Great video. Another thing I really like about this clip is how the fish is animated. I don't know what subject it would fall under, maybe texture or materials, but you can feel the difference in form between it and the other objects in the scene. I'd love to hear more on that.
Super great video! Don't know if it's possible, but I'd love to know how you tackle keeping things on model on a production, or how you approach it in shots when you're less familiar with the character.
thank you for the lessons, you are the best! here's the question: how to plan the parts that don't move at the same time? especially on a tie down, for example, when the keys of the hand, head and body do not match, and I do not know how to Inbetween them
Hi! thanks a lot for your comment. We have this short video ru-vid.comw0DDXV_ot5o?si=N6Qn6xWgN-8akcOL on animating different parts of the body Hopefully it will help! also keep your eyes peeled for more :)
Thanks! We are working on it :) Right now we are sharing a series about animating on Blender :) You can check out the last one about a 2D character in a 3D environment here ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-KIwuV7-HIFE.html
Thank you so much for this series of animation analyses, it was beneficial! I genuinely hope that you will continue to do it. Maybe you can do a video about how to keep your volumes the same in the animation, hand-drawing every frame I am struggling to keep the same proportion and for example, till the end of animation my head is noticeably changed in form.
This is really good! It's really helpfull to understand better how to go about the breakdowns with more intention and effectiveness than a straight inbetween would. Expressing that energy that makes it feel all a little bit more lively. This just opened my mind to the possibilities present in each animated action. Thank you for the video!
Young world want full 2d traditional animation course from industry expert like you. From zero to hero course. If you want fees for the course, you can also think about that. But keep the fees so minimal that even the poorest of the poor child can afford your course. Because it is now up to animators like you to save 2D animation in this AI race. And private and public universities are simply looting children in the name of animation by selling expensive courses. In the name of teaching animation, they just taught the software and that's it. Neither teach animation nor teach industry workflow. You are the next Richard Williams. Thank You Regard from India
Thank you very much Sergio! I would love to hear you talk about the movement of her fingers pointing up which is very subtle and makes the action so interesting!
Thank you so much for these videos, I really love and appreaciate them! One suggestion I have, it would be how do you go about animating the diferent parts of the body simultaneously, for example in this shot, Alva's hands are doing their thing, while her expression and lipsync are doing their own thing, and then there's also the hair and cloth animation doing their own thing! I wonder how you brake the process down to not get lost animating all of this at once! Thank you again!
I would like to ask about how to calculate the spacing? everything seems to be clear about timing, you can measure it with a stopwatch, but what about spacing? how to understand exactly where to place the drawings, and how close to put them to each other?
Share us how to plan animation and story board then animate .. not whole sequence just 1 sec of full process that would be really helpfull for us to understand
