Thanks for sharing, I've been watching your videos and came to a conclusion it's a beast of a machine! You certainly seem to have a skill to tame that beast.
For a machine that doesn't have a volume knob it's a wonderfully controlled aggression. Then add to that the way the Polivoks filter laps up overdrive, fuzz and distortion. There's real beauty in Erica Synths' audio engineering.
They could be a nasty pair - DB-01 driving the DFAM with CV and gate out and the DB-01 getting VCF in from the DFAM. Or even just driving one DFAM oscillator. Feeding the DB-01 randomizer (locked to a scale) into the DFAM could also be fun. Or doing weird things to the DB-01 pitch as it cycles through 'normal' patterns. I do miss my old DFAM - so much I didn't do with it :/
So THICK with everything a Sound Piece needs to be full of. Fascinating in the amount of liquid grotesquery you are able to squeeze out of this incredible sound machine!🔥🎶🎛👏🏽🥁🤖❗️
Zugegebenermassen, das Betrachten der OSC Kurven bereitet mir etwas Zahnschmerzen. Dafür wird mein Herz erfreut beim Hören dieser drastisch schönen Zähne. Der DB01 ist einfach ein Winner🙂
Mine have seen a lot of other machines come and go. If they were animals I'd need to give them a pat and re-assure them they'd always have a loving home.
Thanks Wayne. I have another video I'm working on at the moment that might suit. The working title is: "Richard blabs and gripes endlessly about delay pedals".
It can be jarring to switch from classical music then to techno. Repetitive, endless 16 step sequences can be mind-numbing. Any way to break them up into variations is a solace for the mind. (I always wonder what Mozart would compose if exposed to modern day electronica?!) Thanks for the new insight!
It is interesting to contemplate where the 'modern Mozart' may be. A lot of the great classical composers were considered quite radical in their day. Now they are ancient traditionalists. But the 16-step thing is a real trap imo.
