Terrace Martin - For Free | Live at the  

I’ve have watched this video so many times and never caught that 🔥🔥

I dont know what exactly you mean but i can definitely say he has a really nice dark tone and you can definitely hear the Kenny Garrett influence in his playing.

I LIE!

@@thechunkytrucker5111 Kenny Garrett is so nice, and so is Terrace!!

Obviously never heard of Ornette Coleman

Whatchu mean "get away with?" Bro.

Kees Bosman why?

@@izziweedman1117 greatest of all time

even Eric Moore be takin notes

Ever

Unfortunately, he's been repeating himself a lot lately, and the conversations may soon get dull. KAMASI is the next up.

Full length album comes out Friday!

Full length album comes out Friday!

@@jammcard yes, thanks bro will be looking out for it. I just SUB.

Dorama the Drumma 😂😁😂🤣

ThomasAlves Groove thank you! Happy to hear

this year lol

Hey bro!

@@kakashii801 wassuuuuup

I'm vibing bro

@@kakashii801 i watched this already 20 times 😅

There was an ad there? That's strange, we did not choose that. We'll look into it. Thanks for letting us know!

true

@@Salerballer real deal

i was thinking the same !

o wow. quite the family

cringe

@@ThePoutinePrince lol me too. I was drunk when i wrote that shit. Maybe .

That’s Paul Cornish

It just sounds like the one chord is Cminor and theyre just expanding upon that by collectively improvising and listening to each other. If youve heard "2 Down and 1 Across" by Kenny Garrett, youll see how similar it is to this. The solo section to "2 Down and 1 Across" is just one chord, Ebminor and the band expands upon it. Also, in "2 Down and 1 Across," theres an intro where the sax plays something and the drums come bursting in, just like in this performance. One can clearly hear Kenny Garrett's influence in Terrance's playing, it wouldnt be too far fetched to say "2 Down and 1 Across" influnced this song.

...it's a minor blues

Rumour has it he was was born in Namek, but grew up in Asgard.

Paul Cornish

Probably why he hired him.

yes i do ! i love him and he makes us all play better

@@Salerballer Bruner Jr. is H.E.A.V.Y!

Noticed that too when i saw him at the blue note with Kenny Garrett back in November 🤷‍♂️ cant stand people with big egos

Their's more than a little bit to be said for "PERSONAL EQUATION ", and when giving an OPINION ,an occasional MODIFIER/QUALIFIER tends to come in handy.

Guilty as charged. I'm trying to throw him a bone and say that it's his 'signature lick'-- but repetition IS repetition, and it's not often commended. I must agree, that is the ONE downside to hearing him play.

Christian Scott has a lick he plays all the time. So does Chad Lefkowitz Brown. If you really pay attention, when Chad does that thing where he spits out like 1000 notes super fast, everytime he does it its the same exact thing. I saw a video compilation someone put together of about a dozen different times Chad does it, and everytime it's the same thing. Does that really count as a "downside"? How about John Coltranes licks, or Charlie Parker's licks that they'd use over and over again? Does that make them hard to listen to? At the end of the day music is music, improvisation is just making music in the spot, and we have a long line of legendary musicians going all the way back to Sidney Bechet who would play the same licks over and over again. Frankly, it might even be to one's benefit. I hear Terrance Martin playing, and i know its him right off the bat. Thats not something you can say about a lot of sax players.

The Chunky Trucker here’s the deal. Of course Parker and Coltrane repeated lines. Take A love Supreme. It’s pretty much the same line the entire time. But to me, this solo didn’t feel like anything. It was just the same line, the same way, same phrasing. And that’s the same reason why I don’t like Chad LB. (He was actually one of my combo instructors for a minute...) I think that terrace is a great musician and a good player, I just don’t feel any varsity when playing this kind of music

@@mercerpatterson6290 Thank you for listening