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Technicolor: How the first color animation movies were filmed between 1933-1970 

Phocas Kroon
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Sequence from my documentary on puppet movie maker George Pal. Between 1935-1939 he made promotion movies for Philips in his studio in Eindhoven the Netherlands.
He was one of the first moviemakers using the Technicolor system. Here the priciples are explained with 3D animation made by Frans Hoofd

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8 сен 2024

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Комментарии : 16   
@harasen_haras5
@harasen_haras5 3 года назад
Facinating! *Such* a cool technique.
@phocaskroon
@phocaskroon 11 лет назад
I explained the process for ANIMATION, recorded on one B&W film and 3 frames for each picture, using filters. I was aware of the subtractive collors, but this was too complicated to explain for the viewers of this short item within the total documentary. Phocas Kroon
@bluebellhill
@bluebellhill 10 лет назад
I appreciate the clear animation you've used to show the process but it's wrong, CORRECT EXPLANATION BELOW Filming a blue object on a white background through a blue filter would give a completely BLANK frame, This frame would be reverse printed for yellow. In other words, NO YELLOW. Filming the same blue object through the RED filter would give a BLACK object on a CLEAR background. Reverse, this would then print as CYAN, with no ink on the background. Finally, filming through a GREEN filter would make the object BLACK against a CLEAR background. Reverse and print the MAGENTA. The magenta and cyan inks combine to make the BLUE of the original object! I have a new tutorial on my channel that explains very clearly how additive and subtractive colours work.
@hannibalsparrow801
@hannibalsparrow801 9 лет назад
no wonder i was confused on the video. Thx dude!
@cablecar3683
@cablecar3683 2 года назад
The first color movies didn't start in 1933, color/colorized movies actually started in the 1900's when movies were produced in a colored print, KinemaColor, Brewster Colour, Etc, Etc, and Technicolor didn't start in 1932, it actually started in 1915-1916 when a man invented Technicolor.
@davidreece6193
@davidreece6193 6 лет назад
How complicated. Never would have thought that’s how they did it. It is surprising that colour technology ever took off due to amount of time to produce the film and export. Interesting I saw on a yt video that the first section of wizard of oz was filmed in colour not sepia. The set was coloured sepia so that Dorothy could walk out into a colour world.
@sarpsarp8987
@sarpsarp8987 2 года назад
Why did you miss 1932 cartoon? First 3 strip Technicolor carton of Disney?
@TheDejael
@TheDejael 11 лет назад
Arnold Liebovit explains how he studied the early Puppetoons of fantasy filmmaker George Pal.
@martinakubecova3570
@martinakubecova3570 6 лет назад
What is this video at the beginning?
@johneygd
@johneygd 9 лет назад
But i still don't understand how the positions of each color are stored on the b&w tape.
@pulsecodemodulated
@pulsecodemodulated 9 лет назад
johneygd They're not stored on the film exactly, each frame is a b/w representation of the intensity of the filtered red, green or blue components of the image. When you develop each b/w film, you dye it red, green or blue and layer the three films together to create a full colour image.
@hotwax9376
@hotwax9376 6 лет назад
There's some sort of scientific explanation for it, but I don't know exactly what.
@rainlori
@rainlori 3 года назад
@@hotwax9376 Additive and Subtractive colours respectively -- red = cyan; green = magenta; blue = yellow. So the b&w Technicolor camera negatives equalled R, G and B. When printed on blank film to make a positive, the dyed opposite C, M and Y images are printed exactly over the top of each other, like lithography, to reproduce the original filmed colour scene.
@hotwax9376
@hotwax9376 3 года назад
@@rainlori Of course, with animation (the topic of this video) the process was a little bit different: instead of having three separate negatives they used successive exposure.
@marknpm
@marknpm 11 лет назад
And it was HERBERT Kalmus, not "Hubert"!
@marknpm
@marknpm 11 лет назад
WRONG! You have confused Gasparcolor (one B&W negative using sequential colour filters) with post-1932 Technicolor (three colour-sensitised negatives via prism & no filters). You have also mixed up the additive primaries (red blue green) with the subtractive ones (cyan magenta yellow). Both Gasparcolor and Technicolor were subtractive - much better for transmitted light through film, as all three primaries = black. Please get your facts right; waht you have presented is pure misinformation.
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