The Aftershock is a permanent part of my bass pedalboard. I've even used it as a clean EQ for acoustic sessions. Hoping to add an Ultrawave and Collider someday.
Glad you like it, Farrin! Love your Neuro presets. This is a video that we produced about a year ago for the private use of one of our South American distributors, but looking back at it, we thought it might be useful to people interested in getting a general sense of what Source Audio pedals are all about.
Ultrawave is so cool, want one so bad, and a nemesis, and a spectrum, lol , great pedals in general, ventris is always on my board, , Source audio is so underrated
Big fan of Source Audio! The Neuro Hub is a really smart piece of gear and even a MIDI-Dummy like me can get my head around it :) Seriously considering replacing my Nemesis with a Collider :) Those reverb algorithms are immense!
Great video! Question: If one has several SA pedals that can all access the Neuro Editor, how does one access it for each pedal? Use a multi-USB input device and select which pedal you want to edit in the firmware?
Yes! I am happy what the c4 does for me, but it keeps annoying that you cannot even loop through the presets by foot on the pedal itself. I am using a dmc micro for that. That works reasonable but I would gladly upgrade this combination to a c4 that does not rely on midi magic just to enable footswitching.
it's a pity that the C4 can't take more than one midi message at the same time, without having issues, for example if you use an arpeggiator and receiving the midiclock via midi, then anytime you try to do something else via midi (for example using a pedal to control the filters or any other function on the c4) it loses the beat and the arpeggiator goes a bit crazy. This happens even using the neurohub with everythiung updated to the latest firmware.
got an ultrawave but not the time to play yet but I will be retiring soon and have plenty what I was wanting and it is something I bet you guys could accomplish is a pedal that could offer me all the sounds and fx included in the Electroharmonix Attack Decay and I was kind of hoping that the filters in spectrum might somehow accomplish that task also you making everything midi you would have my eternal gratitude if you made it midi and added it into the spectrum. Their other pedals that you should knock off include the MEL 9, Strings S 9, C and B 9 as well and make them midi for us guys that like to use foot controllers to change patches.
Nope. The C4 can take Spectrum stuff, and I don't think the opposite is true. It has controls necessary to at least sim some basic modulations. Each voice in the C4 can be modulated with trem and/or detune (at least if it's guitar input - as opposed to one of the waveforms), and the filter types available include 1-3 stage phasers. You could certainly rig a filter of any kind, to get a sound partially like flange or chorus, but unless I'm mistaken (I've only just gotten one), there's no way to do time effects - though maybe if you were clever with the step sequencer and detuner and their respective tempos you could at least get a tight flange/chorus effect? I dunno my head hurts.
You did not cover vertigo and I want one. Just closed a huge deal that should be sending me huge amounts of $$$ soon so I intend to stock up on a lot of stuff. As mentioned below you guys need to knock off the EHX attack decay and improve it with midi or just create the algo in Spectrum and then us guys who dislike funk will buy it and maybe we start liking funk from having access to the filter sounds in it. Oh add in versions of the EHX C9 S9 B9 and MEL9 possibly that synth 9 pedal as well in fact make it all one pedal and jam it all in there so we can get access to all those sounds then slap the C4 on it make it the size of a ventris and lets party.
