Тёмный

SHE IS A COLORATURA GODDESS 

Babbino Caro
Подписаться 492
Просмотров 27 тыс.
50% 1

Опубликовано:

 

29 окт 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 153   
@erinmatt
@erinmatt Год назад
The extraordinary Beverly Sills. The clarity of her tone, the accuracy and even joy with which she sings her runs, fioritura, and trills, the way her singing seems almost effortless and communicates so clearly - I could weep. There is no one who can sing like that now.
@marsha831
@marsha831 Год назад
She made it look like an effortless walk through Central Park on the way to a picnic - impeccable foundation and tosses out ornamentation as if it was scattering rose petals. So exceptional she veils the technical difficulty. Thank you Babbino!
@jenniferhiemstra5228
@jenniferhiemstra5228 Год назад
Truly...the whole point is to make it look easy and she mastered this. Modern day opera is missing that. I don't NOT want a total performance, but when the current state of opera is making everything look like everything is full of effort, it's clearly trying to overcompensate for something. I'll bet anything there is someone like her somewhere, but sadly that kind of talent isn't welcome on those stages anymore and hasn't been for a while. And they won't be until opera comes back full circle.
@vittoriopassanante2601
@vittoriopassanante2601 Год назад
You’re so right. With all due respect to young singers, there are NONE who sing the bel canto coloratura repertoire with the ABSOLUTE command of SIlls and Sutherland, nor is there a tenor who can possibly equal Pavarotti. The bel canto legacy these master artists left us has NEVER been equaled in history-as recordings dating back to Caruso and Galli- Gurchi
@daphnewilson7966
@daphnewilson7966 Год назад
@@vittoriopassanante2601 Surely you have not heard Fritz Wunderlich. Boy, are you in for a thrill!
@vittoriopassanante2601
@vittoriopassanante2601 Год назад
@@daphnewilson7966 I will keep an open mind Daphne and “take a listen”- as long as he sings in Italian! A dear friend of mine is a conductor for an opera house in Germany- they just produced the bel canto jewel- “Lucia di Lammermoor” in GERMAN! UGHHH! I’m not ethnocentric- when I have the patience and FORTITUDE to listen to Wagner I only want to hear it in German.
@luizamsalgado
@luizamsalgado 11 месяцев назад
Unforgetable and divine Beverly Sills. Thank you Babbino !
@pasqualeperrone1560
@pasqualeperrone1560 Год назад
Absolutely adore the way her top notes sound like soft bell tones. Her voice just pops up there with lots of bloom yet delicateness. She had no issue singing the most challenging repertoire.
@andrewschreiber112
@andrewschreiber112 Год назад
Absolutely brilliant. She was very much underappreciated in her own time.
@thomasdeansfineart149
@thomasdeansfineart149 Год назад
Everyone I knew adored her. Her Julius Caesar was one of the great performances/ recordings of the era. And there were many other of course
@GarthAstrology
@GarthAstrology Год назад
This is one of the first times that the USA got to hear the 1912 version of Zerbinetta's aria,and despite leaving out the 2 F-sharps in alt, Sills totally nails it. This is from a concert performance in Boston from 1968 or 1969. Sills was such a great combination of sterling musicianship, technical virtuosity, musical expressiveness and theatrical veracity.
@BentonHess
@BentonHess Год назад
I had played a couple of rehearsals of this. Beverly was kicking herself for having signed the contract for this before looking at the score. AND she had a cold!!!
@GarthAstrology
@GarthAstrology Год назад
@@BentonHess I love it. It would have been fine for her in D. Who else at the time do you think could have sung it?
@BentonHess
@BentonHess Год назад
@@GarthAstrology …Colette Boky, perhaps. Mady Mesplé was singing Zerbinetta in those days, and Gruberova not long after.
@GarthAstrology
@GarthAstrology Год назад
@@BentonHess I was wondering mostly about Boston/NY. Did Boky have the upward extensión for the 1912? Reri Grist might have been able to handle it as well. Gruberova rocks it in 1983.
@BentonHess
@BentonHess Год назад
@@GarthAstrology …I can’t really think of anybody in Boston or NYC who sang this repertoire in those days. Rita Shane sang it, but it wasn’t really her thing. She was a real dramatic coloratura for whom QOTN was perfect. Patricia Brooks sang Zerbinetta once, at the Lake George Opera Festival in 1969. I was the assistant conductor, played all the rehearsals and the piano part in the orchestra. She didn’t really have the Fs, much less the F#s for the original version. But she was enchanting in the part, so nobody really cared or even noticed. Leinsdorf wanted to do this version so badly he could taste it and convinced Beverly it would be perfect for her. But this is not anything like Cleopatra, and certainly nothing like Baby Doe. She signed the contract, then looked at the score. She wanted to kill Leinsdorf!
@Highinsight7
@Highinsight7 Год назад
Back in her day... My Goodness.... what a voice... Her Baby Doe was just OUT OF THIS WORLD...
@kenbarfield9319
@kenbarfield9319 Год назад
She always seems to be having fun while singing. I still remember her singing “Let the Bright Seraphim” on Johnny Carson. Brought opera/classical music to the masses and had fun doing so. She literally bounced while singing!
@vittoriopassanante2601
@vittoriopassanante2601 Год назад
So do I! And it was wonderful to see Doc Severinsen, accompany Sills, who despite his flashy clothes etc, was a superb musician. You can revisit this wonderful memory on RU-vid.
@onitasanders7403
@onitasanders7403 Год назад
I first heard this aria on RU-vid in a 1978 production. Edita Gruberova sang it with such coquettishness, that it brought the aria to life. It was as if this aria was composed with her in mind. It was really great to hear Beverly Sills and Edita Gruberova back to back. Enjoy.
@dennischiapello3879
@dennischiapello3879 Год назад
Incredible accuracy and clarity married with a supple lightness. Excuse my word salad, but I’m trying my best to describe it!
@d.r.martin6301
@d.r.martin6301 Год назад
In the mid-60s she came to Duluth, Minnesota to sing in productions of Faust and La Traviata. I got to meet her, chat with her, and get her autograph. And, of course, see the shows. A really fun lady and great singer. "Bubbles" Silverman, right?
@riccardo50001
@riccardo50001 Год назад
This is the most interesting and varied performance of this incredibly difficult aria that I've heard. I probably shouldn't probably make a public confession like this, but "Ariadne" was my first (too soon) challenge in the operatic world at a very prestigious university. The music is incredibly sophisticated and difficult and I was cast as the music teacher. All the other cast members were much more experienced than me and I had the first entrance in the opera. I got through it, but it was not much fun. I wish I had had a teacher who had had the sense to dissuade me. i did not come from a location where I could even coach it properly. I had to learn the score completely from recordings. Ugh! I was never too excited by the coloratura aria, though we had fine Zerbinetta. Sills made it interesting and exciting all the way through. I'm glad I saw this because it makes me appreciate the music much more.
@clefnoteproductions6695
@clefnoteproductions6695 Год назад
There's so much joy and fun in her singing
@thedorehendricks8256
@thedorehendricks8256 Год назад
Unthinkable to be expected to perform a piece so difficult!! Only a genius…….a new hat off to Madame Sills!!!!
@leighbesstoad
@leighbesstoad Год назад
One of the great tragedies was that Sir Rudolph Bing kept her from singing at the Met just because she was a star at NYCO. He was a pompous fool at times (I can't imagine how he'd react to having broadway stars singing at the Met like now, and Met stars on Broadway). It wasn't until he was gone that she made her long deserved debut. It should have happened decades earlier.
@vittoriopassanante2601
@vittoriopassanante2601 Год назад
Bing was a pompous, egotistical ass. But Beverly got her revenge- as her friend Carol Burnett so aptly put it: “Beverly did NOT make her debut at the Met- the Met made its debut WITH BEVERLY!”
@DominickDrayke
@DominickDrayke 4 месяца назад
Love love love Miss Bubbles! ❤😊
@paulsomers6048
@paulsomers6048 Год назад
I heard her do this, the original version of Zerbinetta, with the BSO in Carnegie Hall in 1969. After Ariadne's big aria the audience began to applaud, but conductor Erich Leinsdorf hushed them up with a wave of his hand. After Sills got done with Großmächtige Prinzessin, he turned to the audience and let them know that NOW was the time to applaud, which they did for many minutes!
@stephaniecarrow4898
@stephaniecarrow4898 Год назад
Many years ago, a musician friend told me that the voice is also an instrument. Never has that been more clear to me than in this performance. Truly astonishing.
@patrickgomes2213
@patrickgomes2213 Год назад
Oh, definitely.
@jo-anneclarke7801
@jo-anneclarke7801 Год назад
Oh my gosh! Utterly amazing
@luisjo1962
@luisjo1962 8 месяцев назад
The Best
@KarlaMatus79
@KarlaMatus79 Год назад
Very nice. Thanks for sharing. Beverly was a great coloratura soprano.
@emilcealiscioni5111
@emilcealiscioni5111 Год назад
Está persona no es humana, esto que realiza con su voz es "sobrenatural". Extraordinario!!!!!!
@shirleyanne6573
@shirleyanne6573 Год назад
Imho, sang the loveliest version of Ruhe Sanft, Mein Holdes Leben
@thomasmiles340
@thomasmiles340 Год назад
This was in fact THE American premiere of the original version, broadcast on WGBH in Boston in January 1969. The complete performance is available on DVD. I remember thinking that Sills and Leinsdorf didn't have a lot of rapport with each other, but he seemed to love Claire Watson (Ariadne). On the complete recording of the original version conducted by Kent Nagano, Sumi Jo is Zerbinetta. Thanks for providing this, and Cheers!
@carlberg7503
@carlberg7503 Год назад
One word sums up Leinssdorf as a conductor: boring.
@poturbg8698
@poturbg8698 Год назад
@@carlberg7503 you should familiarize yourself with some of his live performances from the 1970s, such as the fantastic Tchaikovsky 5😂 with BSO and a Mahler 5😂 with Chicago from 1978.
@rdsteyer
@rdsteyer Год назад
Una Diva de la ópera.
@wotan10950
@wotan10950 6 месяцев назад
By sheer coincidence, I saw Sills on a tv show in the early-70s. I bought tix to see The Three Queens, quite a start for a complete newbie to opera. I adore her still, although I acknowledge that her forays into heavy dramatic roles shortened her career - a lot. FWIW, tapes and videos don’t do her any justice; like many singers, her voice needed the space of a big auditorium to expand and unfurl. She sounded much bigger and warmer in the theater.
@aaronmalone7065
@aaronmalone7065 9 месяцев назад
Note perfect. Dead accurate intonation, easy all the way to the very top, and it was so bright that it could cut right though dense orchestration. In her prime she was unmatched, by anyone before or since.
@jimbuxton2187
@jimbuxton2187 7 месяцев назад
Aaron... that high E natural was not that easy! She was wonderful though..
@johnpickford4222
@johnpickford4222 Год назад
She is sing the original version of Zerbinetta’s aria from Richard Strauss’ ARIADNE AUF NAXOS which is available in VAI video from which this taken.
@Feisenbach
@Feisenbach Год назад
I wonder why she chose to sing that version when it was out of her range...? She would have been great in the more traditional version.
@Roheryn100
@Roheryn100 Год назад
@@Feisenbach How is she NOT great here ?
@Feisenbach
@Feisenbach Год назад
@@Roheryn100 She has to leave out the highest notes. She wouldn't have had to do so if she had sung the second and more traditional version.
@quequitoAR
@quequitoAR Год назад
@@Feisenbach she left two notes out and you consider the whole aria out her range? A couple of names who kept singing "out of range" roles through their whole careers come to my mind. And top famous also...
@Feisenbach
@Feisenbach Год назад
@@quequitoAR I know she's not the only one who has made a peculiar choice now and then. I just still find it a bit strange that she didn't stick with the other version, now that there ARE two versions to choose between. That one would have been more comfortable for her in general. But if you like it, fine by me!
@noejimenez4406
@noejimenez4406 Год назад
!Vaya qué es extraordinaria!.
@siegfriedenea
@siegfriedenea Год назад
Remember that all the aria during 14 minute … this is only the end!
@Sacred-Heart-of-Jesus829
@Sacred-Heart-of-Jesus829 Год назад
What a gorgeous voice! 😍
@tabarro1877
@tabarro1877 Год назад
Stunning! And great fun!
@annhicks7127
@annhicks7127 Год назад
Amazing agility!
@lindanorris2455
@lindanorris2455 Год назад
GORGEOUS!
@jenniferhiemstra5228
@jenniferhiemstra5228 Год назад
My opera IDOL 😍 Everyone goes nuts about Callas being the gold standard for acting in opera, but honestly? Bubbles was just as good. She clearly had fun no matter what she sang, whereas Callas never would have sung something she'd consider 'fluffy', she was very much about drama rather than fun or comedy, which isn't a bad thing...but I think that what made Bubbles just as good if not better than Callas acting wise. She could sing Violetta and move you to tears one day, and sing this charming and fun ditty the next and entertain the hell out of you.
@PanayiotisVyras
@PanayiotisVyras Год назад
Callas could sing everything with her soul, whether dramatic or funny! Listen to Violetta and Butterfly, then Rosina and Turco in Italia. Not to mention Kundry, Valkure, Lady McBeth...
@jenniferhiemstra5228
@jenniferhiemstra5228 Год назад
@@PanayiotisVyras I guess I don't agree. I always got the vibe that Callas didn't enjoy singing the comedies for some reason. Can't really explain why, but drama was clearly her wheelhouse.
@windstorm1000
@windstorm1000 Год назад
Amen!
@tttd904
@tttd904 Год назад
The best of Zebinetta’s aria with the original rendition in 1912!!
@Shahrdad
@Shahrdad Год назад
I think this is before she started pushing her voice into the heavier roles where it never belonged. This along with the French roles such as Manon and Louise were where her voice belonged. Her Baby Doe is still unmatched.
@desperatehell
@desperatehell 5 месяцев назад
È Beverly Sills che canta l'aria di Zerbinetta "Grossmächtige Prinzessin" dall'Ariadne Auf Naxos di Richard Strauss. Un'aria acrobatica e tutt'altro che facile. Ricordiamo, per quest'aria, anche le bravissime Mady Mesplé e Natalie Dessay, superbe Zerbinetta, a cui la grandissima Beverly Sills non ha niente da invidiare.
@sergiosanchezsanchez8712
@sergiosanchezsanchez8712 5 месяцев назад
Las 3 mas espectaculares son: Roberta Peters, Beverly Sills y Edita Gruberova
@desperatehell
@desperatehell 5 месяцев назад
@@sergiosanchezsanchez8712 la ringrazio per la sua risposta, ma se posso darle un consiglio ascolti bene Mady Mesplé in questo ruolo.
@sergiosanchezsanchez8712
@sergiosanchezsanchez8712 5 месяцев назад
Gracias. Si, tengo en CD de EMI el aria de Mesplé y lo canta maravillosamente (al igual que lo maravillosamente, Dessay) Pero, en mi humilde opinión, Las 3 más espectaculares ("casi inhumanas"de sublimes) son mis 3 mencionadas.Y en especial, Roberta Peters, que lo borda a la perfección.👌🏻(Recording Studio Decca).
@desperatehell
@desperatehell 5 месяцев назад
@@sergiosanchezsanchez8712 grazie mille per il suo contributo. Certamente, Roberta Peters é stata una grandissima cantante. Non conosco il cd della Recording Studio Decca che lei ha citato, ma avrò, sicuramente, il piacere di sentirlo. Grazie per il consiglio.
@eva4adam451
@eva4adam451 Год назад
Realy godess of coloratura
@sanfordpress8943
@sanfordpress8943 Год назад
A great woman
@william-michaelcostello7776
I remember this well. In the 60‘s, Leinsdorf/ Boston Symphony at Symphony Hall
@rickcabral6226
@rickcabral6226 Год назад
Try to find a copy of her performance as the Queen in RK's Golden Cockerel. Short but sweet.
@jimbuxton2187
@jimbuxton2187 Год назад
Insane ! She leaves out two f#'s and cuts out a high sustained section at the end... and I don't blame her at all! You'd really have to have the Bb above high c to have a reliable F#. Beverly could vocalize to G. I've always loved her voice and musicianship.
@ranabhattacharyya9991
@ranabhattacharyya9991 Год назад
Joy!!
@walterwynn3562
@walterwynn3562 Год назад
Makes it so easy....
@smurf902
@smurf902 Год назад
This is a different version for all those thinking what is she doing? Higher and longer
@meltzerboy
@meltzerboy Год назад
Zerbinetta's aria is the supreme test for the coloratura soprano, and the original version by Strauss no less. Another performance of note is that of Maria Ivogun, but Sills is no doubt brilliant in this music.
@Nunofurdambiznez
@Nunofurdambiznez Год назад
The greatest there was, is and EVER WILL BE, forever and ever, amen!!!! SO much better than that over-powering amazonian trumpet from down under that only has one good attribute, she can sing over any orchestra because she only knows one volume - LOUD! This goddess, however, is beyond spectacular!
@maiamamulashvili315
@maiamamulashvili315 Год назад
🌺🌹🌷🌺🌹🌺🌹🌺
@eugenewindchy417
@eugenewindchy417 Год назад
I remember "Rinso White"
@johnpickford4222
@johnpickford4222 Год назад
Eugene Windchy: Then, no offense, your hair, if you have any, has been ‘rinsoed’ white by now!!!🥸
@eugenewindchy417
@eugenewindchy417 Год назад
It's white, though I never used Rinso@@johnpickford4222
@patrickgomes2213
@patrickgomes2213 Год назад
Amazing that for so many years of her career, she didn't perform at the Met. I know she did eventually, but it was a long time coming. Did Bing really hold that much of a grudge against her? If so, that's a pettiness "worthy" of grand opera. Not justified, of course, but "worthy." That is to say, it's a grand pettiness.
@markgrabowski8662
@markgrabowski8662 Год назад
Is this her hair or a wig, well it must be her voice!?
@tamerlano
@tamerlano Год назад
The hair is hers.
@terryrivas9815
@terryrivas9815 Год назад
Rip
@allenjones3130
@allenjones3130 Год назад
Beverly sang this number magnificently. If I didn't know that Richard Strauss was the composer, I could have sworn this selection had been written by Donizetti or Bellini!
@ericwierzbinski4993
@ericwierzbinski4993 Год назад
Well...listen to Bellini or Donizetti one more time.
@purisermonisamator
@purisermonisamator Год назад
@@ericwierzbinski4993 Bravo, Eric! And I would advise our friend Allen not to limit himself to one time!
@coloraturaElise
@coloraturaElise Год назад
Hey, Allen, as a coloratura soprano who has sung Donizetti, Bellini, and Strauss, I can tell you that Strauss if FAR more difficult to sing, primarily because of the constant harmonic shifts in the music. In the other 2 composers, you can be singing a pretty simple chord progression, which means that the scales, arpeggios, and other embellishments are all in just a few keys. For instance, if you're in Bb, you'll sing Bb scales, F scales, and a few others. You and your listeners have time to process what you're singing because you sit on the same chords for a while. BUT Strauss changes chords constantly---he gives you very little time on one chord, so you might sing an E scale for 2 beats, then A, then C, then Db....I mean, the changes are quicksilver, and hard to hear for that reason. And he often uses unexpected changes, so what you thought was going to be the next chord is NOT. As the singer, not only do you have to hear the changes, but you have to sing them clearly IN TUNE, so the listener also hears them. Nothing against Donizetti or Bellini (my voice loves Donizetti the best of all composers), but Strauss is a BEAST to sing!
@jimbuxton2187
@jimbuxton2187 7 месяцев назад
@@coloraturaElise ....right! This aria is really almost A tonal!
@jordipanadesribera6890
@jordipanadesribera6890 Год назад
❤️
@chevogliadiprenderlo8134
@chevogliadiprenderlo8134 Год назад
Che dea!
@magnacarta740
@magnacarta740 Год назад
Goddess of screeching 😮😮😮
@liedersanger1
@liedersanger1 6 месяцев назад
Not at all.
@Highinsight7
@Highinsight7 Год назад
Notice... she has warmth and purity on every vowel... her sound is sensational EVERYWHERE... so many of today's high sopranos... all have a NASTY edge... that's just gross... tooo much vibrato... and often toooo dark, covered and forces... I hear it all the time...
@marialuisaibarretxegoiria925
But, who is this soprano , please ? Thanks.
@MonsieurLu77
@MonsieurLu77 Год назад
Beverly Sills
@marialuisaibarretxegoiria925
@@MonsieurLu77 Thanks a lot, sir.
@marialuisaibarretxegoiria925
Thanks , since now I know who is she. ♥️
@MonsieurLu77
@MonsieurLu77 Год назад
@@marialuisaibarretxegoiria925 She was superb.
@quickwillies
@quickwillies Год назад
Oh, my child, she was obviously before your time; but she was the goddess of her day, and any opera house in which she sang was her temple where we went to worship.
@FCOLAXCDG
@FCOLAXCDG Год назад
❤️🇱🇨
@nonenoneonenonenone
@nonenoneonenonenone Год назад
The popularity of Sills and Sutherland did little to help younger coloraturas develop their careers. Beverly Hoch was one who finally achieved some recognition and success.
@orthohawk1026
@orthohawk1026 7 месяцев назад
Oh, Miss Hoch deserved much more recognition than she got!
@Leamichellefan2244
@Leamichellefan2244 Год назад
Who is this angel please?
@CwjrB3
@CwjrB3 Год назад
Beverly Sills. One of the greatest to ever sing coloratura.
@Leamichellefan2244
@Leamichellefan2244 Год назад
@@CwjrB3 she’s one of my favorites.
@CwjrB3
@CwjrB3 Год назад
@@Leamichellefan2244 lol. Same. Everyone worships Joan. Which is understandable but Beverly is more my taste.
@Leamichellefan2244
@Leamichellefan2244 Год назад
@@CwjrB3 I don’t have anything against against Sutherland if that’s what you’re talking about. She’s good but I’m like you I prefer Beverly know if you want to talk about Calais then we might agree to disagree because I’m sorry I just can’t get into her. oh sorry, I meant if you want to talk about Maria Callas, that we might agree to disagree because I don’t like her.
@CwjrB3
@CwjrB3 Год назад
@@Leamichellefan2244 No I’m not bashing Sutherland. I think she was good too but Beverly is just more my style. I actually like Callas. But to hear her voice at its best the earliest recordings are best. Yet with that said the latter version of callas was still wildly talented. She just couldn’t fulfill the flawless standards she was capable of because of poor technical habits vocally. It was sad to watch such a talent suffer in her personal and career life.
@ioannismaroudas8806
@ioannismaroudas8806 Год назад
I love Beverly Sills especially in Roberto Devereux but Edita will be always the perfect Zerbinetta....
@szkotnickibruno6337
@szkotnickibruno6337 Год назад
J'adore Beverly mais il faut admettre qu'il manque quelques notes suraiguës et que certaines ne sont pas du plus bel effet. Ma référence reste toujours Edita Gruberova dans ce rôle. La voici probablement au summum de sa carrière : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-hXwtAaJyniA.html
@ioannismaroudas8806
@ioannismaroudas8806 Год назад
The piece is devilishly difficult and I do not want to be an as#$^%$^e but she makes a few mistakes .....1:35 .....
@IceAintNice
@IceAintNice Год назад
I don’t want to be an a#%hole…. But I will be anyway. 🙄🙄🙄
@ioannismaroudas8806
@ioannismaroudas8806 Год назад
@@IceAintNice 💗💗💗💗
@ioannismaroudas8806
@ioannismaroudas8806 Год назад
Just Listen and Compare >>>>>>>>> ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-MUFnAIWaFZg.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-DwP-5TQjuOo.html
@ioannismaroudas8806
@ioannismaroudas8806 Год назад
30 years later !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! > ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-WIJxS4vcsJE.html
@ioannismaroudas8806
@ioannismaroudas8806 Год назад
ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-oCQghfcDDsg.html
@nonenoneonenonenone
@nonenoneonenonenone Год назад
Strauss should have known far better, as a composer. I find this piece unlistenable. So much excess, no balance.
@coloraturaElise
@coloraturaElise Год назад
Strauss was using the music to illustrate the text and Zerbinetta's character. It seems to me he accomplished that goal!
@henkiealgarve5909
@henkiealgarve5909 Год назад
i prefere maria callas. much better
@tttd904
@tttd904 Год назад
Did Callas ever sing this aria?? Her voice for Zerbinetta would be very exciting
@kimdreyer4970
@kimdreyer4970 Год назад
​@@tttd904 Unless she sang it in the shower or in the practice room, then no, Callas most definitely did not perform this. While Callas, at her peak, did have a strong technique and a high E natural, I think the high tessitura of this role would have been uncomfortable for her. I also imagine Callas the actress would have found the role of Zerbinetta lacking in substance. That said, the whole Callas vs Sutherland vs Sills thing is odd to me - let's just say that we are lucky to have all three, each wonderful in their own right, to compare and enjoy.
@johnpickford4222
@johnpickford4222 Год назад
henkie algarve: You are not very smart. Callas NEVER sang in ARIADNE AUF NAXOS or in German so how could prefer her in something that she never sang?
@davidmayhew8083
@davidmayhew8083 Год назад
Not Me!!!
@magnusjakopsohn7824
@magnusjakopsohn7824 Год назад
Callas was certainly not better. Different and amazing but not better. Neither was Sutherland. When it comes to technique and accuracy in Thrills and speed, no one beats Sills. Thomas Schippers called her the fastest voice alive and that's was true. All three ladies was amazing in their own way with their own specialties. Callas was a great musician, Sutherland had a big voice but not always correct in the execution of the coloraturas but still awesome. Sills had a smaller voice but an unbeatable technique. What she does not one of the others could do. The Maria Stuarda Pregheria is a great example of that. She does it slower and holds the crescendo for first 21 seconds then 17. Impeccable taste and amazing technique. Like someone said, let's be Lucky for all three of those astonishing Ladies.
Далее
MASTER CLASS FOR OPERA SINGERS BY BEVERLY SILLS
18:50
MAGIC TIME ​⁠@Whoispelagheya
00:28
Просмотров 12 млн
Always Help the Needy
00:28
Просмотров 12 млн
The Greatest opera Divas singing «O mio babbino caro»
10:32
Who Sang The "O Zittre Nicht" Coloratura Best?
7:33
Просмотров 71 тыс.
Vocal Coach REACTS - FAIRUZ "Le Beirut"
10:42
Просмотров 134 тыс.
Edita Gruberova's Zerbinetta with two F6#
14:19
Просмотров 37 тыс.
Beverly Sills interview (8 January 1989)
8:58
Просмотров 5 тыс.
Best live Beverly Sills Lucia Di Lammermoor Paris 1971
17:03