It's these "small nuances" that maketh the virtuoso. You might think most folk won't notice, but they'll instantly be able to tell a virtuoso player from a standard player - a virtuoso is able to focus 100% on on dynamics, touch, feel, expression, whereas other players must focus primarily on the technical playing.
Спасибо большое маэстро я лишний раз убеждаюсь в своей правоте, когда я своим ученикам говорю что надо обязательно слушать и слышать мелодическую линию на протяжении всей пьесы и выделят и контролировать
Actually, I think Sevilla is pretty harder to play than Leyenda, it's just so polifonic in the first part and then all comes down to those beautiful scales to explode again in this lovely rythm at the end... Nothing other than a masterpiece, as well as Leyenda is, just a little bit less Iconic
I was a kid into Metallica, in my 20s thinking I was good, saw John Williams play this on TV….only 1 guitar. I kinda gave up. There are not enough hours in the day. 30 years on,still not enough hours in the day. Some peoples brains are just way more impressive than mine. Nothing I can do…sob sob
His comment on the first appearance of the G minor as the dramatic moment is really interesting. I play the Barreuco transcription and he keeps that line an octave lower. One nice feature of that transcription is that he is able to continue the rhythmic bass figure under that scale run on Bb (5:22). Neither David nor the student seem to be doing that, so I wonder which transcription this is.
