It sounds like her fingertips are made of crystalized water. As she demonstrated in many competitions she had attended, the clarity of notes is unparalleled. That also enables her creative shifts between downward and upward arpeggios such as one at around 1:20 - with no emphasis on the first note of the right hand - to sound incredibly sensual and another at around 4:55 dazzling splashes, not just murmuring as most pianists do. I would gladly fly to whatever country or venue in the world where she plays Gaspard de la Nuit.
Taste is personal, one might like this or that interpretation of this sublime piece, but I never heard anybody play it with this clarity of articulation of all the notes, and precision. And on top of that, the sensitivity to keep the music suspended, in a surreal realm. Astounding!
04:06 Best interpretation of this climax I've ever heard so far! Those pure and streamlined melodies and profoundly manifesting base tones are the things I love.
