Sound Effects Master Class with Mark Mangini

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In this exclusive SoundWorks Collection video we chat with Award®-winning sound editor Mark Mangini (Blade Runner 2049, Mad Max: Fury Road) about his experiences building his sound effects library and how to approach various styles of sound effects editing.
About Pro Sound Effects:
Pro Sound Effects® (PSE) develops highly curated sound effects libraries and software for professional media production. PSE has teamed up with Academy Award®-winning sound artists Mark Mangini & Richard L. Anderson to develop their private lifetime library into The Odyssey Collection. Sound artists everywhere can now elevate any project with the same world-class sonic ingredients expertly captured while creating the sound for over 250 feature films and TV shows.
Explore The Odyssey Collection: bit.ly/3iXu5gQ
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CHECK OUT MORE VIDEOS:
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Опубликовано:

27 апр 2018

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Комментарии : 36

@torley Год назад

So many beautiful phrases here. Really like "selective focus" and "heightened reality". Things that most people hear, fewer notice, and even fewer can articulate in-depth.

@reziloladze5406 6 лет назад

More Lessons from Mr. Mangini pls. It would be great to have full masterclass

@drewkantos 2 месяца назад

I was literally complaining about my door closes on stage yesterday! Awesome!

@aaronmonshing7781 6 лет назад

Thanks, Mark and all you lovely people at Soundworks!

@MustafaYaziciogluMusic 6 лет назад

Another amazing video. Thank you!

@Xtn1Insecticide 2 года назад

I like his mental workflow, considered, intuitive, layered & detailed, particular & all in all, clever because he puts his full mind & work ethic to it. I wanna be like this though I’m focused more on the music while collecting sounds for the designer so to weave the works together. I like how his brain works

@shikaman 4 года назад

Wow after all those movies, i never actually noticed gun sounds were tuned to the people fireing them, wether good guy or villain !.. I'll pay more attention next time ! I guess its more obvious in 90s movies haha !..

@reinaldogoncalves8937 4 года назад

Many thanks for this, gold!

@davidwestonline 5 лет назад

Great stuff, very inspiring! Thanks a lot :)

@Mass_Tone 5 лет назад

Amazing insight from such a legend! Thanks for this!!

@ghostrider5378 5 лет назад

this is an insanely good video i cant believe it only has around 8k views as of this comment

@ling6701 3 года назад

Very interesting talk, thank you.

@Comedyschule 3 года назад

this is awesome!

@runningintohistory 2 года назад

I thought I was ghetto using my h1n for sound design but he's using one! Awesome!

@janardanpatowary6072 6 лет назад

Waaoo!!! Amazing!!!

@filmsbydiek7316 6 лет назад

Bravo! Great stuff, great attitude towards the creative process learned by experience.

@isaacshainblum1030 4 года назад

just started a podcast... still , great inspiration ..afterall, a podcast is very "visual"!

@Arkanoid_242 5 лет назад

This nicely puts in words why I love this job so much! Great video and great wisdom :-)

@Flavolous 4 года назад

Is that an Arp2600 in the background? Tasty!!

@DaveWelschBassist 3 года назад

2600 “Blue Meanie”

@Massivecarcrash 5 лет назад

I've heard some really awfull mixing in films where the gunfire is only as loud as the dialog. Gunfire should always be the loudest thing in the scene besides a explosion or if the narrative /direction demands that it's more subdued (like a slow motion moment for example) Guns are loud. Really loud. I dont think people who have never stood near one going off or fired one themselves, understands how loud they are. Imagine someone hitting a drum snare as hard as they can, guns are about twice as loud as that. (technically three or four times as loud but our ears doesnt percieve them as that because our ears have a built in "limiter" where it can only take a certain amount of noise before they take damage.)