece. Then I checked out Kian Soltani's performance.

@florianlaforge1797 3 месяца назад

C’est prodigieux

@ryszardjanczak9006 6 лет назад

complimenti !!!

@Violedegambe 7 лет назад

It looks like Isserlis' interpretation.

@RedTheCellist 6 лет назад

Nowhere near it. Isserlis is beyond everyone when it comes to this piece.

@s.l5787 5 лет назад

@@RedTheCellist He is mediocre. Awful dynamic range, bad rubatos, and egotistical performance (and no I don't mean his physical mannerisms). Every musical decision he makes is filled with ego, it's superficial passion. This performance by Nikolas was even worse surprisingly.