I have spent much time hand sewing, especially repairing quilts I've found at second hand stores. and in Taos, New Mexico, along with Dusty Roads, to restore some of the beadwork at the Kit Carson Museum on displays of moccasins, and breastplates. It was fascinating, as a beader, and a weaver, to be able to see and handle these items. As I worked, I could appreciate and understand how many people worked on an item, and what kinds of original materials, patterns, and colors were used in the past. It has always brought me such joy to connect with women ,, and men, in the past, who labored to make the world a little more beautiful. I will come to see these things one day, in person.
Yes when the've been stealing or receiving/buying stolen clothing and other ritual/sacred items from other cultures/lands for decades, they would be fortunate. Just sayin...
WOW, wow, wow, I completely geeked out with that video! To be a textile conservator at one of the world's great museums is my fantasy 😍😍. A beautiful synthesis of art and science, two things I love.
I love this program and the accessibility it has given millions to see these treasures. I repair crochet and clothing vintage and antique it is a genuine labor of love
Thank you for a fascinating insight into a world of textiles. The dedication of all who work on these important pieces is second to none - I applaud you all 👏
What a well-done glimpse at the invaluable magic you do! I enjoyed this piece so much, from the fascinating techniques and science to the production values that beautifully reflect your attention to detail. Thanks!
Wow! Glad to see the care and expertise used to keep these textiles in good shape. How do they deal with a new acquisition with active insect infestation?
Thank you, this makes me look at objects with a new appreciation to all the many layers of work and art that go into one piece. Even the study and documentation is exquisite.
I am a silk painter and I create fine art on silk - I do not create the silk I only paint on it using varying solutions and concoctions I make to get the results I want on my silk "canvas". When I complete my paintings I steam set the pieces and adhere them to canvas to be hung on a wall or presentation areas to be enjoyed. I wonder how you would handle my art to be exhibited? Your work seems so very interesting and encompassing! Like a silk cocoon🙂🙃🙂
There is a Baptist church in Jackson Georgia United States that was gifted two tapestry rugs from the 1400's they hung them in the foyer of the church. No casing no protection. It always bothered me greatly no care was taken.
I am here thinking, what will the conservation techniques be like for dyed clothes in the period between 1820 and 1850, when the famous fashion for Paris Green (Copper Arsenate) took place and which was when deaths from poisoning occurred and the combination of the pigment and the poisoning cases. There must be a specific cabinet for this, in the same way that many fabrics and clothes were also dyed during history by auripigment dye (Sulphur Arsenide).
I have Master's degree in Museology from National Museum Institute, New Delhi and Bachelor's degree in Fine Arts. I have experience in Art Conservation too. If I want to learn Textile Conservation at MET, so what is the procedure ? Is there any Internship program available? Like international training program of British Museum.
Is there at least 1 African American professional in this department? If not, why not start a fellowship, internship or apprenticeship for a new generation of conservators?
Wait!!! What the hell is The Met calling the Japanese robes (and other garments) in these videios "COSTUMES"??????!!! The are NOT costumes!!! They are that culture's CLOTHING. As a Diaspora Afrikan, I hate it when WP refer to my traditional clothing as "costumes". They are my clothes just as jeans with flip flops or cowboy boots are theirs. You would think The Met would know better.
As far as I can translate costume is a word both used to say "dress up" aswell as "traditional clothing". So it's not them saying your traditional clothing is a form of dress up but rather a formal way of saying "traditional clothing".
@@Judoka26a “costume” is actually an academic term used synonymously with “dress” by those who study historic dress. but the connotation of it for a layperson is definitely different. but basically, “costume” in this context could be used in reference to ALL garments not just these. very easy misunderstanding
