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Snoozer Quinn, guitar - Out of Nowhere 

Dave Radlauer
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Anyone who ever heard Snoozer Quinn said that he was the best guitarist they ever heard.
Quinn was without peer which has been attested to by many who heard or knew him. Among them were the superlative Jazz guitarists of the late-1920s and 1930s like Eddie Lang who heard Snoozer during his brief stay New York City.
Quinn came within a whisker of disappearing from music history altogether. But a recording at his deathbed shortly before his passing has left us a tiny fragment; a mere glimpse of his fading brilliance.
The nickname “Snoozer” was, according to his brother Alton Quinn, “because he was so good he could sleep and play at the same time.” This reflects his well-known ability to strum guitar while reaching out and shaking your hand without interrupting himself. It may well have been this very trick which prompted bandleader Paul Whiteman to hire Snoozer upon first meeting.
A musician’s musician, Quinn was well received in New York. His colleagues were blown away crowding into his hotel room day and night urging him to play. Whiteman took Snoozer around to parties showing him off like a trick pony.
He made a few band recordings, but they failed to capture his sound, inaudible in the band context. And the handful of solo discs he made were lost and never recovered.
By March 1929 Quinn had returned to his Louisiana stomping grounds around Bogalusa near New Orleans. He was employed at a Goodyear Tire garage and played for local bands, theaters and parties.
His health was never robust and severely impacted by his chronic alcoholism. In 1940 Quinn was hospitalized for tuberculosis.
Not long before his passing Snoozer was visited in his New Orleans hospital room by local trumpet player Johnny Wiggs. Using a portable disc-recording machine he made the only surviving examples of Quinn’s gift.
Recently, authors Dan Sumner and Katy Hobgood Ray (his great-great niece) have vividly portrayed and thoroughly documented this obscure musician for the first time in print: Snoozer Quinn: Fingerstyle Jazz Guitar Pioneer, 2021 found at Snoozerquinn.com.
Find more at:
www.jazzhotbigstep.com/70001.html
www.jazzhotbigstep.com/74101
Snnozerquinn.com

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8 фев 2023

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Комментарии : 30   
@madhatte73
@madhatte73 4 месяца назад
I first heard of snoozer Quinn in 1990 when Leo Kottke told a story about him in a performance. There was no internet yet, so I had to remember the name and ask anybody I could, but for years I had only a humorous anecdote by a semi-obscure guitar player to go by. Finally I can hear what all the fuss was about.
@daveradlauer8642
@daveradlauer8642 4 месяца назад
Thanks for that. You can read more at this recent article about Quinn and reviewing the book. If you’re a guitarist recall there’s a batch of tablature lead sheets in the book carefully transcribed from the Wiggs session. syncopatedtimes.com/restoring-edward-snoozer-quinn-to-the-jazz-guitar-pantheon/ You should be able to access at least one free ST article before the publication paywall.
@nemo227
@nemo227 Год назад
Sometimes I wonder how many other extraordinary musicians have been missed by historians. Then I remember that we can't know everything.
@alanmohn4146
@alanmohn4146 Год назад
Thanks for this piece of history. He needs to be remembered.
@barbaraeffros4804
@barbaraeffros4804 Год назад
Thank you David! I knew a bit about "Snoozer" perhaps from one of your books. 🎶🎺🎶
@tedcabana
@tedcabana 5 месяцев назад
1907 to 1949. At 42 he died so young, like so many other Jazz players of that time. WTF was up back in those day where every great musician died so goddamn young? Was it the dirty prohibition booze? Or the epidemic of good old pure heroin? Crazy how all the greats died all so soon. Yet, still we love them for what they gave.
@georgesember9069
@georgesember9069 Год назад
I like his sound!
@philjohnson7160
@philjohnson7160 Год назад
Thank you for this. Great playing and a "classic" jazz name!
@Fledermausman
@Fledermausman Год назад
I'd never heard of him until now, but he has great natural swing and a very full concept of the guitar, almost sounding as if he's got a bass accompanying him in places.
@nemo227
@nemo227 Год назад
All over the world there are great singers, great musicians who are only known in the area or small community in which they live.
@daveradlauer8642
@daveradlauer8642 Год назад
Here’s more: syncopatedtimes.com/restoring-edward-snoozer-quinn-to-the-jazz-guitar-pantheon/
@Trombonology
@Trombonology Год назад
Snoozer was an extraordinary musician. I suppose, then, that even given the adverse conditions under which this recording was made, we can't be surprised that he was still able to coax beautiful sounds out of a guitar. We can hear, even without benefit of the hospital photo, that he's playing a flat top, rather than the L-5, with which he is most closely associated. This treatment of one of our most lovely standards is marvelous -- many thanks for the vid!
@daveradlauer8642
@daveradlauer8642 Год назад
Thanks. More at syncopatedtimes.com/restoring-edward-snoozer-quinn-to-the-jazz-guitar-pantheon/
@jjrossphd
@jjrossphd Год назад
Thanks so much - I had never heard of him - Certainly was great tremendous musician.
@gaetanocaccianinimaturanzi3434
Artista interessantissimo, grazie per la scoperta 🍀🎶🎸😉
@pd33
@pd33 Год назад
I was today's years old when I heard about Snoozer Quinn. I'd like to hear some of his stuff.
@daveradlauer8642
@daveradlauer8642 Год назад
Thanks. Here’s more: syncopatedtimes.com/restoring-edward-snoozer-quinn-to-the-jazz-guitar-pantheon/
@jkjives1786
@jkjives1786 Год назад
Very interesting!!
@user-ng5nt3em6t
@user-ng5nt3em6t Год назад
Hello. This is very kind that you would put this up of Snoozer Quinn. You did this video very well. I am a friend of Katy Hobgood Ray. Another look into his personality was his gentlemanly-quality. He never said no to playing for people to people up in New York City that would come all the time to interrupt his sleep, so that played a part in his reluctance to return to the center of the business where everything was happening. Bandleaders I heard really wanted him. If you listen to his recordings with Jimmie Davis, you will hear an extra dark bassy string. That was maybe 1932. If you listen to that death bed album, you will hear these big bass sounds again. I was able to transcribe a lot for years, and it makes sense. We do not know what happened to his other guitars. There's only one. Anyhow, I suspect he may have jumped on the boat of the 7 string guitar before George Van Eps. Even Peck Kelly remarked their styles were incredibly similar.
@daveradlauer8642
@daveradlauer8642 Год назад
Thanks JCB. May I assume you’ve seen syncopatedtimes.com/restoring-edward-snoozer-quinn-to-the-jazz-guitar-pantheon/ And jazzhotbigstep.com/70001.html Etc? Best, Dave R
@AndrewJanusson
@AndrewJanusson Год назад
Very cool!
@shawnstarks1743
@shawnstarks1743 4 месяца назад
A lot of it, was heroin especially in jazz circles , TB, appendicitis, sometimes poisoned (that was a thing back then) and just poor health conditions. People waited things out (mistake) and used home remedies back then.
@chrisandersen5635
@chrisandersen5635 Год назад
Wow. Beautiful playing. Oh how life can take us in a myriad of directions. Eddie Lang was a fan? He died too young, but made a zillion recordings. Ya just never know, I guess.
@NoOne-kr4jc
@NoOne-kr4jc 7 месяцев назад
He was a big fan.
@johnforbes4526
@johnforbes4526 Год назад
Fantastic !
@daveradlauer8642
@daveradlauer8642 Год назад
Thank you! Cheers! Find more syncopatedtimes.com/restoring-edward-snoozer-quinn-to-the-jazz-guitar-pantheon/
@lamper2
@lamper2 Год назад
3:42 great idea for this photo-whose idea I wonder
@user-ng5nt3em6t
@user-ng5nt3em6t Год назад
I can tell you I've read stuff about this. Apparently Louis Armstrong was hiding from the mob. Quinn spent the day with him.
@IHSisable
@IHSisable Год назад
sound a lot like a beatle songwhere i cannot get my head around right now - but it looks like they knew about him too
@user-ng5nt3em6t
@user-ng5nt3em6t Год назад
Heavily doubt it because the album could only be produced so much in number. A lot of what he was covering were jazz standards. I heard that George Van Eps may have carried his style tradition but perhaps not in the same way, and other players probably built off of Van Eps over time. He also had a similar rhythm style to Big Bill Broonzy, and a lot of them were familiar with his records. The syncopation was similar but Broonzy used his thumb to keep it going. I suspect Quinn mainly did that sound with a pick.
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