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Sons nouveaux d’une nation nouvelle. Tempo 7009, 1961 

Radio Africa
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In 1961 Leo Sarkisian travelled through West Africa recording groups for the Hollywood based Tempo International label. In Guinea he gained the trust of President Sékou Touré, who allowed him to travel throughout the country and record Guinean musicians. A sound engineer, Sarkisian later used his skills to assist Guinean technicians to develop their recording techniques in the nation's new national radio station. He became a government employee, and was close friends with Fodéba Keita, the founder of Les Ballets Africains.
Sarkisian’s recordings were released as ten LPs and five 45 rpm vinyl discs. They were the first commercially available recordings of Guinean music since its independence in 1958. The series of discs commenced in 1961 with three "Edition spéciale" LP releases, followed in 1962 and 1963 with seven LPs and the 45 rpm discs. The recordings of the orchestras are especially interesting, for many of the Guinean groups still featured acoustic string sections and had yet to amplify their instrumentation. A year or two later all of the orchestras were amplified, so the recordings captured a rare and brief glimpse of the early style of modern Guinean music. Sarkisian recorded the local orchestras in the towns of Beyla, Guéckédou, and Kissidougou, groups who were better known as Bembeya Jazz, Kébendo Jazz, and Niandan Jazz. There are several unreleased recordings by Sarkisian available through The Syliphone Archive - sounds.bl.uk/Wo....
In 1965 many of the discs were re-issued for the New York World's Fair, where they were available for sale from Guinea's public stall. This helps to date the Syliphone releases, as it seems likely that the Tempo discs were the only recordings of Guinean music available in 1965 to represent the nation on the world stage.
Tempo 7009 - l’Ensemble Instrumental African de la Radiodiffusion National
1 Toutou diarra (ensemble)
2 Solo de kora (M'Bady Kouyaté)
3 Alpha yaya (ensemble)
4 Diarra denké (Mama Niang - konni, M'Bady Kouyaté - kora)
5 Kemé bourema (ensemble)
6 Tara (ensemble)
7 Sakhan nan konyi be (balafons - Sory Kouyaté, Diarraba Kandé et Djigui Diabaté)
8 Maniamba (ensemble)
9 Maramba (Mama Niang - konni)
10 Douga* (flute et bolon)
* Note its similarity to Armée Guinnéenne - made famous by Bembeya Jazz National several years later.

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28 авг 2024

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Комментарии : 7   
@markusmilla6968
@markusmilla6968 2 года назад
J'adore la Musique Traditionelle Africaine, la meilleure. Merci ❤️🎶👑
@bassambacamara9253
@bassambacamara9253 4 года назад
Merci beaucoup d'avoir accédé à ma requête avec célérité. Ces sons représentent de l'or brut à conserver religieusement. D'excellents souvenirs de jeunesse qui vivifient et bonifient mon coeur. La culture C'est ce qui reste quand on a tout oublié. Un peuple sans culture est un peuple sans mémoire.
@kabaoumar5871
@kabaoumar5871 3 года назад
Merci aux artistes de la Guinée
@nioumamorycisse4360
@nioumamorycisse4360 Год назад
C'est merveilleux !
@nioumamorycisse4360
@nioumamorycisse4360 10 месяцев назад
SORY KANDIA ne peut pas mourir...!!
@magidsylla9599
@magidsylla9599 Год назад
❤❤❤❤❤❤
@magidsylla9599
@magidsylla9599 Год назад
J'ai envie de pleurer où est passé le musique guinéenne ???