The Beatles A Hard Day's Night REVIEW |  

I think the photos on the British album cover are supposed to evoke the idea of a photobooth machine. Paul hides in one in the train station at the the start of the film

Oh my gosh! Great episode! My dad took my sister and I to the drive-in to see this film. I bought the soundtrack with babysitting money and listened to it over and over and over in my bedroom on a small brown portable record player that opened like a suitcase. I'd forgotten all about the instrumentals on the album! It was a special time. Knew nothing about the British version. You really do make the 60's crackle and pop.

I'd say The Beatles shifted their fanbase seismically with the album & film *HARD DAY'S NIGHT* - - expanding the group range to include more *male* fans & music aficionados, as well as the girly teenyboppers. You specify the exact transcendent moment at 4:04 when you observe how they changed the working title BEATLEMANIA to a literary malapropism. This leap ahead in 1964 wouldn't be upped again till REVOLVER - - which dropped any attention to the girly teenybopper market at all, I think. By 1966, the group placed all its confidence in the more elaborate fanbase mined by HARD DAY'S NIGHT. This was also the last gasp of the *British New Wave* - - a b/w film movement based in low-budget working class realism... adult themes... regional (i.e. not London! & usually northern) locations with regional accents... & portable cameras that the French New Wave explored within the same *1959-64* window. They caught the train the way Albert Finney caught the bus in SATURDAY NIGHT SUNDAY MORNING in 1960. Tropes of this adult genre framed the group in a senior wage-earning environment beyond Cliff & the Dave Clark 5 & movie vehicles whose variety show format hung onto a college-age youth club vibe. That's the world Lennon parodied with his fitful line " *Let's do the show right here!* " The group knew they were transcending the teen market, & they found out not by planning it but by praxis - - by doing. Not in the States but in railway stations & fire escapes & playing fields & Twickenham Studios, as they acted out Alun Owen's script - - itself a study of their recent Ireland gigs. Director Richard Lester did mix in *surrealism* - - but so did John Schlesinger's *BILLY LIAR* the year before, & *that* was British New Wave too. BILLY LIAR ended with Julie Christie on a train pulling out of a Yorkshire platform bound for London....where she would rendezvous with Terence Stamp at Waterloo Station on Friday night 4 years later for a lyric in a Kinks Song. HARD DAY'S NIGHT was on the cusp at the end of British New Wave heyday & the return of all those regional camera crews to the capitol just in time for *Swinging London* . Richard Lester plotted those steps from HARD DAY'S NIGHT in 1964 to THE KNACK back in London in 1965. Their train was originally scripted to leave *Liverpool Lime Street Station* at the start, bound for London - - even more symbolic of Beatles' development parallel with Britain's film industry: Paul McCartney was last to leave Liverpool in 1964 just as the British New Wave finally returned to the capital & bigger budgets. A pivotal cultural, geographic & economic shift summed up in one low-budget big-profit film. What's *realism* in HARD DAY'S NIGHT is the nonstop pursuit by girly teenyboppers, including the twin fall to the ground ( *OUCH! OUCH! O-U-U-OUCH!* that fall still hurts: GH wouldn't cop it that bad on film again till the same hand got shocked in the same Twickenham Studios in LET IT BE, about oh say *20 years* later), & Lennon's real & typical fitful laugh at his mates' misfortune at the start... outdoor public locations... a facsimile of a day in the life of The Beatles under their real names & real accents... with a real performance & an accurate pastiche of their press conferences. The film's realism still gives HARD DAY'S NIGHT a NOW vibe. This offbeat happening of RIGHT NOW realism & Lester's surrealism that stretches Scouse humor to its limit makes the film, naive as it is, a Zen forerunner. Immediate, experimental, & cool, & so was the album comprising their own songs. Their appeal escaped the confines of the market that Parlophone pitched to with PLEASE PLEASE ME. The Beatles made pop culture take a step up in 1964 & there was no going back, not even in GET BACK.

Great review (you do them so well). For me, the UK album is the quintessential early Beatles album, and was probably not surpassed in totality until Rubber Soul.

Another winner of a review, Matt. I turned 6 in June of '64 and also saw the movie late that summer at the drive-in with my older sister and parents. I'll never forget my mom laughing hysterically during the open field jumping about scene during Can't Buy Me Love. As far as preference, I'll take the U.S. soundtrack album cover and the British lp, more definitely being better as far as songs go. A quick side note to commend you on the incredible graphics you use for your videos, recalling you mentioning that graphic designing being your profession. The amount of work you put into your videos is astounding.

I have both 'A Hard Day's Night' UK & US versions ... when you listen to what was happening at the time the music just comes across as exciting and as you put it Matt 'Fresh' ... As I get older I tend to listen to the older albums ... With the Beatles, Please, Please Me, Beatles For Sale etc I tended to focus on Rubber Soul onwards growing up but now have rediscovered the older albums & relive what turned me onto The Beatles as a child in the 1970's 🥰

Terrific discussion, Matt. I was a 14 year old when the album and film came out. I still have my original United Artists version of the album which I purchased as soon as it came out and still love it to death. Great memories from a great time to be alive.

saw the movie as a 8yr old on release in 1964, my folks, (Dad was 35yrs old & Mum was 32yrs old), took me, my Uncle and Auntie, who were only 12 & 13yrs old, my Auntie actually went to see the Beatles live in Auckland, I couldn't stop telling my mates at school, the individual scenes of the movie, as I was the only one in our school at the time who had seen the movie.

My older sister had this album when it came out. It was a prized possession(she didn’t even have a record player.) Being a rambunctious little brother, I wasn’t allowed to go near it! However, I would sneak in and look at it though. To me it was like holding something mysterious and majestic. It felt like the future!

Those toaster-top pickups on a vintage Rickenbacker have a sound all their own…

Don't know if you're aware that on "Ringo's Theme", the guitar riff is played by Vic Flick. Well known session guitarist, and also the same guy who played the James Bond theme. He was featured on an episode of TV's "Pawn Stars."

“A Hard Days Night” is almost the Perfect Single It’s just such a killer song, it would have been incredible to see the Movie in ‘64 on its first release

I was actually there, Matt, and I feel pretty damn lucky about that! "A Hard Day's Night" came to the movie theatre in our town right around the time of my birthday, and my older teenage sister took me and a bunch of my friends to see it (I think it was 50 cents each for us kids under 12). Of course everybody screamed the whole way through - it was just so exciting!

Nice post, Matt. Takes me back. Although very young I had already seen Hatari and Dr. No and loved both soundtracks prior to A Hard Day’s Night. I became particularly fond of George Martin’s arrangement of This Boy that played during Ringo’s scene with the boy playing hooky from school. It worked so well as a break from the mania of the film as a whole.

I watched the movie again only a couple of weeks ago. It stands up really well. They looked like they were having a lot of fun.

To put the historical album sales and revenue in another perspective, the US population is about 50% larger now than in 1964 and movie ticket prices were about $1.25 as opposed to about $11 today. Plus there were no streaming services back then. Thus we can get a better feel for just how significant of a hit this was.

For as amazing as all the songs are on this album, through the years, If I Fell keeps climbing the ranks as being among my all-time favorites.

I once played this album for a friend who'd never heard it. He described it one word: Joy

Great episode, definitely a fun album but never better than the UK release

The best thing about the United Artists AHDN Soundtrack album is that it has And I Love Her without the double-tracked lead vocal. A lot of people are not aware of this version (which was used in the film). It is only available on the UA album and IMO it makes the commonly known version sound cheesy by comparison.

Very interesting, Matt. Those intrumentals on the US version are new to me.

Another great review! I like the American versions because I grew up with them. A trivia bomb....The American HDN cover was printed 2 sided (stereo on one and mono on the other) to save money. You can see that the back cover was glued on to whatever side they "didn't need". You can see it if you look close..

Hey, Matt! Nice review. I was hoping, however, that you were going to mention a bit about the mix variations between the U.S. and UK versions - esp. And I Love Her and If I Fell..

Thank you Beau-Jarred. The work you and the team are doing is helping me get through this. The music is so healing to this old soul. At first, I could only cry about Melanie but all the new music coming out excites me with joy. I almost feel guilty for finding a smile on my face. I can see Melanie smiling and , a butiful smile it is. The portrait on page 9 of "Lake days" is just beautiful. That smile is forever in my heart. I have bought all 3 new books and will buy the cds and albums you made for us. Such a gift to us. It's almost like Melanie knew she was about to leave us and wanted to leave us something to help get through the grief. I will miss her more than you know. Know that the labor of love you and the team are doing is much appreciated. God bless you all.❤

Excellent review and summary, especially considering you were too young to have been there. It was crazy! First, "I Want to Hold Your Hand" changed everything and was me discovering music. Then they were on Ed Sullivan. Then they had 7 of the top 10 songs on the chart. Then I went with a friend to watch "A Hard Day's Night". I was literally pushed back in my seat at the theater. My mind was blown and has never been the same since. Ask someone who was there, this is not an exaggeration.

thank you for another great US beatle album review! growing up in the sixties my family didnt have this album, we had "Something New". always thought it was strange to hear "Cant Buy Me Love" and "I Should Have Known Better" on the "Hey Jude" album. it would be interesting to see your review of those two albums as well. i love the cover artwork on all the early US beatle albums. they were always colorful and exciting.

Great to see a new upload from you sir and a good topic too ! That was the version of the album my sister, who was alive and a screaming Beatlemaniac in real time, so all the Beatles albums I was hungrily listening to as a toddler were the original Capitol USA releases. She had such oddities as Beatles Second Album, Something Else, Yesterday and Today and what remains one of my favorite Beatles albums ever - the long lost Beatles VI record which collected a lot of the songs from what, for me, has always been my Beatles favorite musical period. The Beatles 65 was another one she had which I really loved. She also had the Yellow Submarine soundtrack with the George Martin second side. Of course I was very young and while I played them constantly I didn’t treat them with the reverence they deserved and they’re long gone. But I consider myself very fortunate to be the younger brother of a full fledged Beatlemaniac. She also had some extremely weird Stones albums but that’s another topic for another time. AND she loved the Monkees and CCR too so I was one fortunate little brat indeed. I’d be interested to hear your take on the Magical Mystery Tour. I consider myself as avid a Beatles fan as anyone but imo some fans get willfully blind on the subject of that film. It’s a bore, it’s a mess, it’s not funny. Furthermore ‘Head’ by the Monkees absolutely trounces it. Some people get REALLY infuriated when you say that but I consider it a fact.

I recall a Lennon interview where he notes that "Tell Me Why" was based off of the "girl bands" at the time (The Supremes, Martha & the Vandellas, etc.) . It really has a Motown vibe to it; especially the intro. Matt, as usual; your facts and input really add to the review... I also grew up with the U.S. versions (being from Gary, Indiana). Although once my buddy shared his British versions, I did feel ripped; but I did find those instrumental versions interesting. But I couldn't stand that Capitol intro to the song "HELP!". ;)

Thank you so so much for another informative & entertaining video on their wonderful American albums.You are one of if not THE top of Beatles RU-vid channels. Thanks!

Great review sir! I'm a UK viewer and an avid Beatles fan since 1963 (aged 11) and still get butterflies when I hear that magical chord strike at the start of A Hard Days Night (and of course the whole album too) but I always wondered why there was only 13 tracks instead of the usual 14. What a revelation as I've never heard about the Jimmy Nichol rehearsal replacing Ringo's recording session.

I love the UA Soundtrack! It's thru this record I became a Beatles Freak. Bored one summer day, 1970ish, I'm flipping thru my mom's record collection and I'm hit with this red and black cover with black and white photos of 4 haircuts. "What's this?" I put it on the turntable, drop the needle and am hit with that cord! Holy cow what is this? I coukdn't stop playing it. I too really enjoy the instrumentals, even then. I liberated that record from my mom's collection and started my own collection that day. I still have that record. Good job sir!

I love your channel and, wow, this episode is one of your absolute best. Well done, Matt!

Great review . Really interesting to hear that the established press and community of critics at the time had given the album positive reviews, especially since there were just Beatles originals on it (aside from Martin's bits from the film score). I could imagine that many of these "adults" felt that they had to listen to "kids" music when they got their first copy; and then had their minds changed. I tried to find reviews from that time, and came across this one by Bosley Crother of the NY Times: "THIS is going to surprise you-it may knock you right out of your chair-but the new film with those incredible chaps, the Beatles, is a whale of a comedy.I wouldn't believe it either, if I hadn't seen it with my own astonished eyes, which have long since become accustomed to seeing disasters happen when newly fledged pop-singing sensations are hastily rushed to the screen. " ... "when the boys tumble wildly out of doors and race eccentrically about a patterned playground to the tune of their song "Can't Buy Me Love," hits a surrealistic tempo that approaches audio-visual poetry." I think Bosley Crother was around 60 years of age in 1964 (If I got the right WIkipedia entry).

11:30 In addition to the three song snippets "from dance scenes", there's also "She Loves You" from the concert scene. Also, I'm wondering if the instrumentals "I Should Have Known Better" and "And I Love Her" were actually used in the film. I'm not aware of their presence in it.

As an american I grow up on the US soundtrack record, and then got to know the UK album when all the Beatles albums came to CD in their UK versions in 1987. Which is better is hard to say, but I can tell you that mostly skipped over playing the movie instrumentals when I was younger. Great video, thanks for sharing.

As a first generation Beatles fan, I too grew up with the US version of A Hard Day's Night. But ever since the early 1970s when I got a copy of the UK album, I've never listened to the US version. I respect and admire George Martin, but when I want to listen to the Beatles, I don't want to hear Martin's instrumentals (Giles continues to do this with his inclusion of Martin's instrumental tracks on the deluxe box sets). The second side of my copy of Yellow Submarine is in mint condition. However, I much prefer Martin's contributions to AHDN to Ken Thorne's work on Help! It's worth noting that Capitol didn't miss out entirely on the songs from AHDN. Something New contains 5 of the 8 tracks from the ADHN soundtrack, and the other three were featured on singles. Oddly A Hard Day's Night, I Should Have Known Better and Can't Buy Me Love did not appear on a Beatles album during the time they were an active band. Plus 4 of the 5 tracks from AHDN on Something New were issued as the a/b sides of two singles. Only Tell Me Why was not featured on a Capitol 45. I've always wondered why EMI didn't use I Call Your Name from the Long Tall Sally EP as the 14th track for AHDN. It would have maintained the all Lennon/McCartney songwriting. Or if they wanted a Ringo vocal track, they could have used Matchbox. But the most interesting thing for me about AHDN--the UK version--is Lennon's total domination of it. Paul and George have only one lead vocal apiece (OK, Paul gets a bit on the title track, but otherwise that is all Lennon too). The album was a highwater mark for John.

As a younger fan who started out consuming their albums via CD, I had no idea the American soundtrack version even existed, let alone that there was an extended version of “I’ll Cry Instead”. A quick google search for that extra verse is fruitless- maybe I’ll have to ask my father-in-law if he has it. Either way, great to learn! Thanks.

Can't go wrong with this classic soundtrack. Finally found a mono copy recently and I've spinning this record like crazy! PLAY LOUD

The covers of these always remind me of my 7th grade music classes. My teacher had huge posters of them on one of the wall. He used to joke around and say he wanted a giant “T” to display with all the Beatles stuff in the room.

The story told at the time about the title was that they were leaving the studio when Ringo started saying the line, "that was a hard day's..." and at that point they got outside where he saw that it was night and changed it upon seeing that it was dark to "a hard day's night".

Good video , very interesting , Matt. Thanks !

I was there, Matt and it was marvelous. I was the San Antonio premiere of the movie (with oversized souvenir ticket) in the Summer of 1964, and it was as close as San Antonio (or I) ever got to the Beatles. For 1964 San Antonio it WAS a Beatles concert. I lined up to get tickets the Saturday before the next Saturday opening, with kids who spent the night on the sidewalk. A local rock band put on wigs and played Beatles songs in the theater lobby and the girls shrieked. During the movie, the next Saturday, girls screamed continuously, and the pitch and volume rose with the full screen head shots of the boys (and the movie was full of them). Girls spontaneously burst into dance in the theater aisles; it looked like convulsions, wild. I never saw anything like it. The US soundtrack is golden to me. I can hear every track on it in my head.

Great episode, Matt. Always liked the movie and 'I should have known better'. You answered a question I always had. Why wasn't "I should have known better" released as a single. Definitely puzzled why it wasn't a hit. Good stuff!

I have yet to find out when the album cover photos were taken. I've researched it and even asked (believe it or not), Mark Lewisohn, and even he didn't know when they were taken (which I found strange given that he relates the history of the Beatles in extraordinary detail in "Tune In" going back decades.)

This is a great review and overview of the album. I never had that one, and always wondered why Capitol hadn't released "A Hard Day's Night," only releasing some of the songs on "Something New." George Martin's version of the title song sounds kind of like Dave Brubeck's "Take Five."

My favourite scene in A Hard Day's Night was when the Beatles were frolicking in the grass, goofing off while Can't Buy Me Love was sung in the background. Just a fun scene of them rolling around acting silly for no real reason.

My older sisters got this album (and the two before it), probably around the time it came out (the year I was born). I was sucked in by early Beatles music at a young age (7-8 years old) and was an instant fan. I would pore over every word on the sleeves, and I clearly remember noticing that the round label on this LP was different than the label on the two earlier Capitol albums. I remember even back then being struck that a movie company could do a record deal with a band separate from their main label. I remember being pretty 'meh' about the instrumental tracks, sometimes even skipping past them. But usually not, just because it was a nuisance.

How fitting that you'd review a Beatles LP on the 60th anniversary tonight of their debut on Ed Sullivan. I was 14, sitting in our den about 6 feet from the TV screen, mesmerized by what I was witnessing. The buzz about the Fab Four was already at a high pitch ever since the local AM station, KLIF in Dallas, had put "I Wanna Hold Your Hand" in heavy rotation in January. Then came all the early singles. I and all my buddies were still devouring/digesting Meet the Beatles and the 2nd album when in June they floored us with the Hard Day's Night soundtrack. They delivered exactly what we wanted to hear. I think your one-word label for it, "exciting", captures its essence perfectly. My fave is "Tell Me Why" because it just sizzles from beginning to end and their vocal work throughout is stupendous. Of course, there ain't a runt in the litter as they say so it hasn't lost one iota of its punch in almost 6 decades. Way to go, Matt. Well done.

Great review! Thanks Matt!

ThanX Matt.... Great video.... I saw HDN in the theater when I was 8 years old and my 13 year old brother "had to" take me - per our mom.... It was something else as there were a bajillion girls there and all they would do is scream and throw popcorn. As a little guy wanting nothing to do with the opposite sex it was something else... Could hardly hear anything... I can't imagine how the concerts were as they were deafening... Thanks for all the great work you do for us. Looking forward to your next one...

The versions of "I'll Cry Instead" are different on the mono and stereo pressings of the "Something New" album. The mono pressing has the version with the extra verse. I saw the movie when it was reissued theatrically in 1982, and "I'll Cry Instead" was used for a prologue, accompanying still photos of the type on the album cover. "Ringo's Theme (This Boy)" reached at least #57 in Record World (the August 22, 1964 issue is the only one from its chart period available online), and peaked at #57 in Cash Box on August 29. The other side of the single, "And I Love Her," peaked at #105 in Billboard on August 1, and #71 in Cash Box on August 8. The Beatles' version of "This Boy" reached #1 on the CHUM chart in Toronto, but "Ringo's Theme (This Boy)" by George Martin and his Orchestra peaked at #42 on September 14. It reached #12 on CFUN in Vancouver on September 12, was a top 40 hit in Winnipeg and Peterborough (chart info incomplete), and was a pick hit of the week in Edmonton (July 17) and Montreal (August 15).

Well thank God SOMEONE finally reviewed this! I've been waiting all this time to find out if it was good! LOL j/k Thanks for the review!!

I love the UA album. It captures the sensibilities of the time perfectly. The Martin instrumentals are a great inclusion in an overall great snapshot of 1964 60's. While Something New included some of the film music, the UA really nailed it. Loved the different mixes too. It totally captured the feel of this short slice of time in 1964. Great episode Matt. Thanks. :- )

Great review Matt - no comment about that American cover! On release we sat through the movie twice at The London Pavilion, Piccadilly!

I think it is quite fun that here in Sweden the film is called "Yeah! Yeah! Yeah!"

Great review! I was happy to hear the praise for the George Martin tunes, since I have always loved those. Probably because I loved the movie so much and it truly evokes images of thge different scenes in which they were used; but like you, I really dig 60s soundtrack music.

The George Martin take on A Hard Days Nights reminds of Dave Brubecks' "Take Five". ( Btw writing this comment on the 60th anniversary of the Beatles on Ed Sullivan! )

Great info Matt. I had read that Richard Lester didn't like I'll Cry Instead and didn't want it in the film. Too bad, I thought it was a great tune. They ended up with Can't Buy Me Love playing in two big scenes, the field and the police station. I'll Cry would have been great in the latter scene. Ringo, I'm sure you know, said he was drunk the whole time he did his solo acting bit. The film script was nominated for an AA. G. Martin got a nomination for music adaption (or something like that). I'm sure you also know about the documentary made on the train trip they took from NYC to Washington DC before the film came out. They (somebody who could make the call) felt it was too much like HDN and didn't want a conflict. Eventually it was released (not sure when). If you watch the doc., they clown around a lot in some ways like the film, just without a script or director.

Enjoyed your HDN Review Being older than yourself I saw the movie on the first day of release, and of course brought the album on the day of release. Because at the time of release we had nothing to compare the album to anything else. All we had at the time was Please Please Me With The Beatles Most people from London enjoyed the film. Because we could recognise the places they used in it. I enjoyed your review But as you said, you were to young to appreciate the complete movie/music. At that time. The British fans disliked the American release. Because it felt like Capitol & United Artists were 'using them' But it was a Good Review

Great video, looking forward to the Help soundtrack. Wasn't She Loves You in the film as well ?

Great review Matt. I only have the UK version. It would be fun to have the US version as well. Great album and movie.

@popgoesthe60s52 Matt, the special added touch was that Capitol Records came back on the heels of The Hard Days Night soundtrack album with Something New album here in the US which was a perfect addition as it included other songs from the movie plus the addition of those from the 2nd Side of the UK Version. On the Capitol albums Volume 1 this album adds to the Beatles American catalog. Excellent video!

Great video as always Matt!!

I bought the UK versions of A Hard Days Night, Help and Beatles for Sale in Genoa Italy when I was in the US Marine Corps in 1972.

I remember listening to the soundtrack album at my friend's house. His older brother had it and I had already seen the movie with my mother so I already knew all the songs, but I was only 6 and I wanted to hear more Beatles songs and wondered why it contained all these instrumentals? Lol

Congratulations on your latest LP appearance!

hi matt,you can hear a lot of advanced writing by this time,something brewing in the craft of the songs,good things to come after the movie and tracks,,take care....bill

Thank you so much for covering the American albums, especially "A Hard Day's Night." I never noticed how similar to Brubeck's "Take Five" the instrumental version of the titular track was. Excellent production and presentation, as usual!

When I was a teenager my dad had the United Artist album and the Meet the Beatles original albums and they got ruined in a flood. Wish I had them today

You're a mind reader Matt. I was just remembering watching this at the local theater back then. I spent alot of time at the candy machine. The girls wouldn't stop screaming. I didn't hear any of it that day! Capital should do a RSD release of the soundtrack. I to love the American cover. Great times Matt. Thanks for the video. Great job!

A very honest and insightful analysis! In total aggreement with you! Thank you.

You really should do an episode on Capitol's early bungling and rejection of the Beatles. I don't think everyone knows how it came about that they had so many singles when Beatlemania hit in early 1964. In a way, Capitol's turning down their early singles helped fuel Beatlemania by having so much material available on singles instead of the usual one at a time. When A Hard Day's Night was in theaters they had special showings at night with no screaming allowed for people who wanted to actually watch and hear the film. The usual daytime showings were all screaming.

Hi Matt. As I'm from England, I love this album and believe it to be a genuine classic. I was interested to hear what you said about the US version, including the instrumental pieces (after all, George M had worked with John Barry, the Bondmeister), so much so that I have just ordered the US Albums Box set so I can get a copy of it ! Cheers Tim

I swear I had a white-label promo many years ago of the UA s/t, not sure what happened to it, and I think it was a Goodwill acquisition. I do have the mono version of it and a beige 70s UA pressing of it. Is every version of the LP just the mono versions of the Beatles tracks?

As I have commented a few times, it’s always interested to hear a view from the US, especially presented in such an erudite manner. It’s a real shame that the US mixes mostly aren’t available - I have both Capitol boxes and the US Albums sets, but we all know the latter used the 2009 masters used from the UK editions. We simply weren’t really aware of these album differences back in the 60s. The UK album could have actually been quite different- imagine they hadn’t come up with quite the amount of material that they did, and Long Tall Sally and, say, Matchbox (giving Ringo his album vocal outing) could have been on the album, thus making it a more typical Beatles 63-65 LP configuration. As an aside you mentioned the Searchers, I always think their influence was far larger than generally recognised. They were arguably the second biggest group here in late 63 into 64 - first 4 singles being nos 1,2,1,1 in the charts - and Lennon loved Needles and Pins. Incidentally, as you well know, the Byrds also picked up the sound - listen to N&P and then Feel a Whole Lot Better!

Great segment Matt. I agree with you on the design and cover art of the American version. More fun and more dynamic. I first saw AHDN up here in Canada in late 1964. It is a great film - still wildly entertaining - and was highly influential on other filmmakers exploring the 60`s comedy genre. Richard Lester`s fast-paced kinetic editing, Alun Owen`s witty script, the gorgeous black and white cinematography by Gilbert Taylor; all conspired to create a cinematic masterpiece. Of course having the film chock full of Beatles music didn"t hurt either! The first album I had that included songs from the film was the Something New album. As you state in your video, Capitol seemed clueless early on but then it seems they woke up, and rush released Something New to "capitalise" (pun intended) on the popularity of the songs from the film, although the title song was missing!. I still think that If I Fell B/W And I Love Her is one of the greatest Beatles singles.

Full of useful information, I very much enjoyed it. However, I’d like to call your attention to some additional curiosities about the UA album: 1: The UA album has an exclusive version of “And I Love Her.” On the usual version, Paul is double-tracked throughout. But on the UA album, except for the main title line, is single-tracked. I don’t think the clip you used was from the UA album. 2: If I’m not mistaken, only two of the George Martin arrangements appear in the movie. “This Boy” and “A Hard Day’s Night.’ I believe Martin had an EP release of the four tracks in the UK. 3: It appears that EMI only supplied mono mixes to UA. Especially evident on the UA stereo “Tell Me Why,” in which it appears a UA engineer was manipulating the pan pot to simulate stereo. I never heard the title track in true stereo until I started buying UK releases in the 70s. 4: Not a technical note but of interest: the soundtrack eventually ended up on Capitol, due to record company mergers. My best copy is on a Capitol purple label, still with the weird UA mixes intact. I’ve done a high-res transfer of this for my car. 5: The UA album has always suffered from lower fidelity to the original tracks. Both in mono and stereo. It’s as if EMI supplied inferior tapes, although I suspect they did not.

Another truly excellent review.

This is a great record. I think I prefer this version to the U.K. Version as well. When I first began collecting Beatles albums in the early 1980s this was a record I wanted in the worst way and was excited when I got my hands on one. Love Tell Me Why along with the I Should Have Known Better and If I fell. The stereo version has weird panning on the Beatles tracks but aside from that it’s a great listen. Thanks for doing a video for this one Matt!

I made it a mission in the early 80’s to get all the British releases and liked them better because of the song selections. I did have all of the American releases by the late 70’s. I always found it interesting that “You Can’t Do That” appeared on the Capitol release The Beatles Second Album and some of the other songs not on the United Artists AHDN, appeared on the Capitol release “Something New.” As always your review was very informative and helpful to those who are early in their Beatles journey.

Prefer the UK version better, but did get the US version solely for George Martin's wonderful renditions. They're beautiful, jazzy, and full of that nostalgic swinging 60s sound that never seems to go out of style.

Another great video! On a completely unrelated note, is that drink you frequently have in your videos a rum and coke?

"I Should Have Known Better' / "If I Fell" was a #1 single in Australia. We got the UK version of the LP, plus the George Martin E.P.

My favourite George Martin instrumental is Theme One which featured on Radio One. Van Der Graf Generator did a great prog version.

Good video as always. I originally thought you were going to review the movie for some reason. That would be fun. I hope you do the Help! soundtrack soon too.

I'm curious about the sound of the albums compared. We've heard a lot about Capitol adding high end EQ when they made their master to add excitement and to overcome the low-fi state of most console AM-FM-record players of the time. Did United Artists stay true to eh fidelity of the British Hard Day's Night album, song by song? BTW, today is the 60th anniversary of the Beatles first appearance on the Ed Sullivan show.

Great video Matt! When I first started listening to the album 40 years ago I didn't like the instrumentals. Now I am also getting into more of a jazz sound. I will have to pick up the American version.

This is not really a correction, but it always strikes me as an interesting point. Of the 12 covers on their first two albums, there are only three songs from the fifties, and one of those is Till There Was You, so not a Rock 'n' Roll track. There are no fifties songs on Please Please Me. Indeed, The Beatles had recorded Love Me Do before Arthur Alexander's Anna (Go To Him) was released, and The Cookies' Chains was released after Love Me Do. Even The Isleys' version of Twist And Shout was less than a year old when The Beatles covered it. By contrast, only one of The Beatles' 1964 covers is from the sixties (incredibly that's Mr Moonlight). Every other cover from Beatles For Sale and the Long Tall Sally EP is from the fifties.

HELLO, MY NAME IS CHARLES I LIKE POP GOE'S THE 60'S LIKE WHEN YOU TALK ABOUT THE BEATLES

As a kid in the 60s I loved the film which permanently cemented the persona of each Beatle in my imagination. I wore the album out but I admit I skipped over George Martin's instrumental tracks which I thought sounded like my parent's music.

10:38 it starts just like "Take 5" ... and then it goes in 6/4

Good video There was a lot of info that I did not know about

Clearly a moment in time where Lennon was outperforming McCartney as a songwriter.

Pretty cool review. I wonder what the missing 14th song was going to be Anyhow, this album has some truly great songs. Lennon and McCartney really upped their songwriting game with this record

Great overview, Matt: thanks. First gen Beatle fan here, and actually saw the movie in a drive-in theater when it first came out. I was lucky enough to find the UK albums back in 1969, and they have been my go-to ever since. The UK version is my 2nd favorite Beatles album (Revolver is #1), but as a soundtrack I think the US version works quite well, and stands up, unlike Capitol's "collections of songs" records. Time has made me appreciate this more, in stark contrast to my feelings towards the Capitol records. Look forward to your next video.

And here We are Matt on the anniversary of the Beatles coming to America and 60 years later We are still talking about the Power of The Beatles -And to me the music of a Hard Days Night is the BOMB💥 -Although I remember buying in the mid 80's a used United Artists versión of a Hard Days Night, quite frankly the intrumentals by George Martín threw me Off, but now over the years I really enjoy them -Also on the instrumental of Ringo's Theme This Boy I found out that Jimmy Page plays guitar on this song. -But after watching your video Matt You just gave me the idea of making a Beatles Album That Never Was of a Hard Days Night Soundtrack that includes I Wanna Be Your Man, Dont Bother Me and All My Loving -Thanks Matt, Cheers 🍺

Find it interesting (And ironic!) that an early name considered for the movie was "Beatlemania". In the late '70s/early '80s, a movie was made with that title, with four actors portraying the Beatles giving one long extended concert, performing songs from their entire time together as a group. The Ex-Beatles sued, attempting to keep the movie from being made. Didn't know about George Martin's four instrumentals, like his version of "A Hard Day's Night", which sounds jazzy. Think both the movie and soundtrack are wonderful, with both possibly defining the height of Beatlemania/the first phase of their international fame. A couple of other of the Beatles contemporaries tried copying them, by starring in their own movies. The Dave Clark Five made "Having A Wild Weekend" and Herman's Hermits also made a couple of movies (May be a stretch calling the Hermits contemporaries of the Beatles, LOL!).

Cool! I remember being disappointed when HDN was released on CD. “Where are the Martin instrumentals? This is all wrong.” Last year I found a sealed vinyl copy. How refreshing it is to hear it with more clarity than my old worn out original copy.

The instrumentals sound great. We never had access to that version of the album in Australia. Americans and Canadians must have a completely different experience of the album than those of us who only had the EMI version. Whereas we perceive it as a normal two-sided Beatles album, the soundtrack element must dominate for you over there. In fact, we almost forget that the album has a film associated with it. Its the same with HELP! Cheers.

Is there any video that can be made out of the "The Beatles Song Book” Lps that the Hollyridge Strings put out during the 60s, they did four volumes of Beatles tunes, not really directly Beatle related but might be interesting.