Album available // Sibelius: Symphony No. 2 in D Major, Op. 43 by George Szell 🎧 Qobuz (Hi-Res) bit.ly/3SCN9VS Tidal (Hi-Res) bit.ly/3HE7Ev8 🎧 Apple Music (Lossless) apple.co/3SVg3Q2 Deezer (Hi-Fi) bit.ly/3UBh6r9 🎧 Amazon Music (Hi-Res) amzn.to/42p0F2P Spotify (mp3) spoti.fi/3UiwvMw 🎧 RU-vid Music (mp4) bit.ly/3UchPia 🔊 Download the album (Hi-Res MASTER - WAV uncompressed) cutt.ly/Classical-Music-Reference-Recording-Website-Sibelius-Szell Jean Sibelius (1865-1957) - Symphony No.2 in D /D-dur / Ré Majeur, Op. 43 00:00 Important announcement for your attention (updated offer, discover our new website classicalmusicreference.com/) 00:59 I. Allegretto, Poco allegro, Tranquillo ma poco a poco ravvivando il tempo al Allegro 10:26 II. Tempo andante ma rubato, Andante sostenuto 23:06 III. Vivacissimo, Lento e suave, Largamente 28:50 IV. Finale: Allegro moderato Royal Concertgebouw Orchestra Conductor: George Szell Recorded in 1964 New mastering in 2024 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): cutt.ly/5eathESK 🔊 Find our entire catalog on Qobuz: cutt.ly/geathMhL 🔊 Discover our playlists on Spotify: cutt.ly/ceatjtlB ❤ Support us on Patreon www.patreon.com/cmrr/about To fully understand the success of Sibelius's Symphony No. 2, one must evoke the nationalist sentiments that were fervent in Finnish society at the time when this powerful work came into existence. After centuries of foreign domination, first by Sweden and then by Russia, Finland, at the time of Sibelius's birth, experienced an awakening that inspired its inhabitants to reclaim their cultural heritage. This was the climate in which the future national composer of Finland grew up, and he was not immune to its impact. The awareness of their cultural identity led Finns to revive their mythology and literature and restore their own language to the place that Swedish, the official language of the administration, had usurped. When, in April 1892, the Helsinki audience heard Kullervo, a gigantic piece for choir and orchestra with five movements, for which Sibelius drew inspiration from the national epic, the Kalevala, their enthusiasm knew no bounds. The composer's patriotic sentiments were further strengthened by his marriage to Aino Järnefelt. The young woman's father, a provincial governor, was actively involved in the Finnish language rehabilitation movement. Meanwhile, the success of Symphony No.1 and Finlandia had turned Sibelius into a national hero. In the following years, he would gain international stature. Observing, during a tour with the Finnish Philharmonic Orchestra conducted by his friend Kajanus, the warm reception that foreign audiences gave to his music, he came up with the idea of writing a new symphony. His close associates urged him to spend an autumn in Italy and dedicate himself entirely to composition. Carpelan, one of his most devoted friends, managed to raise the necessary funds for the journey, and in February, Sibelius finally settled in Rapallo. There, he began working and decided to set music to a theme from the life of Don Juan. The main theme of the andante of Symphony No.2 still reflects the essence of this initial project. On the way back, he stopped in Florence and briefly considered illustrating certain parts of the Divine Comedy. Delayed, he completed his Symphony No. 2 only in January 1902. From its first performance, the patriotic fervor it exuded ensured immediate success. Schubert: Rosamunde, D. 797, Incidental Music by George Szell 🎧 Qobuz bit.ly/3TVGFmm Tidal bit.ly/3ScHrtM 🎧 Apple Music apple.co/48sZmlN Deezer bit.ly/3NY5iuD 🎧 Amazon Music amzn.to/3NS3BPh Spotify spoti.fi/48sqpgO 🎧 Napster bit.ly/48j3gxr RU-vid Music bit.ly/48s4A14
Wonderful. Woke up this morning with it going through my head after first listening to it a couple days ago. Has replaced my long-beloved Ormandy/Philadelphia recording as my favorite of this piece!
To fully understand the success of Sibelius's Symphony No. 2, one must evoke the nationalist sentiments that were fervent in Finnish society at the time when this powerful work came into existence. After centuries of foreign domination, first by Sweden and then by Russia, Finland, at the time of Sibelius's birth, experienced an awakening that inspired its inhabitants to reclaim their cultural heritage. This was the climate in which the future national composer of Finland grew up, and he was not immune to its impact. The awareness of their cultural identity led Finns to revive their mythology and literature and restore their own language to the place that Swedish, the official language of the administration, had usurped. When, in April 1892, the Helsinki audience heard Kullervo, a gigantic piece for choir and orchestra with five movements, for which Sibelius drew inspiration from the national epic, the Kalevala, their enthusiasm knew no bounds. The composer's patriotic sentiments were further strengthened by his marriage to Aino Järnefelt. The young woman's father, a provincial governor, was actively involved in the Finnish language rehabilitation movement. Meanwhile, the success of Symphony No.1 and Finlandia had turned Sibelius into a national hero. In the following years, he would gain international stature. Observing, during a tour with the Finnish Philharmonic Orchestra conducted by his friend Kajanus, the warm reception that foreign audiences gave to his music, he came up with the idea of writing a new symphony. His close associates urged him to spend an autumn in Italy and dedicate himself entirely to composition. Carpelan, one of his most devoted friends, managed to raise the necessary funds for the journey, and in February, Sibelius finally settled in Rapallo. There, he began working and decided to set music to a theme from the life of Don Juan. The main theme of the andante of Symphony No.2 still reflects the essence of this initial project. On the way back, he stopped in Florence and briefly considered illustrating certain parts of the Divine Comedy. Delayed, he completed his Symphony No. 2 only in January 1902. From its first performance, the patriotic fervor it exuded ensured immediate success. 🔊 Download the album (Hi-Res MASTER - WAV uncompressed) cutt.ly/Classical-Music-Reference-Recording-Website-Sibelius-Szell Schubert: Rosamunde, D. 797, Incidental Music by George Szell 🎧 Qobuz bit.ly/3TVGFmm Tidal bit.ly/3ScHrtM 🎧 Apple Music apple.co/48sZmlN Deezer bit.ly/3NY5iuD 🎧 Amazon Music amzn.to/3NS3BPh Spotify spoti.fi/48sqpgO 🎧 Napster bit.ly/48j3gxr RU-vid Music bit.ly/48s4A14
Wunderschöne und detaillierte Interpretation dieser spätromantischen und nordisch komponierten Sinfonie mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und unvergleichliche Dirigent leitet das ausgezeichnete Orchester im gut analysierten Tempo und mit künstlerisch kontrollierter Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als eine Originalaufnahme von sechzig Jahren vor. Wunderbar vom Anfang bis zum Ende!
What an exhilarating performance. Szell characterizes the symphony in a way I've not heard before: brisk, purposeful and illuminated from within. And what an orchestra! And what a remastering! Listening, I am reminded that life is worth living.
Are you sure this was recorded in 1964? Because Decca says it was released in 1965 but recorded in 1957. Is it a different recording from the one in George Szell Decca & Philips recordings 1951-1969?
you talk like a connoisseur of recordings, where it is all about which conductor... I am coming from the perspective of an instrumentalist. I will say, it's not all about the conductor, but also the other 75 musicians on the stage actually playing the music!!!
What is the provenance of these masters? If remastered, did you have a good look at the analogue studio tapes? Or are they adapted from previous commercial issues?
Your transfers are always notably inferior to the files we can get from the rights-holders. Not a single one I've looked at didn't have clipping and distortion not present in the originals. Now if your product is basically free, I'd still say that you are performing a service to people, especially if the recordings are hard to acquire. But nobody should assume that your work is equal to the quality of an official release.
