Shot Matching Multicam Clips in FCP 

A peaceful narration. Thank you.

I have never seen anyone reference the comparison viewer before. Didn’t even know it existed. Thank you!

You guys are incredible! I reckon if you don't know something, it doesn't exist! This is another winner. Big THANK YOU for this.

Solid!!! Only video i have found on here that actually shows how to shot match like you can in Davinci Resolve. Thanks a bunch!

This saved me a lot of time jumping back and forth between angles. Great music too!

Excellent! Final Cut has so many features you don't know about, thanks this is a big help.

I've been waiting a long time for this tutorial. I knew the comparison viewer could be used in the timeline, but not in the angle viewer. How simple and effective! Thanks Steve for this and all the Ripple Training videos and courses.

Great form throughout, thanks for sharing!

I was wondering how to manage multicam in FCPX, totally didn’t know about this workflow. I get it now. Thank you so much for sharing

I found this very helpful and wish I had had this little workflow in my tool box for my last project.

uii again learned a lot from your great video. great ideas great and clean demo and straight presentation.

Fabulous …Thank you Steve!

Always useful stuff, thanks Steve!

These tutorials are always excellent! Thank always.

the best tutorials ever

Great work, Steve. Personally, I preferred a point between the slight, warm colour cast in the wide shot and the fully corrected version because it was a bit warmer, but like so many things, this last tweak is personal taste. I really like the workflow, though, and will use it myself. We do quite a lot of multi-cam work in the studio here. And it's much easier to do CC before the edit than after, I believe.

We hear so much about matching different camera sensors. But with three different camera brands, they looked very close even before corrections. Any thoughts on the subject?

Question (not directly related) I would like to add an extra camera take to my multicam clip. So I select ADD ANGLE. So far so good, BUT how do I sync it??? Either using TC or Audio. Would be grateful for your help!

Heck yes!!

Interesting but given the cameras involved I do wonder what your starting point was. For BMD was it BRAW (with transcode or ProRes Log, Sony Slog3 and Canon Canon Log? If that were the case was it simple Log to Rec709? Or did you shoot in 709 which would still involve another level of camera matching given the potential settings differences? It might be worth doing a Part 1 to this tutorial. I actually think your three cameras used may be a common scenario.

Good work Steve as always. Have you ever tried Cinema Grade? I have been using it for a couple of years now and it really speeds up the process to do exactly the same thing, especially when you have a lot of clips to match.

Steve did you sync (adjust) the camera profiles to one specific camera to match - considering they all looked pretty matched up to begin with?

I'd like to see more info on the multicam function and workflow. There isn't much info out there about it.

FCP(x) really still is dreadful for mulitcam colour correction. Sometimes its just easier to line up parts of the clips on the timeline outside the multicam, colour correct, then copy/paste corrections back into the MC

Wouldn't it be better to match cameras after you edit so it doesn't need to be rendered while cutting?

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