December 28, 2013 Dizzy's Club - New York City. Wynton Marsalis (trumpet); Wycliffe Gordon (trombone); Wess "Warmdaddy" Anderson (sax); Victor Goines (sax); Eric Reed (piano); Reginald Veal (bass); Herlin Riley (drums).
So, sad but, yet beautiful sounds. A tune that is common in New Orleans for funeral as a farewell for the dead. They celebrate with joy as the living pass on.
I was expecting a Blues Vocalist to appear anytime! Daymn! That Clarinet solo is "so sad" and emotional, heck, all the solos are. Love it! Greetings from Uganda 🇺🇬👊🏿🖤
I agree, really enjoyed Wycliffe's solo! Wynton's solo sounded like a battle between good and evil; or in this case life and death. I assume this was the first part of a New Orleans Function, is there another video to follow?
@@mst7155 A scale is a set of notes that musicians play together to evoke a particular feeling. For example, the major scale is quite "happy" and the minor scale is more "sad". The pentatonic blues scale is a scale that is particularly easy to play and make sound good.
I am so glad others understand this because my friend heard this song and told me his solo was bad and all i could tell him is that he doesn’t understand
Jazz perhaps is the only music that continue to transform itself - For me music will always live. There will always be Music - so enjoy this wonderful music - heritage for the whole humanity -
Só mesmo Wynton Marsalis para recordar esse registro The Death of Jazz (das cerimônias em New Orleans. Os músicos, como o trombonista são maravilhosos. Vale a pena escutar, principalmente, agora, em plena pandemia do COVID.19 um terror para o Orbe Terrestre... Com o Jazz fica uma uma esperança "da música de qualidade e muito bom gosto" ! Saludos desde Brazil.
This band is one of my favorites. I like Winton Marsalis how he presents himself and how he and his band play. Every musician is a great artist. But ist that still New Orleans Jazz or an other style? Anyway I like it very much.
Yes Victor Goins on clarinet. Takes a black man‘s voice on his horn to express the Blues with feeling because of the racial discrimination so many have felt for so long
@@jpocallens6776 You might be taking that the wrong way- I think where the Blues originated from and the people that invented it definitely means something. Absolutely, bringing racism into art often sucks, but we can't pretend like the Blues aren't a product of that, in fact I believe we should embrace that.
Man oh man this Man got lost in His Soul right around 7:00. You could feel it … I mean you could "Feel It". The words I write are nothing as to what is being expressed in this tune. Off the chart.
Oh man this trombone! and this clarinet. Pure emotion - unbelievible. Who ist the trombonist? brother to Winton? Not see yet often such a fellin in Musci
Yours, and ten thousand others. Jazz, soul, blues, funk... Some of the greatest emotional expression in music. Anything from exuberance, to tragedy, to calm, jazz and it's brothers have a style for.
@@TheMinecraftACMan I couldn't agree more. Im not the best with expressing my emotion through words. However, music never fails to not only communicate it, but understand it as well.
Not under our sky....No..no...no...Not under our sky. It is pure delusion.....You love me and...and...and I adore you......How could JAZZ be dead while LOVE is alive and well? I mean...NOT UNDER OUR SKY.
Wycliffe played his solo proper! Im a HUGE Wynton fan and have been since I was 7 years old believe it or not! But I'm sorry to say...his solo was confusing...Im not sure what he was trying to convey through his story. Usually he has a real defined and direct story to tell in his playing. All of those high, "filthy" notes in his solo didn't quite make since to me. Wish he would've went Wycliffes route and played the hell out of the blues (like he can)!
Think about it. He was conveying a musical conversation between two types of musicians found in the modern era. You have the finger blasting loud and obnoxious musicians who are currently poisoning music as a whole, then you have the cool, calm and collected, wise jazz musician trying to explain to the other how music should really be conveyed, only to be rudely interrupted by the squealing hot-head. No matter how hard the cool wise voice tried to educate the arrogant one, they could never get through to them. Hence, the death of Jazz.
Trevor Sikorski I thought it was more like a conversation between an inconsolable sobbing woman and a soothing, reassuring voice, matching more with the theme of grief and mourning established by Gordon and Goines’ solos.
ολα τα όργανα σας,κ.Μαρσαλης,παίζουν τελεια.οπως παντα.μονο το κλαρίνο παίζει,παντα,κάπως κρύα.αν θέλετε να το κάνετε να παίζει ζεστά,ακούστε,στο γιου-τιουμπ,τον Έλληνα κλαρινιστα Τάσο Χαλκια.βαλτε τον σε:αργο Ηπειρωτικό μοιρολόι.δηλαδη γραψτε:Τάσος Χαλκιας:αργο Ηπειρωτικό μοιρολόι.
