SCORE STUDY EPISODE #19: SYMPHONIES OF WIND INSTRUMENTS (Igor Stravinsky) 

And exactly 100 years later, Anthony O'Toole would provide the public with an in-depth analysis of this wonderful piece. Well done!

4:55 no greater TRUTH has ever been spoken

Dear dear Anthony, Ever many thanks for your thoughtful, clear, and as complete as can be, oh - and -- just plain excellent discovery of this grande work. Many a Stravinksy-o-phile ranks this at the top of most important and favorite of the Master's works - as I might wonder you do also. Your exposé here is a huge gift to us here now, and to future searchers for this music. Wind at your back !

Just wanted to point this out in case you hadn't noticed - the bassoon part at 6:06 is in the wrong clef - It should be in tenor, not bass. This then places it in-between the two lines happening on the other clef, and placing the melody it is playing in b minor, expanding the notes used mentioned in the analysis presented with this part of the reduction.

Great job! Thank you

Transposed 5 chromatic Notes Lower, Clarinet part (Low Notes) score {E Flat Alto Saxophone 1}, Bassoon part (High Notes) score {E Flat Alto Saxophone 2}, Bassoon part (Low Notes) score {Baritone} parts, Little of both Clarinet and Bassoon parts + added from much of French Horn and Trombone parts (Lower Notes/ making cues from High Notes) score {E Flat Alto Saxophone 3} {E Flat Alto Clarinet} {B Flat Tenor Saxophone 1}/ {B Flat Tenor Saxophone 2}, Trombone (Low Notes) and Tuba part score {E Flat Baritone Saxophone}. Written an octave higher (12 chromatic notes up) are Notes transposed that go beyond instruments range. Thus would be a modernized concert band Adaptation and Transcription of This Piece, ofcourse all transposed 7 (up) chromatic notes higher, same out of range rewrite would sound just as awesome ; ) Thus would creat

Thank you for the video!! I'm planning to program this for my wind ensemble soon!

This is the best! Thank you so much!! You should do Holst Second Suite in F next :)

Good video. Very good! The piece, though, was already being written when he was approached by Le Revue Musicale and he wrote the final choral (which was not part of the sketches at that time).

I hear a lot of Gil Evans (especially from Miles Davis / Porgy and Bess) in this piece

♥Anthony O'Toole