The only place where you can see the wonder of john bonham played perfectly with all the camera angles... I wonder if jason has seen any of your videos
@@BONHAMOLOGY Apologies doing a George playlist today. Yes, just a bit over on the reverb, sort of lose some of the distinction of the drum sounds. As always execution is flawless.
👋 George just 🔥burn'n the midnight oil...I stopped by to check out some more of your videos...I didn't know there was this many changes in this song!!! IAM addicted to you and your talents...and TERRY'S as well!!! Take Care*******
You,re a good man, God bless you. The BEST interpretation of the art of John Bonham. This work is fantastic and marvelous and thank,s for your generosity about your knowledge. Your love makes the world a better place. Thank you Gerorge. Rock and Roll
That sweeping fill at the 5:22 mark, unbelievable, Bonzo was the best! Incredible playing George on one of my all time favorites! I saw this and just automatically put it on loop. This is how I would like to play when I grow up. Cheers!
Beautiful playing, as a lifelong drummer and die-hard zeppelin fan your videos along with Terry's are my favorite on RU-vid of all time !! Excellent work guys. Thank you both for making these 👍😎🎧🎶
Absolute perfect timing! I just learned all the guitar parts to this version and was looking for something to practice with and to my surprise, you uploaded this masterpiece a day ago
Pete, How are you getting that beautiful echo, reverb and compression sound on your drums in your house? Do you have it running through a powered 6 or 8 channel mixer with effects, because They sound so sweet. Especially your snare.
Thanks Joseph, my name is George. Pete is the bass player in PfoZ. 😊 I use a bit of reverb post recording when I'm mixing. I use Audacity to add just a bit of EQ, compression and reverb.
I saw you say in another comment you’re experimenting with reverb. One of the best tips I can give is to use a pair of room mics, panned in stereo. Add reverb to them until they sound like the size of the room you wish you were recording in, then compress them a bit and blend them in with the close mics. Ideally you shouldn’t need any reverb on the close mics (other than perhaps a little on the snare) and you’ll get a much more realistic drum sound. Either way, your kit sounds incredible and you play it very well!
I really appreciate the comment. Thank you. I would love to get more mics, and a bigger board but the space I have is pretty limited, although I do think I could set up a couple room mics. Do you have a recommendation for how far apart they should be? I'm assuming in front of the kit and spaced evenly left and right? I've recorded in a lot of studios in Chicago, and I have friends who are sound engineers as well. Thanks again for the advice. 👍🏻
@@BONHAMOLOGY No worries man, happy to help! Yeah that placement would probably work pretty well. Could be worth pointing them at the wall to get more of the reflections and less of that actual raw sound of the kit, which maximises the “roominess” of the sound
@@alexfairhurst359 Awesome. Thanks again, very appreciative. 👍🏻 What mics do you recommend? I have a couple cheap condenser mics MXL V 250....or should I use a different type?
@@BONHAMOLOGY I like to use AKG C414s as room mics, but just about any large diaphragm condenser should do the job. High pass the mics around 200Hz to get rid of low end rumble, take out a little bit of 400-500Hz honk, and use a subtle low pass filter to control any cymbal wash if necessary. If your reverb plugin has a pre delay control I’d recommend setting it to 10-15 milliseconds. Also, as a general rule with room mics, the dirtier the compressor, the better! Something like an Empirical Labs Distressor or Urei 1176 emulator will add some beautiful harmonics and distortion
@@alexfairhurst359 Fantastic!! Thank you! Notes taken. BTW, I just saw another Shure 548 go up on eBay....$350, with issues! WTF is going on with those mics?? Crazy.
