Billy Garvey you must be new to RU-vid. They don’t make as much as you believe (high views mean nothing anymore unlike when RU-vid started.. this video over the 4-5 years it’s been out has made $1K or so which is like 1 tank of gas a month over that time). And people like to support channels so they can continue putting out content.
I have never heard of you Mr. Porter but I really enjoyed your tutorial! I have played trumpet for many years now and I've seen many try, but you are really a very good teacher. Please keep it up. I am going to refer the young trumpeters I work with to your videos to add some spice to their lessons. Thanks again.
Really excellent teaching, in terms of impartability to the learner, and trumpet technique. Thank you for so generously sharing on all these great videos. You are the best.
Dear Charlie: I'm from Buenos Aires - Argentina. I often see your videos you have posted on You Tube that have helped me, say rather, to learn more techniques to play the trumpet. -a suggestion- Be feasible to translate to those videos with subtitles? Spend not understand English !! I send you a hug !! (Translated with google translator)
Dang, Trumpists really just figured out how to do all the other instruments' favorite jazz techniques. I've never really heard of Ghost tougueing on trumpet before!
Brilliant ! Thank you ! However, one small remark : you should include the score notation before each example instead of all at once at the beginning. Thank you again :-)
Very good advice for different ways of articulating the sound of the trumpet that does not know English to be able to listen to what I teach even if it had been with translation of Spanish subtitles. I use the Google translator and we Spaniards also like what he does. Thank you.
EXCELLENT tips. I had no idea how those effects were done, I just like listening to them in my favorite music...Big Band. I've been listening to it almost 70 years and I never get tired of it !!! (this new bump-dee-bump bump bump rattle, cuss, cuss, plop de flop flop de flap flap crap), don't blow my skirt up at all ! You can't beat: Harry James, Benny Goodman, Kid Orey, Glen Miller, Glen Gray, Satchmo, Fletcher Henderson, Oliver
How do I play the high C? Help me play higher.? Do I push more air? The sound that comes out of my horn isn’t high at all. Do I need to vibrate faster? Looser lips?
If you don't honor a chart as written then you're not playing the piece correctly. The composer of the said music should be respected even if the individual performer does not like the set instructions. To dumb things down as far as possible then remember this, "music has never been multiple choice."
the shake and vibrato ought to actually be controlled by your diaphragm more than anything. the actual use of hands is the easiest way to manipulate a shake, and lips second easiest. diaphragm control can be difficult to learn for players not used to breathing from their diaphragm in the first place. but to simply explain, when you inhale into your diaphragm your belly should expand. the rule of thumb for breath control is to pay attention to what your shoulders are doing. they should not move or rise and tighten. practice makes perfect. and is the one exception to that saying about doing the same thing and expecting different results is Insanity. practice, practice practice, and practice good technique and you will get different results, you'll get better...lol see, that's the one exception...I always point that our in my drug rehab meetings.
Thank you so much for such an instructive video. This will really help me in jazz. I was curious what model of trumpet you were using. Thanks and great job.
There's a nice descent in the "Infernal Dance" of Igor Stravinsky's "The Firebird". Pizzicato notes played in fifths by the strings also is accompanied by flutter tonguing of the trumpet.
DUH NOTE SEEMS FUNNY, GIVES PERSONALYTY TO EACH ATACK I LIKE THE: TA DA DA DA DA DA DA DA DAAAA OR THE BUGS BUNNY CANON FAIL SOUND LIKE FANDANGO JAZZ. try aN A OR AN F. SOME CIRCUS MUSIC COULD ELP TO.
Amazing. So glad I’ve found your channel. Subscribed and bell notification selected. I can see I will be spending hours watching your content as I’m a new player 👍
Hello Charlie, As always your presentations are fantastic, congratulations! I was curious about your equipment, that trumpet you are using in this video? All the best Ivan Labussiere
Hey Charlie. I love your video but I have been trying for weeks to do the "doit" and for the life of me I just cannot can you try to make a video explaining it in even more detail??? thanks!
Don't play brass myself but this perfectly answered my question of merely trying to figure out what's going on at the beginning of Thank You Scientist's track Gigglebutton, to which I googled "brass trill" out of not knowing what to search for exactly and boom there it is. Seems like in particular it's a combo of a lot of these tricks, if anyone's bored and happens to see this I'd love a full dissection of it out of curiosity. Thank you!
I've been playing for around three months, and I can only do glissandi and half-valving. No way I'm ever going to learn the growl! (btw you're crazy good)
I'm in a middle school band and my teacher let us play around with our instruments. I was making random noises on my trumpet and did the flutter and I was like what the hell . . . And now I'm paying in the Jazz section.
Great video and by the way very good.It is super useful the effects how you explain and execute them.I know how to make several and you clarified others that I knew very little .... thank you very much
This is great, but in my 44 years of playing I've never been able to do the flutter tongue. Just can't get it, LOL. BUT I do growls and such using the gargle method without using my voice or humming into the horn. I can do that of course,(make harmonies,etc. ala Bill Watrous,heh) but for the growls gargling is easier for me,heh.
You move a little faast for beginners, but you should be teaching on the college level. It's been a long time since I played, but you have inspired me.
The way I found is through whistling. Can you whistle and and shake the note? Its the easiest way because you aren't distracting your mouth with the buzz, just find the way to trill you whistling and feel how your tongue moves, then apply it to the trumpet. It may feel like a very slow shake at first but you need to start slow. Also work on your lip slurs. (btw it is easier in the upper register due to closer partials) Good Luck!