-Dude, honestly, that was one of the best all-time balancing tutorials I have ever seen..Would it be possible to link 3 .TIFFs so we could follow along?
You can put all graphics in a separate group with a CST in the post clip that flips them into your working space. Then the final CST flips them back to 709/2.4. It seems like extra work, but the benefit is you can easily switch your entire project to a different output space if you need to export an HDR version for example. I will show this in lesson 8 where I walk through the entire workflow.
@@MattMcCool0I think the bigger issue is putting a look at the timeline level - typically you wouldn't want the look to affect your titles. I wish Resolve would allow for shared compound nodes - I can imagine using a shared compound look node that would be applied at the post group level - could be used for all your footage groups and left out for your graphics groups. In this case you wouldn't use the timeline node unless it was for a global vignette, I suppose. Great tutorial, btw.
I think you may be using color match wrong. If you try to match two uncorrected log files won’t work. You need to have a basic grade done first before using color match.
Do the Datamosh Matching 🧞♂️ Liked the tutorial itself, interesting flow and showcase, have no clue about colorgrading, jet absorbing what you have to say here ❤
