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Scriabin - Valse op. 38 (Sofronitsky) 

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Alexander Nikolayevich Scriabin (6 January 1872 - 27 April 1915)
Waltz op. 38, A flat major (1905
In the beginning of 1872, Alexander Scriabin was born in to a noble family in Moscow. After the death of his mother, Scriabin was left with his grandmother, great aunt and aunt, so that his father could leave for turkey. He was frequently exposed to the piano, through his aunt, who was an amateur pianist. Scriabin started studying the piano at an early age recieving lessons from Nikolai Zverev, later studying at the moscow conservatory.
He made his debut in 1894, and his playing along with his compositions recieved positive reviews. He also secured a publishing deal with Mitrofan Belyayev, who also published works of Nikolai Rimsky-Korsakov and Alexander Glazunov. In 1897 he married Vera Ivanovna Isakovich with whom he had his first child Elena Scriabina. Between 1903 and 1909 Scriabin travelled a lot in Europa and the United States. It was in this period that he wrote the waltz that is the subject of this video. Scriabin returned to Russia in 1909 where he would remain until his untimely death in 1915.
Vladimir Sofronitsky was born in 1901 in st. Petersburg. His family moved to Warsaw in 1903 where the young Sofronitsky recieved his first piano lessons. From 1916 to 1921 he studied with Leonid Nikolayev at the Petrograd Conservatory, alongside Dmitri Shostakovich, Maria Yudina, and Elena Scriabina, Scriabins previously mentioned eldest daughter. Sofrinitsky met Elena in 1917 and the two married in 1920. Sofronitsky had already become interested in Scriabins music, but his marriage with Elena gave him a much deeper connection with the composer, whom he sadly never met. He gave his first concert in 1919. He played very few concerts outside of Russia which is likely part of the reason that he is not as well known outside of Russia.
In Russia, he was seen as one of the supreme pianist of the 20th century. Pianist like Richter and Gilels held him in incredibly high regard, Richter ones compared him to a god, and Gilels calling him the greatest pianist in the world, after hearing of his death. He is seen by many as the greatest interpreter of Scriabin. This is clear in the recordings he made, even though he did not like recording and thus might not have been playing his best whilst recording.

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2 окт 2021

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Комментарии : 27   
@randykern1842
@randykern1842 Год назад
Those opening phrases - my god what bliss!
@da__lang
@da__lang Год назад
I was entirely unaware of this lovely waltz's existence. Thanks very much for sharing this video.
@maestoso9165
@maestoso9165 Год назад
You're very welcome!
@andrewgrebenisan6141
@andrewgrebenisan6141 Год назад
Nothing like Scriabin to cheer me up :)
@charlotteaustin2078
@charlotteaustin2078 Год назад
goodness, how beautiful! thank you for posting these hidden works of art!
@wheelmanmitch
@wheelmanmitch Год назад
Awesome performance!
@vine2197
@vine2197 Год назад
Beautiful
@ThePianoExperience
@ThePianoExperience Год назад
Thanks for making this video ! (Subscribed)
@maestoso9165
@maestoso9165 Год назад
You're more than welcome. And thank you sincerely for your subscription!
@TheModicaLiszt
@TheModicaLiszt 2 года назад
Thanks for uploading the Russian Master’s recording! :) Subscribed, my dear fellow.
@maestoso9165
@maestoso9165 2 года назад
Thank you!
@TheModicaLiszt
@TheModicaLiszt 2 года назад
@@maestoso9165 You’re most welcome!
@kimsground7190
@kimsground7190 Год назад
Is this what falling in love sounds like??
@maestoso9165
@maestoso9165 Год назад
It's the closest music will ever come to describe such a state of mind
@gaiahne
@gaiahne 8 месяцев назад
Um, did he change the structure of the piece on purpose or it was just a mistake, and then he masterfully corrected himself? :D
@Skryabinist
@Skryabinist Год назад
It's a very lovely piece but absolutely does not sound like a waltz :D
@maestoso9165
@maestoso9165 Год назад
That is true, with the exception of a few parts. The middle with the stable, calm chords in the left hand is, to me, reminiscent of Chopin's waltzes, for some reason
@mc-mc-mc
@mc-mc-mc Год назад
That's entirely Sofronitsky's fault. Scriabin was unmistakable in writing this as a waltz -- yet everyone plays it with broad confusion.
@singtatsucgc3247
@singtatsucgc3247 10 месяцев назад
Lovely “poison perfume” sounds that’s typically Scriabin. The rhythm is horrendously complex. The underlying pulse of the waltz is not always brought out in the playing. However, I admit I don’t understand enough about this music, it’s generally accepted performance style, and the tradition of its playing to be trying to make any form of criticism.
@KeaneSouthard
@KeaneSouthard Год назад
Talk about molto rubato...
@mc-mc-mc
@mc-mc-mc Год назад
Throws out the "waltz" part completely.
@nickjordan9406
@nickjordan9406 7 месяцев назад
There is almost nothing I like about this interpretation
@belialah
@belialah Год назад
Wow it sounds like he is on some drug. Maybe Ether?
@maestoso9165
@maestoso9165 Год назад
I find that very likely! The music itself is almost like a drug
@LeandroNicolella
@LeandroNicolella Год назад
1:45 Wagner's quote? Who knows...
@jamesrockybullin5250
@jamesrockybullin5250 Год назад
Making random notes fortissimo is not how you play counterpoint...
@Whatismusic123
@Whatismusic123 3 месяца назад
Sofronitsky is so terrible
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