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The Duchess of Malfi [1972] - Part 3 

Shayna
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John Webster's "The Duchess of Malfi" is a chilling tale of jealousy, madness, and murder.
After the death of her first husband, a young and wealthy Duchess secretly marries another man below her rank. However, with the help of a morally-confused "intelligencer" named Bosola, the Duchess' transgression is soon discovered, leaving her at the mercy of her corrupt, possessive and unbalanced brothers. As her dangerous siblings seek their revenge, intrigue, plot-twists, madness, poisonings, accidental stabbings, incest, werewolves, ghosts and severed limbs abound, eventually leading to the gruesome and unrelenting downfall of the entire family and all who had been influenced by their actions.
Arguably the most popular of the Jacobean tragedies, "The Duchess of Malfi" is a provocative tale of love, power, obsession, and madness.
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Cast:
Eileen Atkins - The Duchess
Michael Bryant - Daniel de Bosola
Charles Kay - Ferdinand, Duke of Calabria
T.P. McKenna - The Cardinal
Gary Bond - Antonio Bologna
Jean Gilpin - Julia
Jerome Willis - Delio
Sheila Ballantine - Cariola
Tim Curry - a Madman
directed by James MacTaggart
Produced for television by the British Broadcasting Corporation (BBC), released October 10th, 1972 (c)
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"The Duchess of Malfi" is a meditation on power--political, religious, and sexual--and presents a bleak, violent, and fascinating world couched in some of the most beautiful language ever put on the stage. The Duchess of Malfi's description of a world bereft of moral values on its highest levels fascinates and scandalises us to this day.
A macabre, tragic play, John Webster's "The Duchess of Malfi" was written in 161213. It was first performed privately at the Blackfriars Theatre, then before a more general audience at The Globe, in 1613-14. Published for the first time in 1623, the play is loosely based on true events that occurred between about 1508 and 1513, recounted in William Painter's The Palace of Pleasure (1567). The Duchess was Giovanna d'Aragona, whose father, Arrigo d'Aragona, Marquis of Gerace, was an illegitimate son of Ferdinand I of Naples. Her husbands were Alfonso Piccolomini, Duke of Amalfi, and (as in the play) Antonio Bologna.

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15 май 2010

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Комментарии : 12   
@Xenu
@Xenu 12 лет назад
The woman who plays the Duchess is wonderful! Webster was such a great playwright. Thank you for uploading this.
@58wilkies
@58wilkies 10 лет назад
How silly that this does not have more views. And Justin Bieber's "Baby" has millions . . . what a world we live in.
@sineadmargaretlooby9015
@sineadmargaretlooby9015 3 года назад
its a dumbed down society
@ribenariver
@ribenariver 10 лет назад
Who'd have thought will-writing could lead to first base.
@sineadmargaretlooby9015
@sineadmargaretlooby9015 3 года назад
l know and she's gets knocked up in act 3!
@gerardjagroo
@gerardjagroo 4 года назад
Best love scene ever written and best execution of it ever
@peterjanssen5901
@peterjanssen5901 3 года назад
I had no idea Eileen Atkins was so foxy. I only first noticed her as the cruel nurse Kenchinton in Psychoville. ...Actually she was quite foxy there as well; Imperious, Cruel, harshly witty. Figures she'd be good in a Jacobean drama.
@fancyasugarcube0
@fancyasugarcube0 12 лет назад
"if you please lay a naked sword between us" ....heeheeeheee..........Oh God I'm so immature......
@fancyasugarcube0
@fancyasugarcube0 12 лет назад
Apricots. Best evil plan ever. Tiny basket of fruit MWAHAHAHAHAHAHAHAHA.
@JHarder1000
@JHarder1000 2 года назад
To echo Mr.Tarantino. "These are facts: Fire is hot. Snow is cold, Water is wet. As The Duchess Of Malfi, Elaine Atkins is great.
@rachelbolam2138
@rachelbolam2138 3 года назад
Duchess. Now she pays it. The misery of us, that are born great, We are forc’d to woo, because none dare woo us; And as a tyrant doubles with his words, And fearfully equivocates: so we Are forc’d to express our violent passions In riddles, and in dreams, and leave the path Of simple virtue, which was never made To seem the thing it is not. Go, go brag You have left me heartless; mine is in your bosom, I hope ’twill multiply love there. You do tremble: Make not your heart so dead a piece of flesh To fear, more than to love me. Sir, be confident: What is ‘t distracts you? This is flesh and blood, sir; ’Tis not the figure cut in alabaster Kneels at my husband’s tomb. Awake, awake, man! I do here put off all vain ceremony, And only do appear to you, a young widow That claims you for her husband, and, like a widow, I use but half a blush in‘t. 3:55
@naveevan5301
@naveevan5301 Год назад
subtitle would have been a great help .
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Всегда проверяйте зеркала
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Пранк пошел не по плану…🥲
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