I am a firm believer that anyone can make one single note on the violin sound like the best in the world. But the real problem is how to make lots of notes sound good!
@@hamwhacker >>"I am a firm believer that anyone can make one single note on the violin sound like the best in the world." That really isn't true. A great violinist can show their greatness by performing a single note with a beauty and profundity that mere mortals cannot get anywhere near..
@@jackburgess8579 Thanks - I perfectly understand and accept your point! Please however - I wasn’t saying all single notes could be compared between a beginner and world class soloist…of course they nearly always sound better and demonstrate perfection on the simplest of phrases... Just I was hoping that everyone could aspire to great things when we pick one note and play it as beautifully as we can. That’s all I was saying :-) Since playing the violin well is about controlling about what you are doing on every note as we through the music, with technical accuracy and expression which can and should be destiny of any individual. Cheers
Fascinating, I'm low-key obsessed with finding the difference between a great player playing a beginner piece, and an advanced student playing that easy piece.
I’m currently working on Mozart 5 and just using the concept of having the fingers make a heavy drop onto the string immediately made my playing sound substantially cleaner. Incredible!
Thank you for this great lesson 🫶 I was already in bed and stood up to grab my violin 😆 especially the thumb exercises are very helpful to me, same as shifting. This is vital knowledge, thank you so much 👍👍👍
I laid my violin down for 25 years. Had I known how much I'd loose and trying to relearn holding the bow with arthritis and other problems..Don't do it..Go for it..keep trying it's a gift
I have access to a gentleman who has a truly incredible level of bow control (Daniel Rohn), and I have learned so much just by watching him closely. These subtleties have such an incredible effect on the quality of tone. So good!
Oh wow, that is some beautiful articulation! Interesting how his bow bounces in the upper half. I know some bows do that, but I've never played on one that does.
there's an easier way to understand and instantly use catch & release, just put some pressure on the string with the index as showed here, but before even moving the bow release it (take the pressure off the index) and only then move the bow, it will sound perfect at the beginning even if you wait some time because the string is "catched" by the bow already, if you start moving the bow while "releasing" you get more and more articulated (you hear a click at the start) and if you start the bow before releasing you get martele I teach cello and double bass, making people do this is instant amazing sound to any beginner.
also like when playing arpeggio runs like in the lalo symphony espagnole to practice in short staccato sequences and various rhythms to get that crisp brilliant sound. also swing your arm slightly to the right so your hitting the strings with the side tip of your fingers instead of square on with the fingers
Interesting "translation" of Kalinovsky on Tonebase there in the Finger articulation part! I did feel intrigued when you on one hand said that he is a great teacher and on the other hand said that you didn't want to teach your student some aspect of his teaching. To tell the truth, I tried Kalinovsky's way but have difficulty in getting the finger articulation going on. But this is an interesting "translation" from your side. You tell the key things that haven't been said out clearly and I get immediate realization when trying. It's kind of like "Aha! That's how he did it!". You are really generous to give us lesson on youtube!
I studied with Kalinovsky for a summer over a decade ago, and it was one of the best experiences I ever had. He not only taught me technique, but how to THINK about technique. Of course, it's normal for two different violinists to come to slightly different conclusions about technique, so where I divert from Kalinovsky I respectfully do so.
@@MurphyMusicAcademy Yes, I see your diversion there, hence I said "translation" - from his view to your view. I must admit that I was very confused when started to dig into various violin's "school of thought" or way of thinking. There are so many different ways, even clearly opposing each other, and there's not many who said "why". Utilizing your body, your muscle and your mind is also something that cannot be transfered completly by words, I guess. Two people doing the same thing on the surface might be utilizing different muscles and comprehend/sense the matter very differently.
Refreshing and enjoyable - this would appeal to accomplished players and beginners alike. It's not that all the content is new, but the way it has been put together. Chua,s clip was an eye-opener , beautiful and so were the others - no place for Kavakos? Articulation takes performance to another level, but to achieve this, setup has to be near perfect. Along with articulation , if there is poetry , drama , beautiful tone , you get Accardo playing Perpetuela and so on. By playing creatively most things fall into place and the possibilities are endless. Even mundane exercises have a better outcome if done imaginatively. A friend who started violin a couple of years ago , said he was helped by your video on left hand technique. He's not very good at English, so he asked me to thank you on his behalf. Thanks.
Well tell your friend he is very welcome and I'm glad he's enjoyed my videos. I love Kavakos and would definitely include him at that top level, but I can only make the video so long before people lose interest, so I stuck with the 3 violinists I had in the video. Thanks for your thoughtful words!
Hmm... I thought articulation != total cleanliness ? I would personally prefer a bit "messy" but spirited and emotional play versus clean but sterile play
Ivan Galamian: Principles of Violin Playing and Teaching Leopold Auer: Violin Playing as I Teach it Leopold Mozart: A Treatise on the Fundamental Principles of Violin Playing As well as 2 CD box sets: the complete RCA victor recordings of Jascha Heifetz and the complete recordings of the Alban Berg String Quartet And I have a clock with the circle of fifths
So many great violists on RU-vid, but for articulation you could do worse than Paul Neubauer and Richard O'Neill playing Frank Bridge's great Lament for two violas.
I'm sure there are aspects of this that are applicable to viola, though I'd imagine you'd have to do even more as the viola responds more slowly. But I'm not a violist so don't quote me. At the very least you can try it out and see if it helps you
@@MurphyMusicAcademy Yes, you do have to allow for the viola's slower response time, and there are differences among the response times of the individual strings that you have to take into account. That said, your comments provide some excellent advice for violists. Thanks, as always!
The Soviet violinist Zoria Shikhmurzaeva (b. 1933), who is almost unknown in the West, is another one for your "Greatest violinists you have never heard of" series. This performance of a relatively simple miniature by Bizet that has been arranged for violin and piano is one of the most beautiful cameos that I have ever heard. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Ol0OBykNtDs.htmlsi=o6L9e6yl8l0Kh6zl
