Friday, November 11, 2016, 1:30 pm
Rembrandt’s fame throughout Europe was due mainly to his large output of etchings. His novel way of creating these works was a subject of amazement. John Walsh, B.A. 1961, Director Emeritus of the J. Paul Getty Museum, Los Angeles, surveys the artist’s etchings, paying special attention to The Hundred Guilder Print (ca. 1649) and to his technical genius. Generously sponsored by the Martin A. Ryerson Fund.
This lecture is the third in the series Rembrandt Today: Six Lectures by John Walsh.
13 ноя 2016
