RTF2014. Technique and combinations with enrosques for Tango Salon. Advanced level. During Riga Tango Fiesta in 2014-05-01 .. 2014-05-04 www.rigatangofiesta.lv NOTE: this is tango salon, not milonguero style class "estilo del centro de Buenos Aires".
See 02:30 Enrosque demo. Dancing to Barajando Recuerdos by Ricardo Tanturi with singer Alberto Castillo from album "Grandes del Tango 47 - Alberto Castillo Vol. 2 CD 1" available e.g. at open.spotify.com/track/5ikTXwJ...
00:00 - 00:08 How to do an enrosque correctly? Sebastian explains that the technique is not based on your torso. You have to concentrate on the sole of the foot. Like you would stomp a cigarette: turn your heel outside or inside depending on the direction of the turn. The amount of turning is determined by how many degrees you want to turn. The rotation is not coming from the force of your upper body and your your hips. The upper body dissociates (no need to aim for extremes) for the initial lead only but is has no other function regarding the turning. The enrosque is solely controlled by the support leg's heel shift action. Rest will follow. Simple and effective: turning is this way controllable at any point. Important detail: The free leg that is pointing toe down is not used in any way to help in assisting the pivoting. All the pivoting work is done by the supporting leg. You might as well hold the free leg up while you practice.
00:15 Roxana explains that each one is different and one should work out piece by piece the techniques. The goal should be fluidity and continuous movement. Modify little things and adjust as you dance with your partner. The movements are not complex but by putting it all together needs a solid foundation first (control of body, weight, steps, timing, lead etc).
01:40 - 02:00 Sebastian explains that you should not make a goal to be able to master everything in 1.5h time but to gain understanding how your body moves. Then take it from there to your home and practice. At 01:50 Roxana explains that the most important is to find your own balance and not to concentrate on the movements because they are always a little different.
02:10 Roxana emphasizes the basics: both must stand in their own independent axis to be able to move freely and dance together. The contact is not done by keeping upper body parts together to hold oneself but keeping "contact" -- that is -- being close to each other (hips, legs, adjusting abrazo, the embrace as needed). This will allow free movement. [Unlike in Milonguero style, where follower and leader keeps chest-to-chest contact at all times; the technique would be completely different]
Location: Spīķeru iela 5 (Sporta centrs Kumite, 2nd floor), Riga, Latvia.
Music: Barajando Recuerdos by Ricardo Tanturi 1943 (canta Alberto Castillo)
Listen:
www.last.fm/music/Ricardo+Tanturi
play.spotify.com/search/tantu...
17 июл 2024
