Symphonye II - Loui Vierne.

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I Allegro
II Choral
III Scherzo
IV Cantabile
V Final
Marie Claire Alain, Aux Grandes Orgues du L´Abbatiale Saint Etienne de Caen, Normandia. France.
Orgue de tribune / Gallery Organ
Cavaillé-Coll 1885
* 3 claviers manuels et pédalier / 3 manuals and pedal
* 50 jeux / stops, 65 rangs / ranks
* Traction mécanique des claviers et des jeux / Mechanical key and stop action. Historique
Du Ier siècle au IIIe siècle, un bourg s'est développé à l'emplacement de l'actuelle Abbaye-aux-Hommes à proximité d'une voie romaine reliant Augustodurum (Bayeux) à Noviomagus (Lisieux).
La première mention de Caen se situe entre 1021 et 1025. En 1042-1043 ou 1047-1048, le puissant duc de Normandie, Guillaume le Bâtard (futur Guillaume le Conquérant), réunit un concile près de Caen pour établir la Trêve de Dieu en Normandie.
Composition sonore / Stop List
Orgue de tribune / Gallery Organ
I. Grand-Orgue
II. Positif
Montre 16' Bourdon 16'
Bourdon 16' Principal 8'
Montre 8' Cor de nuit 8'
Bourdon 8' Salicional 8'
Flûte harmonique 8' Unda Maris 8'
Gambe 8' Prestant 4'
Prestant 4' Flûte douce 4'
Flûte octaviante 4' Carillon III
Quinte 2 2/3' Basson 16'
Doublette 2' Trompette 8'
Plein-Jeu VII Cromorne 8'
Cornet V
Bombarde 16'
Trompette 8'
Clairon 4'
III. Récit
(expressif / enclosed)
Pédale
Quintaton 16' Bourdon 32'
Diapason 8' Contrebasse 16'
Flûte traversière 8' Soubasse 16'
Viole de gambe 8' Grosse flûte 8'
Voix céleste 8' Violoncelle 8'
Flûte octaviante 4' Bourdon doux 8'
Octavin 2' Flûte 4'
Cornet V Bombarde 16'
Bombarde 16' Trompette 8'
Basson-Hautbois 8' Clairon 4'
Voix humaine 8'
Clarinette 8'
Trompette 8'
Clairon 4'
Trémolo

Autres caractéristiques / Other details
o Étendue des claviers / Manual compass: 56 notes (C-g3)
o Étendue du pédalier / Pedal compass: 30 notes (C-f1)
o Accouplements / Couplers:
GO/PED, POS/PED, REC/PED
POS/GO, REC/GO, REC/POS
GO 16, REC 16, POS 16 Appels / Ventils:
o
Orage; Anches / Reeds: GO, POS, REC, PED; Jeux de combinaison / Combination stops: GO, POS, REC; Expression: REC Machine Barker machine

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Опубликовано:

26 окт 2011

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Комментарии : 18

@ericgarner6175 2 года назад

Amazing recording of this instrument and wonderful playing.

@JacquesBRUNO13007 7 лет назад

Merci Marie-Claire pour cette magnifique interprétation. Puisse-tu faire encore respirer l'orgue dans ton éternité !!

@sicartista8486 12 лет назад

Thanks for this amazing organ playing. I was only familiar with the performance of Cochereau (the integral Vierne symphonies) where he used a lot of chamade and very close recorded. This perfomance is much more cathedral like and tastefully done. Thanks again.

@paradoxicus 12 лет назад

Las líneas bajas y el maravilloso uso del pedal,me conmueven y pienso que Marie-Claire Alain,fue una de las mayores intérpretes de órgano del siglo XX.

@passitelexk43 4 года назад

grande eccellentissimo infinito Aristide Cavaillé-coll , GRAZIE!!! senza di Te non avremmo avuto nulla…… i grandi maestri compositori e gli esecutori… sono ovvieta', nozionismo inutile, eh?..... e invece la nostra è riconoscenza come per Pascal, il Grande PAsTEUR, e tutti coloro che Dio , nella sua misericordia ci ha inviati…..e tra questi Louis Vierne!!!!!!!!!!!!!!!!! ...ma Dio é il creatore dell'infinito….. che si sappia , che si sappia!!! e celebrate e mettete i manifesti…. io , pazzo , lo faccio, ogni giorno.

@pg3529 7 лет назад

Wow!

@HERIBERTO37ify 12 лет назад

@spirmessi Tanks, its greatt your channel!!!

@georgemurphy2579 7 лет назад

Greatest Bach player of all time. Listen to her performances on record from churches in Sweden.

@kyotokid4 4 года назад

..I had the wonderful experience of hearing her perform an all Bach programme for the Tri Centennial in Seattle back in 1985 at St Mark's Cathedral on the massive 4 manual Flentrop there. Was able to attend reception and she signed my programme.

@HERIBERTO37ify 12 лет назад

@paradoxicus Efecetivamente!! Gracias por comentar y echarles un vistazo colega!!!! Ella es la unica sobreviviente actualmente de una generacion de musicos destacados, alumna de Marcel Dupre, su ejecucion a memoria de todas las obras la hacen muy especial y destacada. La obra de Loui Vierne se acerca mas al Romanticismo y el art Nouveu de transicion del siglo 19 y 20. La linea melodica sigue de derecha a izquierda y culmina el tema en el grave con un dramatismo poetico musical, Un Saludo!!!

@HERIBERTO37ify 12 лет назад

@HERIBERTO37ify Tanks to much for the commpliment!!

@passitelexk43 4 года назад

non accetto il pollice verso…. è demenza ! negare l'innegabile è …. non ho parole.

@javiervelascomarquez3225 Год назад

La Laguna, de Chipiona.

@georgemurphy2579 5 лет назад

Well played, of course! Organists of the current generation: Please do not play so fast so as to not give the music an opportunity to breathe.

@Highinsight7 5 лет назад

AMEN George! I TOO have to remember your thoughtful words!

@georgemurphy2579 5 лет назад

@@Highinsight7 we all need to keep that in mind.....the printed page is a road map - it's not the actual venue.

@samsiklas8088 4 года назад

Definitely agree about music needed to be able to breathe. Example: Bach Fantasia in G Minor (from BWV 542) which is noticeably more dramatic when played at a less hurried pace.

@georgemurphy2579 4 года назад

@@samsiklas8088 Hi Sam - perfect example. That Fantasia is such a great journey through the world of music, itself! The fugue is difficult enough without the speed! Sit back, play, enjoy and take it in for all of its glory!!! Virgil Fox was always focused on the "singer" in the playing of the organ - our "natural" instrument can be used as a guide through all other areas of the art. I believe that is the reason Westminster Choir College produced some of the finest players in the history of organ music. Blessings - - - GM!