Suomirokin evoluutio - 100 suomirokkibiisiä, 1 otto 

*PARAS!*

Noi oli meijän koulus

Tarmo Veirto Vinkare on legenda!

KAS SUZ niin meidänki

KAS SUZ Meiänki

KAS SUZ niin meidänki

Eppunormaali ei vittu

@@sakuanttila8665 ?

Siis vaihtui Rafaelin Enkelit Lentää sun uniin.

Joo se osu itelki korvaa oli hauska

Ekana oli Lasse Liemola vuonna 1957 biisillä Diivaillen.

reappear89 perus kesä perjantai

Vejetään vaikka yhessä aineet, mutta ollaan skarppina lasten kans aamulla🤗

If you like finnish rock you are good guy

Don't worry my friend, pretty much all 60's and 70's songs (with the notable exception of sleepy sleepers) is quite literally stolen from american and british songs. Kesäkatu? Summer in the city. Hetki Lyö? The Mccoys - Beat the clock. These are stolen without credit. Thankfully since the 80's this is not really an acceptable practice at all.

​@@Kanakotka They are translations or cover versions - for rights to which record companies no doubt paid royalties. It is possible that original creators were not duly credited on album sleeves, I'm not sure, but it's not as if everyone didn't know the originals of Crocodile Rock, Penny Lane, Pretty Woman etc. It has not become "unacceptable practice" so much as just not fashionable. Which I think is a shame: cover culture is great fun, if potentially corny and so-bad-it's-good. (Recent examples include Viikate's Motörhead covers and the Black Sabbath tribute band Sapattivuosi, but they're a bit niche. And Samuli Edelmann and Jippu's Pimeä onni, although it's a completely unnecessary and cheesy cover of The Crash's Sugared.) And to be fair, there are hardly any cover songs from the 70s on this list: Krokotiilirock and Fiilaten ja höyläten are the only ones I know of. Not sure how Sleepy Sleepers are supposed to be an exception in that sense. There's Wigwam and Pekka Streng on that list, FFS, both of them in another musical universe in terms of artistic merit.

@@Doomsterlobster They actually didn't. You can check the credits for "Sävel & Sanoitus" (notation and songwriting), and they always feature finnish names, which is patently untrue. Usually these recording artists are no longer selling and/or deceased so pursuing litigation is usually not worth the cost or the effort. Also according to Finnish law they're generally stuck in legal gray area, where according to Teosto for instance all "Iskelmä" and "Rautalanka" music is absolutely not in the public sphere and all performing artists require royalties, but searching for a band that specifically makes money doing birthday gigs and all that performing these kinds of music (that more often than not has been outright stolen apart from its translation) will not pay royalties to Teosto even today. While Teosto is a festering boil on the rotten ass of the delightful system we lovingly sometimes refer to as "sääntö-suomi", at least it is not criminal like the various music and movie industry labels that often operate well above the law because of their international clout. And for the record, the vast majority of people who enjoy these songs that fall under "Iskelmä" and "Rautalanka" are blissfully unaware and become completely heartbroken when it's revealed to them that the artists they worship as beacons of culture are just petty thieves, or at least the facilitators of petty theft. I have 0 issue with covers done correctly, especially tongue-in-cheek when it isn't the main source of income for the artist. Personally i love Children of Bodom's coverwork far more than i do most of their music, but the artists i refer here have the vast majority of their monetary gain from what practically is theft of someone else's work.

@@Kanakotka Interesting, will have to look at the original records sometimes! But I'm pretty sure the international copyright business will have caught up by now, and when they play Rööperiin on radio today part of the royalties go to The Beatles etc. But I mean, covering songs has been a global phenomenon for as long as popular music was a thing (and before that, you wouldn't even talk about "covers" because pieces weren't tied to the original performer like that). Sometimes it's cheesy and embarrassing, sometimes copyright isn't respected (though I'm very critical of copyright laws to begin with), but I still like the idea of making localized versions.

Tämä

2021 ja nyt vasta löysin :D

Mulle vasta kesäk 9 2021

Jo vain, ja levy-yhtiöpaidat :)

Banjo? Tarkoititko basso?

Cledos on pohjanoteeraus.

Se helppoa on.

MAKE JA VILJAMIII

слава усраине

Fuck you

@@perspukama8627 What's your problem?

@@MrAxlson why ur so mean ty everyone?

@@perspukama8627 says guy who just sayed fuck you

Everybody learned some Finnish just by listening - Tahdon nimeni tähtiin - haluan olla kuolematon !

Korpiklaani comes a full generation after old school finnish rock

@@oontaa7765 I thought they are older )))))))

@@nejdanayo7430 they are quite new. And not very big here actually

Hänellä oli kyllä aikamoinen määrä "avustajia." Vaikka on tehnytkin kokonaisen levyn yksin, niin kyllä on Alatalon ja Tikanmäen lisäksi pitkä lista hyviä muusikoita ja vielä tärkeämpinä sovittajia, ollut tekemässä.

@@MrAxlson mut lyriikat on kyllä sellaset että ihailla sopii

@@puukkojunkkari_013 Tottahan toki!

@@MrAxlson toki. Leskinen teki tekstit ja käski poikien tehdä sopivan pohjan sille.

Päälle 20v. naiset oli vaan parempia 1950-, 60-, 70-, 80- ja 90-luvulla.

Ois hienoo jos jaksaisitte pidentää jokaista biisiä 10-20 sekunttia - vois olla (ehkä) musikaalin paikka.

Eiks olekin hienoa olla Suomi-fani... KYLLÄ, ON!!!

Saanen mainita, olet kyllä kaunis Inkeri K 🥰

@@anttilehto4985 Kiitos!

Tämä on totta, hyvä bongaus! Huomasin tuon itse vasta videota editoidessa, mutta ei viittinyt koko potpuria enää uudestaan kuvata tuon takia... :D - Aapo / Jauza

@DelicEdit hahaha, no voihan se ollakin jos kuka miten tahtoo 😄 mut mina itse taalta rapakon takaa nyt rummuttelin 😉

Jussi and the Boys kävi meidän koulussa jo vuonna 1997 Hillerikujalla Helsingin Länsi-Herttoniemessä esiintymässä. On jäänyt lähte- mättömästi mulle mieleen.