Sweet Jane (Lou Reed) - Velvet Underground Full Cover 

You have such talent, thank you for sharing this video of you playing this classic rock song with you father. Clearly, your father is a talented musician too😊

Merci !

🙃

Thanks Edward !

Merci beaucoup

Un grand merci Jacky !!

Thanks so much for this kind message. Have a beautiful day !

Le jour où le dead a invité tout le village du coin à venir voir le concert et a mis du LSD dans toutes les boissons ? Il y a une BD sur Michel Magne qui raconte cette soirée, chouette bd d’ailleurs sur le château d’Hérouville et ce fou qu’était Michel Magne.

L’inspiration de Dylan est dure à cacher sur cette version je suis d’accord !

En tout cas c'est une très belle inspiration , j'avais aussi beaucoup apprécié ta version de One more cup of coffee accompagnée par une excellente violoniste 😊

Oh yeah put your headphones on your head right away !!

Merci à toi 😊

☺️🙂

You should check his channel French Leftovers !

@@margotcotten Will do, thank you.

Thanks Alexander !

De rien l’ami !

Thank god I had the lyrics because it’s impossible to understand what he sang … now I know what a Stutz Bearcat is !

Thanks a lot !

Oui c’est la version live ! N’empêche que si je ne m’abuse elle est d’abord sortie sur Loaded. D’où le Velvet dans le titre…!

Avec les cheveux qui conviennent.

😊

Si !

@@margotcotten milagro!!!!!

🪶Second commentaire " LONG " posté ce matin même sur T à " PINKY B...." sous la forme d'une déambulation effrontée à la manière de Jacques et de Sergio . Commentaire intitulé : " PRÉSOMPTION D'ATTIRANCE "..entre SWEET JANE et la DOUCE MARGOT-💐 Ballade privée destinée à Miss *BABY BLUE *à moins qu'elle ne soit dédiée à GIRL * MARGOT *?!-🐻🙋🐼

🙎QUOI ? " *Lou REED est MORT !* "... C'est l'intitulé d'un article écrit aujourd'hui et à lire DEMAIN dans : MON PETIT JOURNAL - bien évidemment dans la RUBRIQUE (* MUSIQUE *)...... ROCK et RIRE étant la plupart du temps sur la même longueur d'onde a fortiori sans désaccord majeur... 👀- 3 PAGES pour rendre hommage avec foi à une légende POP ROCK -... qui malgré ses problèmes de foie qui eurent effectivement raison de lui - continue de faire grand bruit encore aujourd'hui autour de lui - 🎶 Probablement cette fois-là pour la dernière fois...une affaire de CŒUR qui le met sur, encore et toujours en orbite à l'heure de cette sonnerie . - Comme QUOI la mort n'aurait pas toujours le dernier SON ! (...) 🛸 -J-F- 🛸 or - DE MON P'TIT DOIGT - 🐻 👽 🐼

Completely-disagree, FWIW. Hunter and Wagner played powerfully, it's true, but also very-smooth. I think this version modernizes the classic version just a teensy touch while remaining true to the spirit of the original.

​@@williamcandee5267 The Hunter/Wagner version was the snap, crackle, Pop! I'm not criticizing the performance. The band does a great job. I reacted to the mix, and my own connections with the song, I hear it with a little more whine, and a bit more snap, but I've always been crazy. Rock 'n' roll will do that to you, after 60 years, I'm told. I understand perfectly well, every musician hears his own song. I liked it better the second time through. That's always a good thing.

@@williamcandee5267 I fully understand. I've always been a rocker, if the guitars are buried in the mix, there better be a howl of sound going on. He played some very nice lines. I wanted to hear them, with some sass. She played great, too. Maybe it's just my ears, too loud, too many times.

Well, Hunter and Wagner both used delay and phaser effects in the original version whereas we never see effects pedals on the floor when Margot is playing. Margot is in the studio and selects her guitars for each piece by the way they sound. There is a reason we see these two Gibsons in this video. I agree it sounds different from the original, especially at first, but after listening to it a few times it stands on its own very very well. By the way, I requested this song and I expected it to sound different, if Margot just made rote copies of songs I wouldn't be here. Cheers!

@@christopherschafer7675 It shows craft and care. A little sustain, some crunch, and a little Mike Bloomfield-style snaky lead lines, and they could have a nice single, I thought. Not quite Mott, far from Junkies, somewhere between. It's a song about "arriving", being the toast of the town, while being seen as main stream: "Jack is in his corset, Jane is in her vest, And me, I'm in a rock 'n' roll band. Huh Riding in a Stutz Bear Cat, Jim, Ya know, those were different times. Oh, all the poets they studied rules of verse, And those ladies, they rolled their eyes." I've always seen it as a companion piece to Rock n Roll, but the critics made a big deal out of Sweet Jane being Lou's "rock hit", because of its ambiguous lyrics. Rock and Roll was a straight-ahead rock song about the experience of encountering rock on the radio for the first time, something many of us experienced in similar manners. The song that triggered Lou was Heartbreak Hotel, for me it was Alley Oop, but we had the same response: More, more, more! Glam Rock was starting to come out of the cage, in 1970, T Rex was starting out as alien flower children. The Velvets had been part of Warhol's scene, were getting outed, for being "rock stars", as Lou mentions, "And there's even some evil mothers Well, they're gonna tell you that everything is just dirt". Jim Morrison had similar experiences in NY, the home of the self-important and entirely too hip. It's a snarly song, with snarky lines and an undercurrent of repressed resentment. I wouldn't load it down, but some sinuous underlining and right-touch-at-the-right-moment guitar histrionics wouldn't hurt a bit. A bit stiffer attack, to emphasize specific lines, and bracket the vocals. It's not mine to do with, but I did pretty well for a long time. But, that was how I approached music, back when. It's not my song, or my performance, and they did a good job with it.