Tentacle Sync E: Overview and Timecode Demo 

Hi Curtis. Thank you so much for these videos! I find them to be extremely helpful when it comes to choosing a new piece of gear.

Hi Curtis, do you know if this comes with the BNC timecode cable for the URSA or do you have to buy that separately?

Thank you for this video. It was extraordinarily valuable. Do you have a patreon by any chance?

my preferred timecode generator by far. bluetooth hype!!

Great video! Is it possible to connect four different mic packs to one tentacle e plugging into a dslr?

Yep. Another excellent and informative vid from the Curtis Judd stable!

Quick concise. No obnoxious music or unhelpful visuals. Excellent! I strive for this quality

Hi Curtis, Will this work with a Sony A7s iii and Sony FX3? Do you recommend another product for my two cameras?

Been waiting for this video. Thanks Curtis!

Great video! I've been trying to learn about what's out there to help with making external audio plus cameras viable. Pushing timecode into the audio port of a camera seems really smart. That new 32-bit lapel recorder and two of these plus cameras would be what I'd do. I was thinking of a piece of syncing software called Pluraleyes, but this seems smarter and more consistent in practice (though more things to carry and charge when making content). Looks like the kit would be around $900 with coldshoe mounts, ouch!

G'day Curtis, great review. I'm using a splitter to record LTC to the left channel and audio to the right going into a rx0 ii. The window's "Tenticle Timecode Tool" reads the LTC fine and writes the timecode to the metadata. It also mutes the timecode audio on the left channel as well. So I'm having to manually change the right side audio to both channels in prem pro when editing. Not having a Mac, does Tentacle Sync Studio fix this issue and place the scratch audio/splitter audio onto both channels?

Hands down the single best upgrade I ever added to my setup. Shooting simultaneously with 3 cameras and 4 tracks of audio, and syncing only takes a few seconds now.

Very useful. Thank you!

Perfect timing, just ordered a pair from B&H

Hi Curtis, another great video! I have taken your online course already, nice one. I have a question that I have tried different ways couldn't find a good solution. When I was using Sync E to Gh5s, the Left audio channel was timecode and worked well. However the Right channel(Syne E microphone) recorded not only scratch audio but also a little bit timecode sound. Have you met this problem before? or I just did something wrong? Thank you!!!

Hey Curtis, Would you be able to sync the timecode that was sent to the GH5 with the timecode from the audio recorder without using the Tentacle software? Would Adobe Premiere be able to figure it out with its syncing options? I'd be nervous about DP'ing a shoot where I'm shooting and handing over cards at the end of the day & the editor not being able to figure it out syncing if they don't have the Tentacle software.

Wow, i will wait until they come more cheaper or i just get paid way more so this would fit my budget. For now i just have to deal with clap and sync myself or use that program/plugin which name i have forgot already...

Curtis is the freaking best!!!!!,.... Please ignore the 13 thumbs down,... Those people have a tape deck in one hand and a polaroid camera in the other hand

why did you sync using AUDIO instead of TIMECODE?

well done again Curtis, can you also review the Zoom F2

I'm trying to get everything clear before I purchase two tentacles to use with two cams and a SD 633 --hopefully to improve my workflow with Multicam scenarios. I understood most of your explanation, just a couple of quick questions: When you synced in FCPX, does Final Cut use the embedded time code or audio to do the sync, hopefully, the latter. Also, what happened to the SD audio track? Does each clip after processing by the Tentacle software now have a copy of the WAV file from the Sound Devices recorder also embedded, ready to be selected in Multicam? Thanks for any guidance, Curtis!

Hi Curtis, thanks once again for your review. You seem to always have the answers I'm looking for. I like how you go into detail about how things work and what they are capable of as well as showing us how to do it as well. I was wondering if you would be able to give a tutorial/demo about how to use lectrosonic SR duel receiver with lectrosonic transmitters. at this time I've just been using Sennheiser G3 wireless systems and am looking to learn more about what the next step might be! Thanks again for your time and videos!

Would this be beneficial if using 2 cameras & only 1 mic that is already plugged into A cam 3.5mm Jack?

Based on your knowledge of both, which would pick: the NanoLockit or the Tentacle Sync E?

Hola Judd! I’ll have a documentary shooting for 5 days. I have an F8n and DP is gonna shoot with a dslr canon. My question is, since the f8n has a tc generator, can i use just one tentacle connected to the camera or should I have two, the second one connected to my f8n? Thanks in advance!

Dear Curtis, after having to much trouble with unsynced clips, I will make a step forward into Timecodegenerators. Have you any experience with using the Tentacles with the DMW-XLR1E for the GH5/GH5s and the S-Series? I would like to use the Tentacle on one track and my NTG-3 on the other channel. I am not sure, if this could work. Kind Regards from Germany Bye the way: You Videos are such an inspiration for my work as a wedding filmer. Since I watch your channel, my results have become better an better.

If I have a tentacle connected to each of my recording devices over a multiple day shoot, do I have the freedom to turn all my recording devices on and off to conserve battery when not shooting and not effect the time code? Or do I have to re-sync the timecode on each recording device every time im going to turn on a camera and start recording?

Nice video. I bought a MixPre 3 and I am using a Nikon Z6. If I don't want to teather and hard wire the Mixpre 3 to the camera can I just buy 1 Tentacle and plug the Tentacle into the MixPre 3 to get time and then disconnect it and plug it into the mic input of my Nikon Z6? My Z6 can export timecode via HDMI. When I use my Atomos I can sync everything without a Tentacle but need to keep everything hard wired together. I am trying to sync without having to hard wire the Mixpre to the camera I want to be able to carry the Mixpre 3 in a separate bag and not have to hard wire it to the camera. Thanks

Great, clear explanation of time code. Something that's kind of hard to fing with this level of gear (i.e. indie filmmakers). Another winning video.

insightful review again - thanX :-) I am wondering whether you have thought about comparing sound quality on some of your Sound Devices machines when fed with a Sync E or the nanolockit vs the internal clock ? In audio it is actually the phase noise of the time generator that is more important than the "absolute" frequency accuracy to reduce jitter audibility - as low as 0.5pico second phase noise IS audible ( ! ) this is why an audio DAC with a highly accurate crystal clock (these calibrated ultra low phase noise crystals will set you back $300 $400 each so you only see them in top end or DIY audio DAC's ) can have lower phase noise than even an atomic clock source ( which is seen in many studios as the ultimate smpte jitter weapon when connecting multiple DAC's in a studio environment ) You should be able to hear an audible difference with decent monitoring gear & the Focal's that I see should be good enough to do that.

Great video as always Curtis! A couple questions, Do you have to use the tentacle sync software to sync? Would you be able to just import all files to Premiere then sync via timecode?

I have a few questions. What kind of cable will you need to sync it to a smart slate and what cable to connect to one of your channels? Also, do you know which cable to plug the card to an Alexa mini?

Sorry, I asked this question before (and can’t find the answer) bought the Zoom F4 and the Two Tentacle Syncs... one goes into the F4 and the other goes into my Nikon Z6 mic - to generate a more accurate Time Code (Gerald and You mentioned some quirky connection issue?) but I need to connect the Z6 to my Atomos Ninja V recorder to get ProRes RAW... Nikon says to set the Time Code to the (in accurate) Z6 - so i assume the Nina picks up the Time Code from the Z6 as the Video is being written to the Ninja... Won’t the - more accurate - F4 / Tentacled Audio being created for the Z6’s Left channel be outta sync with the HDMI video/audio being transferred to the Ninja based on the Z6 clock???

Hi Curtis, for the Panasonic DVX 200 and Zoom F6 Recorder. what connector do I use? Also If I'm using the recorder with lavalier mics and want to synch that sound with my footage from my DVX is it a difficult process. Thank you so much. We have purchased equipment that you demonstrated because you make things easy to understand.

Hi Curtis, to your knowledge, should one choose to record a video using an iPhone, would it accept a mic-level signal from the Tentacle Sync in the headphone jack? Would a TRS 3.5mm cable be sufficient to carry the TC audio signal and burn it to the left channel of the video recording or would a TRRS be necessary? Have you tried to test this?

One thing that pops into mind: why not have a 1/2 female thread on the sync-e to attach to a rig? My small Zooms do. Velco seems...low tech.

OK, can somebody tell me why export XML over the media tab or vice versa?

If I'm recording in a studio, is there a benefit to using this process over simply recording a scratch audio track on my cameras and selecting "sync to audio" in my NLE program? That's how I'm doing it now and it seems pretty simple.

Hi Curtis. Great video. Thank you. I am right that if I jam-sync a timecode from the Sync E to my Sony FX6, then I don't need to keep a Sync E connected to the camera? Thanks. Gary

Probably one of the best and clearest tutorials I've ever seen. Honestly I wish this guy did every tutorial! ✅💟👍💯

Is there a way to sync clips, without tentacle sync studio, if you record timecode a DSLR? I know I could just sync it with a slate from the right channel, but I would rather use timecode.

Do I understand correctly that on a camera without time-code, like the A7S3 / FX3, one has to sacrifice an audio channel to record time-code? Or does it work differently?

why do we continue to use the silly fractionalized frame rates? I'm about the only person that knows why it started but it could have ended in the late fifties then it could have ended in 2000 with high def but no it still persists. please stop this silly madness and just shoot 24 or 30 and get your heads out of rectal defilade: at least move into the sixties for god sakes.

Hi i have some question about frame rate i'm work with sony fx9 and we usually rec 60fps which frame rate should i choose on Tentacle ?

Curtis, In TASCAM DR40 how could syncronize audio with a DSRL with no Mike in but USB slot?

Hi! Some of my files will add up to 2TB so I really don’t want to import into tentacle sync studio. Should I give up?

Nice video, But dang the timecode devices don't come cheap ....about 500 for the pair quess I'm just gonna have to stick manual sync.

Any idea how to factory reset the Tentacle Sync E? Mine won't power on anymore and I just got it today.

Thank you Curtis, your videos are awesome. I'm using the Track E with a GH5 and typically use the XLR Mod on top. So if I wanna TC Sync I'll basically lose channel 1? I've used a Sync E on other cameras and once we Jam them they can be removed.

A year later, I began using 1 sync E with a 1/8" splitter. It works great.

Just got my Tentacle Sync E in the mail today. I was actually surprised at how tiny it is! I was not prepared for that. I haven't recorded with it yet, but after maybe 2 minutes I figured out how to sync both units with my MixPre-10T. It's so simple. I'm really looking forward to recording the next multicamera shoot. Thanks Curtis!

Can we still jam timecode with the E's like the original Tentacles without having to keep the tentacles connected to each device?

Great video, thanks! Might sound redundant but I'd like to connect a tentacle sync E to my Denecke TS-C slate. Do you think a standard 1/4" to 1/8" cable will work, or do you feel I'd need a specialized cable?

I can't get it, still after watching... if i have 2 DSLRs and audio recorder, how i can sync 2 cameras and (eg.) ZOOM? I should have set of 3 TC generators, not 2 (as they sell it). Am I correct? Or in set of 2 i can only connect to either 1 DSLR and audio recorder or 1 for each DSLR.

Another very informative video, as usual. Merci (from Paris, France)

Nicely done, Curtis, as always. But I think you should point out to viewers that Time Code doesn't sync multiple cameras over long periods of time. This is more accurately done by Genlock, which Ambient and Timecode Systems can provide. I believe Time Code is intended to sync one sound recorder with one camera, hence the two device package from Tentacle Sync and other manufacturers.

You say it is “aggressively priced.” Does that mean more or less expensive?

I set the TC the other way around. I jam the SD 633 from the Tentacle instead of the 633 being the master clock. Then I sync the other Tentacles off the same box that jammed the mixer. Works fine, not sure if there is any drawback syncing this way.

Can this Tentacle sync, sync with the zoom F3 via bluetooth?

Here's the rub... I want to record my Audio in 32 Bit Float which I first need to open in Adobe Audition so I can export it in 24 bit in order to open it in Davinci Resolve. How does this fit into the workflow? Also, Can I export the XML file into Davinchi Resolve?

It is true that on a shoot, the use of the Tentacle Set is very easy and efficient. On the other hand, it is extremely common that the synchronization of video and audio rushes is carried out by an image editor or within a production company. As a sound engineer I never recover the video rushes, and so it's never me, the sound engineer, who does this synchronization. The fact that the Tentacle Sync Studio software requires a limited license (or the presence of a tentacle set plugged into a USB port) to function, no image editor or production acquires this license because they do not need the Tentacle Set in their workflow. Thus, in a professional workflow, nobody takes advantage of this synchronization software, video editors use the functions built into Avid, FCPX or Premiere to synchronize. I say it very clearly, the Tentacle sync Studio licensing policy is ineffective, unnecessary, stupid. How is their commercial policy to give this software away for free? This would not at all preclude the need for sound engineers or freelance videographers to purchase Tentacle sets. For example, Sound Device provides free Wave Agent software to manage metadata of sounds recorded with their recorder. It's smart and it doesn't prevent having to buy their recorders. They have already replied that no one else has found fault with this policy, but I repeat it clearly and with a solid experience now, few actors of the pro video sector use Tentacle Sync Studio because of this restriction, so few production companies know the Tentacle brand and benefit from the advantages it offers. Thank you

Hi Curtis, great stuff as usual. it s so nice to have you out there supporting all of us. I have one question regarding the tentacle or I guess any sync box system. If you shut off the camera but leave the sync box on do you have to re-jam when you turn the camera back on. My feeling is the camera should just pick up the sync automatically but I need to be sure. Thanks Terry Woolf, Western Arctic Moving Pictures.

So this mean I cannot record audio on the camera that is synced by Tentacle E through mic in, even when using somethinfüg like the Pana XLR adapter on the GH5 ? Thx

I have been using Tentacles for a long time as a sound engineer. I have 4 that I can put on all kinds of audio or video recorders and feed all these little people with the same TC. Great.The issue is that as a sound engineer, it's very often not me who syncs all this, it's more of a videographer, or an image editor, or his assistant, or someone in a production.But all these people generally haven't invested in the Tentacle system, so they don't have the "Tentacle Sync Studio" software that allows all of this to be synchronized. Because to have the software, you have to buy a license (149 €), or buy a Tentacle box that will serve as a Dongle to authorize the software.So it is quite rare that the time saving and the potential precision of this workflow is used to the full in a pro setup with sound engineers and cameramen on set and other people in post production.People in post production tend to use TC's sync tools built into their image editing software (Avid, FCPX, Premiere, DaVinci ...) which work quite well, but often do not offer the speed, flexibility and simplicity of "Tentacle Sync Studio".And that's a shame, because we're not optimizing.Me, it's been years that I annoy the staff of Tentacle so that they understand that the workflow they propose could be perfect but that it has a plug, a wall, and that they should intelligently and commercially give this software for free, as do other firms that sell hardware and associated software. (SoundDevice for instance)It is because I notice that many editors, videographer, podcaster, production company do not want to invest 149 € in "Tentacle Sync Studio", often out of laziness, or for fear of changing their habits, that the interest of using CT everywhere is reduced, or even unnecessary. I even see videographers who prefer to use the internal clocks of their cameras and my magneto to do the sync by performing a manual sync of these clocks (3, 2, 1, Top) I don't know if you see the lack of precision that it generates. Pffff ...Either the post production department would have to invest 149 € in "Tentacle Sync Studio", or Tentacle should allow it to be used for free (or cheaper, like 20 €).I said.

Got my new set yesterday. Thanks for the demo that sold me on them.

Can the MixPre 6 II generate time code like the 10T?

Would this system work great even with multiple broadcast cameras? I've lost count on how many times TC was a mess since we use broadcast cameras, fs7's and mirrorless cams on gimbals. A nightmare

Could you do a video overview using the UltraSync One and a MixPre 10II? Can not express hot greatly appreciative I and probably many others would be. It's a video that does not exist anywhere. Points of coverage: Changing the frame rate on the UltraSync to match the MixPre and jamming the UltraSync with the 10II being the master. And going through the menu and functionally of the UltraSync One. I realize you have your video of the Pulse and SyncBac Pro, but navigating on the USOne is confusing. It seems like videos only show using the Pulse as a master (which I don not own) and never a scenario of only having USOnes and a Sound Devices mixer. Namely the 10. Thank you.

I’m looking to get into legal deposition recording that requires a baked in time stamp on the footage. Can this product do that with my C100mkii or 80D?

Hey Curtis, great vid as always. I got exited about this device and then I came across the Zoom F2 field recorder BT. and the zoom is just about half the price of the Tentacle Sync E. Would you do a comparison of the two? here is the zoom F2 video from zoom ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-2sLgwWBO8ds.html

280$ but it doesn't check time between via Bluetooth? I should start building for 50$ way better than this :/

I just got a pair for my GH5 and URSA Pro 4.6k Combo (I'm NEW to this timecode workflow)...but I'm not using an external audio recorder. I'm running windows and having a lot of trouble with it syncing. GH5 shows a different timecode with no audio timecode, while the URSA synced perfectly to the what I saw on the app. Both Tentacle's are synced in the app. GH5 set to Mic level and URSA to line level both running 23.98 fps. I know the GH5 is supposed to supply an audio TC, but the tentacle sync app is not showing it. I had it plugged in to the DMW-XLR 1 on one channel and a shogun on channel 2. My master audio is coming off the URSA via it's XLR input with a boomed mic. When I try to sync it with adobe's multicamera, the two cameras don't sync properly and the GH5's clip is off by almost 10 or so frames. When I select "sync with timecode", it says cannot sync e clips (I only record two clips/two cameras). When I select sync with audio 1, that's when the gh5's clips are off by quite a few frames. Perhaps that has nothing to do with the tentacle sync's necesarily? But the reason I got them was to avoid this problem in multicam timelines. What I am doing wrong? I'm starting to do multicam shoots with talking heads almost everyday now and I want to figure this out to make my workflow easier. Any help would be greatly appreciated! Again, I'm a noob at this TC thing... P.S I don't know if this matters but, I have both cameras recording to an atomos (shogun on ursa via SDI and Ninja V via hdmi 2.0 [offical atomos cable]).

In LTC , what is the meaning of linear time code?

Hi Curtis! I have a Zoom F4 and a Sony A7iii and I want to use timecode for my next project as the video editors don't want to spend a lot of time clap-syncing tons of clips in post. Am I correct in thinking I could use just one Tentacle box for this setup? Could I jam the Tentacle box from the Zoom F4 (master clock) and then plug the Tentacle into the mic input on my A7iii? I'm thinking this will work in my head, but where will the timecode be "written" on the Zoom F4 unit? Timecode has my tired head spinning.

Great video! Are you able to film in 4K at 60FPS, and then have a second camera recording at 120FPS (just in case you need some slow-mo in post), or are their limitations on how many frames per second can be recorded? Obviously, slowing down a single video file will throw the sync off. For instance, the A7R IV can record 120FPS in camera however it can only output at 60FPS, so the Atomos Shogun will be a lower frame rate.

Hey Curtis! So I've had these for 8 months, and never used them. I bought them for the Netflix doc I was working on (Murder Mountain) because they requested it, but then said "Lets just sync to time of day." Anyway, I've got a gig with 2 cameras and my MixPre 10T, 3 8 hr days doing a training video with actors doing lots of takes. I'm handing the audio to the guy shooting/editing. Is there a way to batch-sync everything at once in TS Studio? It's going to be a lot of short takes. I hoped you could just dump it all into FCPX and have them line up auto-magically.

Hey Curtis can you provide the best way to sync the tentacle sync e with the zoom H6 sound recorder? Should I use the xlr input or XY Line In input? Thanks and great video.

Hello Curtis, I got a Nikon D3s (which has no timecode...) I would like to use this camera with the Zoom F8n field recorder. What do I need? This Tentacle device? Or do I need more?

Hi Curtis! Finally got my pair of tentacle sync e. I am using Saramonic uv9 2 channel wireless system as a camera hub. I found very useful solutions. Sending audio from my mix pre to one channel, timecode to the 2nd channel wirelessly to all cameras. Works great and no need to have tentacle sync on each camera.

I see the specs on the TC Rates stop at 30 fps. What If I wanted to a multicam shoot at 60 fps? What am I to do then? I can't find my answers online

Thank you so much for the great video Curtis !!! I am wondering if I use my zoom f8n as a master clock , can I turn off the zoom f8n during lunch break or something , am I need to re-sync all Tentacle sync units if Zoom recorder turn off for some reason ? Plus , what if the DOP changing frame rate all the time say 25 fps to 50 fps , am I need to setup all timecode units every time DOP change the frame rate ?

Hi Curtis! What if I record in H.265 with aTSE attaches to my XT3 and want to transcode to Prores? Since it’s attached to the audio track I’m guessing it won’t matter. Any experience with this? Thanks for your time and your thoroughness in everything you produce. You provide valuable resources for this community.

Still way overpriced. This is not complicated technology. Yongnuo needs to come out with a $40 version.

Great video. It would be awesome if FCPX could sync metadata timecode and audio timecode for multi-cam editing. I’ve used audio to sync across 5 different devices and never had an issue.

Thank you for this Curtis. How do you know if your sound device already has an accurate timecode.? I have a Zoom H6 . Also - the sync in your vide above is continuous - what if you start and stop a camera to change batteries etc. Does it record whatever the tenticle is outputting? If so - how good does that work in the sync app? Last thing - Are you able to get the xml to import into DaVinci Resolve?

Hi Curtis, I'm trying to use an on camera Deity D3 mic and use tentacle sync E. can I use a audio spliter or USB port for sync? I thought about trying the Deity D4 Duo which has an output port to see if that would work but I wanted to use a mic with a grain control. any help is MUCH APPRECIATED!

Hi! Thanks for the review! I really enjoy learning technology from you. Every sound guy ones upon a time in their career starts to consider synching time code. But there is a question: raw audio usually needs some further mixing (cleaning, de-essing etc) in a DAW. How do you solve that? You export video and then mix audio from it , or have to mix it right in video editing software?

Curtis, @ 8:56 you mentioned, “For time code to work, 1)correct output level (mic for mic inputs, line for timecode inputs). Well, I use MixPre-6 Channel 1 & 2 as line level connected to DJ board for L & R and Channel 3 & 4 to mic level connected to Sony wireless system dual channel receiver(URX-P03D) transmitting audio from two lavaliere. Its all get recorded to MixPre-6 but the fact that I am getting 2 channel with line level signal and 2 channel with mic level signal in the same device, how is that going to affect in the post. Will the audio sync properly in Tentacle software? Thanks in advance!

Great video! Does anybody know of a way to inject timecode into a drone, such as the DJI Mavic 2, which has no inputs ports other than a USB-C connector?

Hey Curtis, couple of questions for you since I'm considering getting one of these (or a pair if unavoidable) 1. Is it necessary to keep the sync plugged in for the entire duration of the shoot? Or can it be detached once the shoot begins? 2. With a cam like GH5, I usually tend to mount my Rode Videomic Pro so I can have a decently usable safety track. Is there a way to use that (or any on cam mic) and the tentacle Sync with the GH5? ps. Really love your work, reviews and lessons. Thanks for the amazing thorough guidance :)

They should be built into cameras 📷 🙂

Does it only work with the Tentacle Sync software? Or just any program that recognizes the TC?

Relatively there, great to get started but it is slightly out of phase.

Maybe you are seeing/hearing something different, but your audio is several frames off (retarded by several frames from the video)

Hi Curtis, thanks for another great video! I'm curious though, when you drop the files into the Sync Studio app I noticed the File-TC from the sound recorder and camera A have green dots, camera B doesn't but the green dot is on Audio-TC. None of them match though, so I honestly don't understand how they sync perfectly, am I missing something?

can you use tentacle sync with a drone?

Hi Curtis. I tried also to use LTC on GH5, but, as I said to you, it has some issues with Resolve in that GH5 starts recording audio track after about 0.3s and Resolve gets the LTC track only if it's from the very beginning. Instead Tentacle SW gets it correctly anyway: good. But I have discovered another problem with GH5 mic input when using LTC: it has not a good separation channels! In fact if I put TC on left channel (even at very low level!) and nothing on the right one, I get TC also on right channel even if at a very low level... but it's anyway audible!! Could you test this on your GH5? I find this annoying because this way I can't use the remaining track as an audio emergency backup track... practically TC is on both channels.

It sucks! It doesn't even work on the newest version of mac ! The software is in BETA and it doesn't read the wav files from an audio recorder ! Buyer Beware !

Curtis, what's your process when handing out audio to your client. Do you sync this with their footage for them or do you just hand out the audio files and have them deal with the synching in post? How would they go about synching on their own if this is the case? Would they have to download the Tentacle software? Wouldn't they need our serial code for them to have access to the software? Thanks again for all your useful videos. It's very disappointing they don't have Tentacle Studio for Windows users.

After watching many of your videos, as well as looking at the various timecode devices at B&H, I have finally settled on a pair of these (Tentacle Sync E). They arrived yesterday. So, thanks for these videos, Curtis.