The Terminator franchise is well known for its cynical exploration of advanced robotics and artificial intelligence.
Since Arnold Schwarzenegger first said “I’ll be back” in 1984’s The Terminator, the series has grossed over $1.4 billion globally with enduring appeal and relevance.
The series brought the chilling notion of AI dominance into the zeitgeist. Conceived by James Cameron, The Terminator’s aesthetic is arguably the default portrayal of sentient machines in popular culture to this day.
The franchise frequently comes up during contemporary discussions surrounding smart automation and machine learning in Industry 4.0.
The first entry and its blockbuster sequel, 1991’s Terminator 2: Judgment Day, tend to dominate that discourse. The standard the first two movies set was too high for the other four films and TV series to overcome.
Objectively, however, the most prophetic entry in terms of its portrayal of today’s technology is easily Terminator 3: Rise of the Machines.
Jonathan Mostow took over as director for the 2003 film because Cameron felt there was nothing else to add to the story after T2.
While it raked in a respectable $433 million worldwide, the reviews were mixed. Critics and fans felt it lacked the depth and groundbreaking FX that made the other two entries special.
Arnold was back though, as a good guy again, with his T-850 facing off against the first female Terminator, the T-X, played by Kristanna Loken.
Nick Stahl took over as John Connor for Edward Furlong, who had personal issues and professional concerns. A new character critical to the ongoing saga, Kate Brewster, is introduced, portrayed by Claire Daines.
In a futuristic 2004, the fully grown Connor lives off the grid believing he averted a mankind-ending future war.
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28 апр 2024
