the question is HOW did he know at which timestamp which song is playing, my guess would be that he just assumed a new id is starting when something new comes in/something transitions
@@flukeshot4562 yea i checked Dion out, he's really good but the same as loads of other producers to me, great tracks but not really unique,... space laces pushes the envelope!
As a music creator, I can clearly say that this is the only piece of music where I seriously have ZERO clue how it was made. I'm convinced that only space laces can know.
I wish I had a friend that would understand how fkn insane this mix is This and honestly all vaultage mixes. How can a single artist keep that many amazing songs unreleased is beyond insane to me.
I think of it in, like, a trap context, but if you disagreed with that I wouldn't argue with you. It's pretty similar to his last single, D.A.W, whatever genre that is.
8:21 gets me straight up excited for life lol. that quote has so much truth to it. every time i'm stressed it pops up in my head and it just reminds me to use this uncomfortable feeling to help me see/act on where i can grow in life. that it doesn't matter how i want people to see me. what matters is what i do to improve myself.
I just rewatched Star Wars: The Empire Strikes Back and immediately recognized the probe droid sound effect from around 3:03 and was hit with a feeling I can only describe as absolute awe at how damn cool music is.
Was a little suicidal when Overdrive came out. Saw his show and listened to all his tracks after. I'm not going to say it saved my life but having music and shows made my life worth living again. Thank you cornandbeans / Ian Slider / SPACE LACES.
@@Admrtz95 thanks to you, I just found out about G Jones. All I can think about now is how Space laces and G Jones should collab, they both are pushing the bar in sound design. I really do recommend anyone who hasn't to check out G Jones. A good first track is Time, and also Underground which features the legend Bassnectar.
I will ALWAYS be happy to see anything from master Spogs... but Christ sake, if anyone's capable/deserving of an LP, it's Space Laces. I wonder why we haven't seen one yet?
albums are not profitable for lesser known, niche artists. especially since the streaming age. skrillex and deadmau5 can release albums and be successful for two main reasons: 1. they're not confined to edm and 2. they have the audience, consistancy of profit and popularity, and infrastructure to build a large scale and unique headline tour. because of that they or their label can be confident that the tour will have a significant enough net profit to make the initial cost worth it. they way to profit as a smaller artist is to periodically release singles or eps throughout the year in order to keep your name fresh enough to continually be booked. "touring" gets thrown around pretty loosely so it's easy to misconstrue a large scale headline tour based on an album with just being scheduled out for 6 months, a year or however long to appear at different venues amongst many other artists; the latter being the most common route of smaller musicians. albums take a lot of time, time that could be spent getting paid by appearing in lineups, and when the albums out you won't recoup the losses from taking a performing hiatus to work on it since streaming revenues so preposterously low (a large artist may make some decent income but that's in the tens of millions of streams) and not enough people are buying physical copies any more to make any kind of significant income from that alone. some can work on albums while repeatedly performing but it's not overly common and the quality often suffers. also don't even get me started on how the musical quality of music in general has suffered from streaming platforms or how many labels actually make the artist write certain kinds of music and don't allow creative freedom. it makes me sick to be honest but i digress. the key point here is the fact that that is the way to go for *profit.* there are some artists who are simply not in it for the money and will still put out large bodies of work without a thought of the revenue it may generate. it's a very respectable position. you could argue that artists are only enabling streaming platforms and controlling labels but many just want to write and play music while making enough to live without instead of turning their career into a crusade and that is also a position that i understand.
damn this is just a compltely new way of showing your music to people tbh, he doesn't release music normally, just makes cool ass visual mixes with most of them made into a single song instead of forcing himself to finish songs and adding in sections just to make it sound like a full song, but mixing together different pieces in a mix so they never sound out of place together, this is just a really cool idea when i think about it lol
if i listen to this now i won't have enough time to hear it all the way to the end. this decision takes a lot of willpower and constraint but i'm coming back tomorrow when i have more time.
@@pierreemerickalprazolam The culture you described is also very widespread in Europe. I've been to electric love festival. Never again xD. I can definitly understand, that you prefere London or Berlin electronic music scenes over this kind of stuff. But it doesn't change the fact, that the tracks in this mix are classified more accurate by Hivemind than you. Even though Space Laces may appear at some of cringiest festivals in the world, that doesn't mean, he's not respectable as producer. I personally have to say, that space laces music isn't something I listen very often (I used to do this, but my taste in music really changed the last 2 years). NevertheLess I love listening to this mixes, because these concepts of sounddesign are really unique. It's littlebit like watching and listening to an extremely talented drummer for example. I'm really fascinated by the tempo and grooves he's playing, but I wouldn't listen to 10minutes solodrumming all day. Some other may want to do exactly this. PS. Studying and Quarantine is obviously not good for my time wasting priorities
Every once in a while since you released 001, I pick the biggest and brightest screen in the house, sync the video with the audio on my good headphones, blind the windows, turn off the lights, hit the play button, and hope your mix doesn't take my life away from me. So far it didn't. But I wouldn't be mad if it did.
This whole 20 minute thing came up on my Spotify radio, and I didn't realise it was a mix until I heard 7:46 and it blew my socks off and went to check out the 'song' I was listening too. Incredible experience hearing this for the first time.
Me siento tan feliz de compartir este mundo contigo Space Laces. ¡Tú música es extraordinaria! Tú música es de otro mundo. Me siento tan afortunado de vivir en esta época, de crecer con tan alta inspiración que me das al oír estas obras de arte. - TE APRECIAMOS UN MONTÓN 🚀✨
You'd think that with the already high expectations people have for space laces it would be hard for him to exceed them and yet he does it very single time.
I hope to be at a point like this in my career where people just become happy purely because of me posting. It's always been my dream, and Space Laces lives in it. :")
yessss i've been waitingggg for this, every one of them have been just so good so far, and what blows my mind even more is how old some of those ids are for how much fire, creativity and uniqueness they pack, actual king of bass music (can't forget abt those visualsss toooo🔥🔥)
I can swear the timestamps in the description weren't there a week or two ago. Ian, keep up the good work! Hope you release more Vaultage tracks ! ("New Challenger" is a MUST :))