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The Best Chords to Follow Chord IV (in Minor Keys) - Music Composition 

Music Matters
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15 окт 2024

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Комментарии : 38   
@MusicMattersGB
@MusicMattersGB 2 года назад
Learn Music Online - Check out our courses here! www.mmcourses.co.uk/courses
@jayducharme
@jayducharme 2 года назад
Before watching your series on chord progressions, I had always thought that progressions had to resolve back to the root. But V sounds just as complete to me. You help to show a lot more possibilities.
@MusicMattersGB
@MusicMattersGB 2 года назад
That’s great
@martinlorem1050
@martinlorem1050 2 года назад
Great content ! Please more like this 😀🙏
@MusicMattersGB
@MusicMattersGB 2 года назад
Lots more on the channel
@pathaks1
@pathaks1 2 месяца назад
Nice on creative in Harmonic minor ❤
@MusicMattersGB
@MusicMattersGB 2 месяца назад
😀
@Shiver197
@Shiver197 2 года назад
Great as always, thank you!
@MusicMattersGB
@MusicMattersGB 2 года назад
I’m glad it’s helpful
@delituskivike2471
@delituskivike2471 2 года назад
Great knowledge again.I have a question on harmonizing when there is an accidental on either party of SATB, also how to play left hand appergio when one of the SATB has an accidental
@MusicMattersGB
@MusicMattersGB 2 года назад
It’s a question of what the accidental is telling you eg are we modulating to a new key or are we in a minor key or is it a chromatic decoration? See our video on the subject
@delituskivike2471
@delituskivike2471 2 года назад
Thanks Sir ,I have seen it on the video you released 3 year's ago,about chromatic alteration
@MusicMattersGB
@MusicMattersGB 2 года назад
😀
@martinbennett2228
@martinbennett2228 2 года назад
Trying to use chord III (going back to your earlier videos) just for a challenge, I thought it might work in the second inversion: ivb, iiib, iib, ib, with the bass moving by step. Perhaps that is a bit too forced though (anticipations in the upper line might help).
@MusicMattersGB
@MusicMattersGB 2 года назад
That plan using first inversion chords works well.
@oibruv3889
@oibruv3889 2 года назад
That progression was called a fauxbourdon and was an important progression. Also, bach sometimes uses ivb - iii - iib - V, a cool possibility
@MusicMattersGB
@MusicMattersGB 2 года назад
😀
@tanmusicch
@tanmusicch 2 года назад
Are you on a plant-based diet or the protein / low carb diet? You have done really well.
@MusicMattersGB
@MusicMattersGB 2 года назад
Thanks. Low carb plus plenty of walking.
@captainred441
@captainred441 2 года назад
I learnt in class that VI to V is not allowed, and VI to i is not a great option because of the root moving up a major third. Have these 'rules' changed? I have always liked the sound of I going to iii when the soprano voice moves from tonic to leading tone (in a major key) but lost marks for it...
@brianwarner308
@brianwarner308 2 года назад
sounds like you are talking about 4 part writing?? i don't think "if it sounds good then it is good" would come around until much later...
@MusicMattersGB
@MusicMattersGB 2 года назад
Those chord progressions sometimes come with ‘health warnings’ in text books but everything depends n context.
@sapiling21775
@sapiling21775 2 года назад
I have a question, why in some pieces such as the cadenzas of Liszt’s Liebestraum no. 3 have more tiny notes than there are beats in a measure?
@MusicMattersGB
@MusicMattersGB 2 года назад
You don’t necessarily have to ditch the metre and tempo but quite right that these are additional decorative notes that embellish the underlying music.
@sapiling21775
@sapiling21775 2 года назад
@@MusicMattersGB I’ve noticed that there is sometimes a huge run of notes in one clef and the other clef will still be following the time signature, a good example of this is in the second part(measures 58-61) of Chopin Nocturne no. 20 in C sharp minor with the scales going quickly up and then back down yet the left hand remains stable with the time signature.
@MusicMattersGB
@MusicMattersGB 2 года назад
Yes. It’s often the case
@sapiling21775
@sapiling21775 2 года назад
@@MusicMattersGB ok thank you I just wanted to make sure that if I use it in one of my compositions that I use it right.
@MusicMattersGB
@MusicMattersGB 2 года назад
😀
@brianwarner308
@brianwarner308 2 года назад
i was confused when you got to number 3 and mentioned D had a flat-five and then I remembered when were using the harmony from the harmonic minor…..
@MusicMattersGB
@MusicMattersGB 2 года назад
😀
@velcroman11
@velcroman11 2 года назад
The second system to identify which version to use is likely an American idea. Anything to make it complicated, right?
@MusicMattersGB
@MusicMattersGB 2 года назад
Two different systems evolved. Some favour one over the other, usually because that’s the one they’re more familiar with. There’s logic in both approaches.
@luiginomarchetto309
@luiginomarchetto309 2 года назад
What is your experience, when you follow chord IV with VII diminished. What problems (if any), might I encounter?
@MusicMattersGB
@MusicMattersGB 2 года назад
Nearly always best to put your VII in first inversion
@luiginomarchetto309
@luiginomarchetto309 2 года назад
@@MusicMattersGB Thank you.
@MusicMattersGB
@MusicMattersGB 2 года назад
A pleasure
@canman5060
@canman5060 2 года назад
This is a lot more colourful compare to the major keys.
@MusicMattersGB
@MusicMattersGB 2 года назад
😀
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