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Stedman Cinques from Winchester Cathedral, Hampshire 

bellminsterboy
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The Bristol band practicing for the 2022 National Twelve Bell Contest Final, which was held at Guildford Cathedral, Surrey. The Bristol band finished fourth out of ten teams, behind Birmingham (winners), the Society of Royal Cumberland Youths, and Cambridge.
The ringing here, recorded in June 2022, comes from one of the band's practice sessions at Winchester Cathedral. The test piece for the competition, the entirety of which can be heard on this recording, comprised 252 changes of Stedman Cinques.
The original mono recording of the team's practice piece at Winchester was kindly provided by Philip Pratt and has been reused here with permission, following conversion to stereo format by myself. The photos that accompany the recording are all mine, taken over various visits between 2014 and 2020. Neither the photos nor the recording are to be used without permission.
Winchester Cathedral is rightly regarded as one of Europe's finest buildings, and with a total length of 558 feet, it is the longest medieval cathedral in the world. The deceptively massive central tower, some 50 feet square and 150 feet high, houses the only diatonic ring of fourteen bells in the world hung for change ringing.
The cathedral tower was originally a lantern, as with the present central tower at York Minster, open from floor to the roof timbers to let light into the crossing below. In 1635, wooden fan vaulting was installed at the level of the existing nave vaulting, and floors were inserted in the tower to form a belfry. In 1735, a massive wooden frame, manufactured by John Williams, was installed in the belfry to house a peal of seven bells.
This frame was extended and strengthened several times over the ensuing centuries so that it held eight bells by 1883, ten in 1891, and twelve in 1921. In 1936, the old mixed peal of twelve were taken down and the aforementioned frame extensions were removed for complete restoration. The bells were recast and increased in weight by John Taylor & Co early in the following year to form a very fine 36cwt ring of twelve in the key of C, though not before the abdication of Edward VIII meant the tenor bell inscription had to be hastily altered to make reference to George VI.
The heaviest eight bells were hung back in John Williams' 1734 frame and a new lowside metal frame was provided for the front four. In 1967, a redundant bell from St Lawrence's Church in Winchester was transferred to the Cathedral and hung in a new cast iron metal frame as a flat sixth. This bell was cast in 1621 by Anthony Bond.
In 1992, following the restoration of the belfry floor, which was found to be moving alarmingly when the bells were rung, the bells were augmented to a ring of fourteen with two trebles by Whitechapel, who also provided a fifteenth bell to be used as a sharp fourth, providing an alternative light ring of ten to the middle ten which uses the flat eighth. A new wooden frame was provided to house the lightest seven bells, the back eight continuing to be hung in Williams' frame.
Much work has been done on the acoustics of the bells in recent decades, and the replacement of the heavy SG clappers in the two tenor bells with wooden shafts in 2021 has made these bells, especially the back twelve, a real delight, with plenty of hum and deep strike notes.
The bells go well individually but are still a little tricky to get good ringing on, due to a massive rope circle and the old wooden frame, which moves around as the bells are being rung. That being said, these bells, the heaviest in the Home Counties, are well worth a visit for any Taylor fan. Enjoy some excellent ringing on some excellent bells!
Tenor 35cwt-2qr-6lb in C.
dove.cccbr.org...

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5 окт 2024

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Комментарии : 26   
@Cantorisalto1
@Cantorisalto1 Год назад
What a relief to hear such beautifully struck Stedman on these magnificent bells. The stills of the cathedral were also a wonderful compliment - thank you so much for posting!
@RingerThomas
@RingerThomas 2 года назад
Superb recording! The recording brings the true depth of these bells even though they are 5cwt lighter than the required weight and note, but still, that doesn’t disappoint me whatsoever!
@Steven_Rowe
@Steven_Rowe 2 года назад
What beautiful bells and wonderful ringing. I couldn't detect one clip between the bells, they were very uniform. That wonder prewar Taylor tenor doing what Taylor's do best. Pure joy to listen to.
@RingerPeter
@RingerPeter 2 года назад
With the wooden shafted clappers, the back 2 really do boom and hum a lot more😍
@Steven_Rowe
@Steven_Rowe 2 года назад
It's it because of the wooden shafts or the factor these are prewars bells. I believe after the war Taylor's changed bell profiles. For some reason the pre war heavy bells seem to have a lovely drone about them. Probably York Minster is the pinnacle.
@RingerPeter
@RingerPeter 2 года назад
@@Steven_Rowe definitely the wooden clappers made the difference. The back two had iron or steel (cant remember which one) clappers about 5ish years ago, and they sounded very tinny
@Steven_Rowe
@Steven_Rowe 2 года назад
@@RingerPeter I think an interesting experiment. Would be to do sound recording of both the original clapper and wooden shaft and then simply play it to people to see f they could detect a difference. I would love hear the comparison.
@RingerThomas
@RingerThomas 2 года назад
@@Steven_Rowe Taylor’s didn’t change the profile after the war, the A crook profile was introduced in the mid 1920s and has stopped until lately. Taylor’s now use the D Crook profile which I’ve heard is a copy of the vintage stuff. If you compare the back eight here and at Adelaide, you’ll definitely find some similarities. These bells don’t have the growl and roar like Westbury, but certainly have the fine and musical tone they have today!
@RingerThomas
@RingerThomas 2 года назад
@@Steven_Rowe The wooden clappers here have made a big difference, they let the back bells breathe more and have longer hums.
@Bellr1nger
@Bellr1nger 2 года назад
Awesome sound/striking befitting the fantastic photos! Great vid!
@c-historia
@c-historia Год назад
amazing video! 👌
@davros_adl8155
@davros_adl8155 Год назад
really nice ring, usually 12 bells just gets a way-too-dominant back 4 but this is great
@Steven_Rowe
@Steven_Rowe Год назад
What I really love about 10 and 12 bell ringing, and especially heavy bells is the dominance ofthe back 5. It soundds like you are listening to the front 7 dancing through 5 the heavy bells, I find it very soothing and when I drum the tenor to Stedman Cinques I feel I can almost like I have transcended into a spiritual realm.
@davros_adl8155
@davros_adl8155 Год назад
@@Steven_Rowe it can work really well, but if it's poor striking it gets iffy and inaudible. But when its struck really well, cinques is really really good.
@Steven_Rowe
@Steven_Rowe Год назад
@@davros_adl8155 absolutely true. I know great ringers but I'm not one of them. But to listen to ringing like this and people like the Birmingham band ,well they make it so wonderful to listen to. The sound of bashing around and poor striking is worse than a year old learning to play the violin. I should also add that is the great thing about Liverpool Cathedral the tower acoustics are so bad that its just a roar and you can bash around and nobody can hear how awful it is.
@Steven_Rowe
@Steven_Rowe Год назад
Have you noticed how the pre war Taylor heavy tenors seem to have much more wonderful drone to them. Post war bells sound great but more doughy. I love that drone that you get at Yorkminster Is it a change in tuning or bell profile.
@RingerThomas
@RingerThomas Год назад
Taylors didn't change the profile after WW2. The profile was still the same before then, but rings with that profile didn't happen a lot before it, so I can understand why you think post war bells are different.
@Steven_Rowe
@Steven_Rowe Год назад
@@RingerThomas well for what ever reason those pre war Taylor tenors had a wonderful drone to themselves
@RingerThomas
@RingerThomas Год назад
@@Steven_Rowe Yeah!
@Steven_Rowe
@Steven_Rowe 2 месяца назад
​@RingerThomas Hello Thomas, I know you say that Taylor's didn't change the profile but you recently sent me a post where you said thatcTaylors had recently reproduced worn out trickles. To me it really interest me of why bells sound so different To my ear this tenor has a very long sustainable drone like York does. I get the distinct impression that it is not only tuning but bell profile that makes a MASSIVE difference. Even comparing bells of two almost virtually weights it seems a 30 cwt Taylor tenors has more breathe than a similar Whitechapel bell.
@kfae8959
@kfae8959 Год назад
Bristol on the border of Virginia and Tennessee?
@francescogreenslade7793
@francescogreenslade7793 11 месяцев назад
The real, original Bristol, in England, UK
@type-moons
@type-moons 11 месяцев назад
When it's sounds?
@MaxTheRinger
@MaxTheRinger Месяц назад
I didn’t look at the title or the video and I thought this was st Mary le bow 😂😂
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