Another gem from the Mahotella Queens featuring the late great Simon "Mahlathini" Nkabinde. Mahlathini was the premier exponent of the 'groaning style' of singing that came to symbolise mabaqanga music.
1960s South Africa found the Zulu and Sotho beginning to incorporate the influences of African American R&B, jazz, and blues into their traditional, indigenous music. New styles such as township jazz, pennywhistle street music, Kwela, and marabi were formed. Eventually, these myriad styles coalesced to create a new hybrid pop music that came to be known as mbaqanga. Though mbaqanga uses the traditional instrumentation of Western pop (guitar, bass, drums, keyboards, and vocals), the approach to song structure and rhythmic, melodic, and harmonic phrasing is distinctly South African. The bass guitar lines follow very much in the rich tradition of choral singing, emulating the bass voice in a choir.
Original source: Last FM
The bass: Fender Jazz, 1977
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7 фев 2024
