Due Super interpreti del Melodramma...Renata Scotto tra le grandissime soprano ...e ..Luciano Pavarotti tenore eccelso...una coppia del bel canto assoluta...quando mai potremo sentire una tale meraviglia.❤👏👏👏🙏
The pianist deserves an award. I can't imagine playing this piece as much movement and ritardandos it has! Bravo for a job well done. The singers = sublime!
sorry to be so offtopic but does any of you know of a tool to get back into an Instagram account? I stupidly forgot the login password. I appreciate any tips you can offer me.
@Kace Rory I really appreciate your reply. I got to the site through google and Im trying it out atm. Seems to take quite some time so I will reply here later with my results.
and as you can hear Pavarotti had not a tiny voice lyke a lot of people thinks, far from tiny actually and with a mindblowing resonance what a voice what a man ! I miss him so much
@@ransomcoates546 large small, but so beautiful, resonance, diction, color, darken as he aged, he could still pump out an amazing sound even when he was dying on his feet.
Quiza no fuera la mejor voz... pero, por qué se le criticó tanto?, tan difícil es escuchar lo que te gusta, sin vomitar opiniones despectivas de los demás cantantes?. A mi Pavarotti me encanta, y no tendria un sonido tan mediocre cuando fue de los pocos tenores que se igualó con "la Stupenda" o "la Superba". La propia Callas dijo que Pavarotti era "El tenor". No se, no digo que no tengas tu opinión, pero si este es un cantante que no te agrada demasiado... escucha a otros. Yo pagaria a dia de hoy 10.000 € por ver a Pavarotti, antes que 500 por escuchar a Tuker. Pd: creo que tú harías lo mismo.
This recording makes you feel like you are sited right there, the sound is so live. This is close as I could get to hear Pavarotti live I think. Wonderful voices, both of them! Pavarotti sounds incredible...I love Scotto anytime. Celio
this is like watching figure skating or something...i love at 7:59 when they move that line together. i love these home-made videos of recitals or shows. you really get to see the true artistry and there are no silly camera angles It's just as if you're sitting in the audience. THANK YOU SO MUCH!
@@BoleDaPole Ah la Garanca Nebtreko 😴😴😴 I wouldn't go to any of these events even if it was free. Stay safe my friend 😷💙💉 Greetings from France & Spain Arnold Bourbon Amaral
This is wonderful!!! so sensitive and romantic! and agreed this sounds like you are actually sitting in the audience!! it's truly the first time my ear has head pavarotti like this
MAMMA MIA KE BRIVIDI CON QUESTI VIDEO! LA VOCE DELLA SCOTTO SI FONDE COMPLETAMENTE A QUELLA DI PAVAROTTI SONO STRAORDINARI! NON ASCOLTEREMO MAI PIU VOCI COSI'! :(
Lovely and quite different from Corelli and Crespin. A lot of flexibility in the long slow duet so the farewell sails along. This was Pavarotti's first long Verdi role and he sang it often after rolling out Rigoletto. The recording sounds just like they did in the house: Brilliantly clear without being wall busters. Really great singing from both. Brings back memories of seeing them together.
Scotto, to this day, has the absolute, definitive performance of "Suor Angelica" on the Columbia recording from the 1980's. With nuanced inflection and rubato, it chills your spine and breaks your heart! (Bonus on the recording: Marilyn Horne sings the role of her aunt.)
That's the only recording I have of Scotto. Sorry to say I never liked Marilyn Horne for obvious reasons. But I did discover Ileana Cotrubas my all-time favorite pure form lyric soprano. Please stay safe my friends 💙😷 Greetings from France & Spain. Arnold Bourbon Amaral 🇪🇸🇫🇷💙
@@KmwAmg I have it a VCR converted it to DVD it's a treasure. Thank you for the reminder my wife and I too we're teary eyed. And a few months before she was booed at the Met when she perform Norma. Poor Renata. She had such great artistic instincts. But failed to choose her roles carefully. Please stay safe. 😷💙💉 Arnold Bourbon Amaral
@@arnoldamaral7406 What are the “obvious reasons” for not liking Marilyn Horne? You should be more modest about your musical appreciations that don’t allow you to appreciate Horne. Your failing should not be blamed on her, for obvious reasons.
Oh, i'm sure this is from the October 1976 (First) Richard Tucker Gala. I was there. It was after this performance that People Magazine (yes, People!) snapped a pic of the two of them together with Luciano licking Renata's shoulder.
It was probably pass his midnight snack.. How disgusting that must have been. 🐷 Please be safe. My friend. 😷💙 Renata Scotto was always so extreme to her detriment. Arnold Bourbon Amaral
This is incredible! I have a tape of Scotto and Pavarotti singing this opera in '75 from Hamburg and they are superb. By the time they sang it again in the early 80's in Chicago (their last opera performance together due to their feud over the Gioconda telecast), Scotto was not in this kind of voice. This is a treasure to see her in such complete command, esp. the top. Can anyone tell us what year and where this is from? They never gave a joint concert in the States that I am aware of.
This must have been before her first Norma, after that the voice was never the same! They sound like the last two divinities who really understood Verdi style.
Gosh how fascinating! She doesn`t even mention him by name in her autobiography, but I think they made their peace before he died. Perhaps their SFO Gioconda will be issued on dvd? Great singing here. Thanks for sharing.
@pkunzip501Lastly,she sang only Amina in the fifities, amigo.Recorded Lucia in '59, sang it on stage in '60.She sang those bel canto roles in the sixties primarily.ThenStraniera,Vestale,Anna Bolena,Norma,etc.Cigna & Cabale sang Straniera. She is well known as the last great verista: Adriana,Maddelena, Angelica,Butterfly,Santuzza were extraordinary.If she is not a full lyric &she is not a coloratura, what was she?I know:YOU KNOW:& far more than Serafin,deSabata,Abbado,Muti,Maazel,Karajan,Levine.
+operadoc This is most definitely before the '79 Gioconda. She shed some 50 lbs after the Boheme telecast which was early '77. After that she was glamorously slim as in the Otello telecast with Vickers in '78 and thereafter. I date it mid-70's but from where? If broadcast, I have never seen even an audio tape listed. This is a treasure!
I do not agree with you that she is pushing. You are saying that after the fact because she had vocal problems. She was not a soprano leggerio.She always sang Butterfly, Faust, Traviata...even Lisa in Pique Dam. Why do you think she was a coloratura?Because she sang Lucia and Amina?What other roles? She could sing coloratura at a certain point in her career, but it was pure technique. When the voice got darker and heavier,she dropped them.Their feud is legendary.Read her book: More Than A Diva.
...using the mike built into the camera with people moving near me. Let's see/hear you do better "back then" - under those conditions using that equiptment. A monster camera, manual zoom and holding it pretty phuquing steady.
@leonardovittori1You are mistaken:Traviata IS NOT A COLORATURA operaThe fact that Berthe inProphete has coloratura to sing does not make it a coloratura part.Muzio sang it at the MET!FamousViolettas:Tebaldi,Stella,Tucci,Caniglia,delosAngeles.Where they coloraturas>YesTucci had a highEb.GlauceIN NOT a coloratura part:Lorengar and Tucci sang it!Gencer sang all these roles with high notes!So what?Ricciarelli sang these parts.WHERE YOU THERE to say she was not a full lyric?What COULDyou like her in?
@pkunzip501 Sigh... I hated Tebaldi Stell Tucci etc as Violetta.. If you do not have a solid coloaratura technique yofu cannot get through The first act aria... and it is SO important.. I cannot stand Violetta's who sound like they are relieved when sempre Libera is over.. E flats not withstanding. For instance Fleming, does not take E flat all the time, but all her fiorture before sounds like she is working really hard. Berthe is a coloratura part. Listen to it.
