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STOP Learning Jazz Standards Without Doing This 

Chad LB
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Use code "JLV5" for $5 OFF Instant PDF Download of the "20 Chord Scale Etudes" PDF Package!
www.jazzlessonvideos.com/down...
Equipment:
Nexus Select Saxophone
Nexus Edge Mouthpiece
Nexus Elite Reeds
www.nexussaxophones.com
Mentorship - Weekly interactive masterclasses and unlimited re-streaming access with some of the finest names in jazz! Sign Up: www.jazzlessonvideos.com/ment...
Get live coaching from Chad, Jayden and our team of Jazz Gym Trainers:
www.jazzlessonvideos.com/thej...
Sign up for the waitlist to study with Chad through the Chad LB Text Lessons Studio! www.jazzlessonvideos.com/text...
Tour dates: www.chadlb.com/shows
Video by Astrid Asmundsson
If you’ve ever watched jazz online, then you know Chad LB. Hailed as a "Sax Phenom" by the
New York Daily News, Chad's videos have millions of views across RU-vid, Instagram and
Facebook. Out in the real world, Chad has toured through 6 continents and has played every
venue from Carnegie Hall to the Super Bowl. As a bandleader, he’s headlined jazz venues and
festivals around the world, and as a soloist he’s joined acts like Chris Botti, Arturo Sandoval, and
Christian McBride. No stranger to the big screen, Chad’s been featured on TV with pop icons
like Taylor Swift, rock legends like Don Henley, as well as the Hollywood film, “Here Today” with
Billy Crystal and Tiffany Haddish.
#ChadLB #Jazz #Saxophone

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10 апр 2023

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Комментарии : 54   
@ChadLefkowitzBrown
@ChadLefkowitzBrown Год назад
Use code "JLV5" for $5 OFF Instant PDF Download of the "20 Chord Scale Etudes" PDF Package! www.jazzlessonvideos.com/downloads Equipment: Nexus Select Saxophone Nexus Edge Mouthpiece Nexus Elite Reeds www.nexussaxophones.com Mentorship - Weekly interactive masterclasses and unlimited re-streaming access with some of the finest names in jazz! Sign Up: www.jazzlessonvideos.com/mentorship Get live coaching from Chad, Jayden and our team of Jazz Gym Trainers: www.jazzlessonvideos.com/thejazzgym Sign up for the waitlist to study with Chad through the Chad LB Text Lessons Studio! www.jazzlessonvideos.com/text-lessons Tour dates: www.chadlb.com/shows
@saxman7131
@saxman7131 Год назад
Thanks Chad. Just ordered the book.
@Sue20022010
@Sue20022010 Год назад
Groovy man. Thanks for the great resources. I ordered some from your website and they are gas!
@ericstrauch3215
@ericstrauch3215 Год назад
First time to the channel. Excellent video! Really helped to put all the information here, that I I have seen separately, together and get a better understanding. I'll be watching more often now. Thanks!
@joedakroub
@joedakroub Год назад
Your advice on rhythm rhyming (spelling that was hard) is really helpful. Lovely sound as always.
@jordanjacques8463
@jordanjacques8463 Год назад
Excited to see you tonight in San Antonio!!
@ES175jazz
@ES175jazz Год назад
I'll see you soon at Jazz Texas!!!
@solomann940
@solomann940 Год назад
Thanks for that 👌
@MrStewbee
@MrStewbee Год назад
I think being a rocket scientist is easier than mastering improvising music.
@thesoundsmith
@thesoundsmith Год назад
Improvising is easy - it's only when you try to _'splain_ it, Lucy that it gets complicated. Just use yer _ears!_
@EvanWiederandersJazz
@EvanWiederandersJazz 10 месяцев назад
They say when you practice you’re thinking about what you’re doing, and when your playing, you clear your mind and use your ear.
@Michael-bt6ht
@Michael-bt6ht 6 месяцев назад
That’s true. Why? Exceptional improvisation or composition in general is more than being academically knowledgeable. You must have years of practice which is thousands and thousand of hours and incredibly developed ears which also can take thousands or at least close to one thousand hours of ear training. Give or take hundreds- to a thousand hours or so. It depends on the persons natural gifts if it’s in their ears being gifted or physically playing, compositiona skills. Etc. it’s very Layered and intricate. Science academics is difficult of course but it’s basically one skill. You must be smart or at least dedicated enough to learn the material to pass the classes. There’s no thousands of hours on practice with your instrument, thousands of hours ear training dozens of different topics, more countless hours listening music attentively, hundreds of hours transcribing , studying pieces, I can go on. Mastery of music is much harder than obtaining an academic degree
@versusherzius
@versusherzius Год назад
Thanks Master. From Ecuador
@Gruskinator
@Gruskinator 7 месяцев назад
My favorite thing about Platinum is that you can stay on your bike in the route/city transition gatehouses
@yuricarver
@yuricarver Год назад
Thanks Chad. I really liked your version of watermelon man. Great teaching also.
@buddyfaya8631
@buddyfaya8631 Год назад
❤ I wish I found you guys 10 years ago 😂
@hansolo3087
@hansolo3087 Год назад
Phrygian Dominant maybe also (better?) known as harmonic minor starting on the 5th note (5th mode of harmonic minor, in this case G harmonic minor starting on D)
@shawjazzy
@shawjazzy Год назад
Nice a new vid
@SaxophoneDanLive
@SaxophoneDanLive Год назад
are you using the closed fingering for your middle C's? those sound super crazy full
@chrismariner13
@chrismariner13 Год назад
Thanks so much for all these excellent practice resources! Curious why you’d suggest Dorian for a iii chord? I noticed you also had Dorian for the Dm7 in the Bb Rhythm Changes étude. Thanks again!
@christopherventura5145
@christopherventura5145 Год назад
I think it's because you would get a B natural in order to add more color, since B natural is the 9th of Am
@chrismariner13
@chrismariner13 Год назад
Hi and thanks for your reply. I get that Dorian would add extra color with the B and F# (the natural 9 and 6 of Am7) - but that’s also the #4 and b9 of the key, so definitely a little out. Guess I was just surprised that Chad would start with Dorian rather than Phrygian - and even calling it Phrygian is an extra step as Am7 is really just a rootless Fmaj9 (I) chord. I think stuff like this is part of the reason chord scales get a bad rap; it can make things unnecessarily complicated. Be well
@alexolague5965
@alexolague5965 Год назад
It may be that, in jazz music, you don't hear phrygian very often. It's not a "rule" per se, but phrygian it's more related to flamenco language than jazz. Even my teacher makes me practice more eolian and dorian scales over minor chords. Also, it may be related to the fact that, in this case, Am7 and D7 look more as the ii-v of G, so if you want to use that flavor, a dorian scale is a better fit than phrygian
@brianvanhook763
@brianvanhook763 5 месяцев назад
He is probably saying dorian because he is viewing it in the context of a ii V I
@davidvallesmusic7541
@davidvallesmusic7541 Год назад
The rhythm in the third measure (the Eb7), is that correct?... (15:54) The rhythm sounds great, but was it written correctly though? am I missing something?
@Rafael-nm7uz
@Rafael-nm7uz Год назад
Man , what's your setup?
@brayans2859
@brayans2859 Год назад
Great lesson! What's the chord substitution at 7:35 called? D7 instead of Dm7?
@ER-kn8iz
@ER-kn8iz Год назад
That chord is just a V7/ii chord. So that Amin D7b9 phrase is simply just a ii-V progression but for the 2nd degree of the F major scale, which is Gmin7.
@kane6529
@kane6529 Год назад
Secondary dominant I believe ii/V in G
@GobSmack-cv6vx
@GobSmack-cv6vx Месяц назад
does the book have the annotations on which scale(s) are being used as shown on the video?
@jodieunganum1465
@jodieunganum1465 Год назад
Two extra strings is two extra octaves on the bass. A cool way to go. The same sort off talk you have with fx on bass. As a minimalist you should not be minimal on the many perspecives that music in general is offering. Njoy and have fun sir
@sinatrabone
@sinatrabone Год назад
Excelllent video. One question - Phrygian-Dominant is the same scale that’s frequently called “Super-Locrian”, correct?
@billjazznblues
@billjazznblues Год назад
Super Locrian, commonly known as the altered scale is the 7th mode of melodic minor and is actually the third option over the D7b9. Phrygian dominant as Chad explained is a dominant scale (mixolydian) with a flat 9 and flat 6. This is also the fifth mode of the harmonic minor scale, something which can simplify playing over minor two fives.
@Osnosis
@Osnosis Год назад
Bill, as usual, you hit the nail on the head. I would add that the harmonic minor is a (modestly) problematic scale for most people, due to the augmented 2nd interval. Arpeggios help!
@puesvayatela
@puesvayatela 6 месяцев назад
El es el mejor
@Sue20022010
@Sue20022010 Год назад
THE Chad
@SonicArchives
@SonicArchives Год назад
very impressive!
@kptrpt1
@kptrpt1 10 месяцев назад
at the 6:00 mark the Eb lydian dominant pictured doesn't have a Bb in the scale. Shouldn't there be one?
@sevenminaya1390
@sevenminaya1390 11 месяцев назад
Bought this but the sheet music and the tracks are on different keys. Can anybody from the team help?
@AGUSTINL0PEZ
@AGUSTINL0PEZ 10 месяцев назад
nice
@jordybingi5727
@jordybingi5727 Год назад
How can we know the mode that could be use better than an other ?
@Osnosis
@Osnosis Год назад
There’s no “better”; your individual line helps determine which altered notes you play.
@jojopt2
@jojopt2 Год назад
“Soda and Tulips”!!!😂
@sat.chid.ananda
@sat.chid.ananda Год назад
noob here, i understood almost everything about the backdoor dominant, i didn't understand tho why in Eb Lydian dominant you end up with Eb Db?? i thought Eb lydian would be the fourth degree of Bb major, so shouldn't it just leave you with Eb and Bb?
@DaDarkGuy
@DaDarkGuy Год назад
Dominant always implies a lowered 7th degree, so it is a lydian scale with a dominant 7th, Db. Hence the name lydian "dominant"
@MegaROGERWATERS
@MegaROGERWATERS 10 месяцев назад
Lydian is the fourth mode of major. But Lydian dominant is not. Lydian dominant is actually the fourth mode of melodic minor. Which means Lydian dominant is a part of Bb melodic minor
@Devanmtl
@Devanmtl Год назад
the next "etude" would be very interesting to do it on the rhythm!
@Ruvfua
@Ruvfua Год назад
Bla Bla tocas bien sigues sin decir la verdad..nuestros maestros no pensaban ni en escalas ni en modos..tenían un conocimiento absoluto del sonido de cada acorde ..y del sonido de cualquier secuencia…y reaccionaban de oído.by ear..de manera eficaz y libre..siendo capaces de desarrollar una conducción melódica y una memoria secuencial sobre las cuales tocaban sus ideas..que después se han llamado licks
@user-dr3vn6zg5g
@user-dr3vn6zg5g Год назад
It would be helpful if you didn't write in Bb and play in concert pitch-it really doesn't help the ear training!
@daniel_moretti
@daniel_moretti Год назад
You sound like a very nice, wonderful person, player and teacher. But I literally have no idea what you are saying, lol. Too much of a beginner is me, lol.
@ShayTrokman
@ShayTrokman Год назад
first
@brayans2859
@brayans2859 Год назад
Great lesson! What's the chord substitution at 7:35 called? D7 instead of Dm7?
@oscarherrerar.3496
@oscarherrerar.3496 Год назад
i think its the dominant for the next chord. like a V7(b9)/ii7
@grandesax
@grandesax Год назад
secondary dominant
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