Sequential’s take on the classic ladder filter lies at the heart of the Trigon-6’s lush analog sound. Shop the Trigon-6 today at Sweetwater 👉 imp.i114863.net/P0eGXM
Excellent demo. This really shows off the character of this synth, and the wide range of possibilities that can be programmed. I'm lucky to have one, and I think Dave Smith really created a gem with this being the last Sequential project he worked on.
Incredible sound Dave left us an iconic synth. You do a wonderful job showing off its many sweet spots! I love the fact this synth is so slept on !! Those who know just know. Thanks for showing what it can actually sound like.
A great demo, Daniel. You showcased some beautiful sonic colours in the trigon 6's tonal pallette 👏 It has the prophet flavour due to the polymod and similar architecture, but there's an extra layer of richness and depth, possibly due to the extra oscillator. Thanks for uploading.
This is excellent! Thank you for making the demo of this apparently wonderful synthesizer! Your programming and playing skills are second to none! Thank you.
Daniel, your demos and reviews never help me narrow down what I should buy because everything you touch sounds incredible. Love your patch design and playing. Keep 'em coming.
Of the trio of this, the OB-6 and Prophet 6, the Trigon sounds the most dominating. I was down to a want list of only 3 more synths, but I may waver to make it 4 for this bad boy.
@ghost mall That's fair, although in my case I find myself trying to do similar things the way Daniel does, and 9 out of 10 times I make leads, pads, and basses, so I just appreciate his experimental nature. But I do see your point.
@@crispinhands7610 Alesis Andromeda, Sequential OB-6, Moog One 16v and Black Corporation Deckard's Dream Mk 2, in chronological order of purchase, all very expensive but highly recommended.
If $3500 is where these DSI VCO polys land, what would it cost for them to do something like the CODE 8, with polyphonic filter cards, buy the main synth, then buy which ever filters you like, swap the cards out whenever? All of their "6"s are great, but I bet people would pay money to get that.
@@entropybentwhistle Over on Gearspace there is some debate on this, although it may have been on the Take5/P5 discussion, can't recall, but if I understood it correctly it *might* be possible as it has to do with the feedback circuit back in to the chip being there but software disabled.
Suffice to say: The Rev2 can come awfully close to any Sequential Synthesizer; it's the best financial deal in synth history; and it has 16 voices + 5 octaves: studio quality effects, and extra envelope, etc... It's quietly and humbly waiting for you.
@ghost mall almost as predictable as snark from haters like you. If you think 49 keys is adequate on a professional synth that costs $3,500, I guarantee you are in the minority and probably can't play with both hands. Maybe you should link us to all your killer content on your "main channel." The "ghost mall" channel lives up to its name in that regard.
@6:11 on a polysynth from 2022-23 hearing such stair stepping from a cutoff knob made my skin crawl... Unacceptable. Especially in this day and age of 24+ bits digital technology. Sequential should get with the times. Too bad, because the filter sounded nice aside from that. Thanks for sharing Daniel, but I'll pass.
Cutoff is intentionally quantized to semitones, like most Sequential synths. You can use an expression pedal or modulation source to sweep the cutoff without stepping.
