Every concert I attended with Celibidache conducting was a major event. You has the correct feeling that it was something you would never forget no matter longer how long you lived.
Wow... it's been said a lot already but I'm continually amazed how he can take such slow tempos yet make everything work so wonderfully. I'm blown away, wasnt expecting his Tchaikovsky to be this good. The orchestra also is absolutely fantastic, rivals some of the "big name" orchestras.
And the even more extraordinary thing is that "how does" he made it available to everyone, explained it, told it, made it understood and without ever getting tired of explaining it and replicating it precisely because he fully believed that" we are music", that is, all human beings. I advise you to listen to some Celibid interview which and then, absolutely important to understand, especially this question of " slow times "the lesson" ideas about music " - RTSI. You can find it on youtube, it's in Italian but there are also English subtitles. Now if I find it, I'll point it to you. Welcome to us. Here is the link ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-IcvLYXp0Vbs.html&ab_channel=RaffaeleNapoli
That was his specific approach to music, and I completely agree, even about piano music, sound should be let to form and gain power.If you play everything fast and faster...there-s no vibration anymore,Just percution.I think the tempo is just perfect for the music.
Quelle majestueuse interprétation! Les tempi choisis pour chaque mouvement rendent à cette symphonie toute sa dramaturgie. Quant au Maestrissimo Celibidache, il est comme toujours admirable de maîtrise et de retenue. Souvenons-nous des quatorze concerts donnés à la tête de l'Orchestre National de l'O. R. T. F. devenu Orchestre National de France pendant qu'il était Chef Principal.
Playing slow is harder than dashing through the musical piece. An excellent example of bringing forward emotions and tunes that otherwise would be missed. This is a very refreshing and unique reading of Tchaikovsky's music.
Impressionante la somiglianza tra la spalla e Gigi Marzullo. Scemenze a parte il grande Celibidache mi ha fatto riscoprire e ascoltare in modo piú coinvolgente questo capolavoro di Chaikovski. Quasi quasi la preferisco alla sesta. Straordinario Celibidache, grande orchestra!
@@paololaconi4036questa è una cantonata colossale. James Levine al tempo di questo concerto era già direttore musicale del Metropolitan di New York da 8 anni!
Terzo e quarto tempo spesso negletti e declassati ad accompagnamento dei primi due tempi sono qui perfettamente integrati nell’ opera, profondissimi! Fantastico Maestro!
This Tchaikovsky's 5th symphony, MPO and Celibidache, all together move me to tears, make me cry out of happiness since the very first note until the last one. Immense ¡¡ @Friedrich Edelmann, the bassoon soloist, magnificent!!!
Interpretazione stupenda nel solo del corno con il pianissimo degli archi che lega perfettamente con il corno del resto fantastico, grande maestro Celibidache.
3 года назад
Sin duda alguna el Maestro Celibidache fué una de las grandes figuras de la historia de los directores de orquesta,no solo por su estilo que lo hace único, amado por unos y criticado por otros, un gran artista.
1:00 Andante - Allegro con anima (E minor) - Molto più tranquillo (D major - E major) 18:40 Andante cantabile, con alcuna licenza (B minor - D major) - Non allegro (F♯ minor) -Andante maestoso con piano (D major) 36:10 Valse. Allegro moderato (A major) (Trio in F♯ minor) 43:02 Finale: Andante maestoso (E major) - Allegro vivace - Molto vivace (E minor) - Moderato assai e molto maestoso - Presto (E major)
Esta maravillosa musica de compositores rusos, no deberia estar vetada por los conflictos politicos de las naciones, el arte no tiene fronteras ni nacionalidad
How do you all decide who is the best conductor? Based on the similarity of preferred kind of interpretation, based on who moved you the most (or in this case, what Celibidache calls "trancendental experience"), or what?
Celibidache was in fact Greek descent : Σέργιος Τσελεπιδάκης Perhaps the most sincere and authentic conductor. Mathematician , philosopher (doctoral studies at the Friedrich Wilhelm University in Berlin where he studied philosophy with Nicolai Hartmann). He had the German perfection (Hochschule für Musik in Berlin). He had the French style (he was buried in the Cimetière de Neuville sur Essone). And yes, somehow he was Romanian...
@@michelsimion5134 He had the Romanian style and the romanian psyche. Lots of Romanians are descendant from Greeks, that does not mean we are less Romanian. Quite frankly it strengthenes the romanianess even more. There's nothing western about him, he shouts, he is passion and sometimes he is an arrogant douche. He has all the Romanian psychological characteristics. The reason why he slow down the tempo because it's fits the religiosity of the Romanian mind shaped by the greatness of orthodox christianity. The great Romanian composer Dimitrie Cuclin had exactly the same philosophical and spiritual vision of slowing things down in a manner. You should listen to him, he is on par with Bruckner.
@@michelsimion5134 dacă te cheamă michel și nu mihai încep să mă lămuresc. în fond, de dragul adevărului trebuie adus la cunoștință și faptul că mama era româncă născută Brăteanu. deci, așadar și prin urmare luând în considerare tradiția evreilor, par examplu, nația se stabilește după originea mamei. nu de alta, dar cine e mama se știe sigur pe când tatăl poate fi doar confundat cu cel oficial.
Tchaikovsky should be one of the most misunderstood musicians, the deepness in his music is único, of corse swan lake and nutcracker, is part but his most The symphonies are great master works, and his chamber music are exceptional Hope this work brings to mind of many what is a deepness of concept
Durante mi juventud no comprendía ni reconocia a Celibidache. Que equivocado q estaba. Ud Hace magia con su batuta. Magistral como logra la quinta sinfonía
Un grande direttore sa valorizzare un opera un mediocre direttore, la stessa opera, la rende banale. Qui sta la differenza e la grandezza di Celibidache
Mi sento di condividere questa affermazione e aggiungo che Celibidache è stato anche generoso perché non si è risparmiato mai nell'offrire agli altri i suggerimenti e indicare la via da percorrere per ottenere gli stessi risultati e gli stessi livelli di consapevolezza.
It is not a miracle it is the difference between musicians and those who do not understand anything about music. Whoever does not understand anything falls asleep, whoever understands instead enjoys it!
@@MrBohuslav sens of humor? “Fall asleep” it's not just a joke. Judging Celibidache's times as "too slow" was the torment of Celibidache's life. Making jokes about this does not imply “sens of humor” but is instead an indication of pure idiocy, it means not understanding that you are playing with fire and in addition to not having understood anything it makes you accomplices of the ignorance that surrounds us, other than “sens of humor”.
Second Trombone: Abbie Conant, right? Fighting for years and years for her right as a woman to play first trombone (Celi: ‚You know the problem, we need a man for the first trombone position‘)
If I were the 100th person in line to state that Celi was a supernatural being and the greatest genius ever holding a baton, would that be more to your taste?
@@joachimsaxer4812 I would have reacted the same way here. I find all comments idiotic, both from inconclusive "detractors" and "fanatical" idolaters 😉
@Joachim Saxer I'm glad that in that interview she played a bit. She played cruelly, horrible, and I haven't heard anything so bad. No wonder that Maestro Sergiu Celibidache did not tolerate such a thing.
This reading spoiled me. Even though I know that his tempi are much too slow compared to what Tchaikovsky actually asks for, and for example Karajan is much closer to the composer's ideas of how fast it should be played, this here just works. So much that I think Tchaikovsky was wrong and Celibidache was right.
