Use +1 on the scale. It sounds better than -1. Also when jumping from B to A, add or subtract 3 (5B to 8A or 4A to 1B). And most important: if you really want to play a track that you like, forget about the key. Just play it. Knowing when to break the rules is essential.
Yeah I think that the key sync apart from what he already said of don't do high jumps and don't do it with voices (or try to avoid at least) you need to know when the audience is going to know the song because if you change the key of a very famous song it can sound weird and people will definitely notice something is off
For the new guys out there: I’ve listened to a handful of big name DJ’s who perform on the main stage or tour clubs across the US that don’t ALWAYS mix in key. While this is a very good guideline, don’t think two songs don’t mesh/transition well, just because they’re not in the same key or surrounding key. Trust your ears, if you think it sounds good, then that’s all that matters!
@@riyadjohn4315 he means by “reading the crowd” that how the crowd is vibing on the tunes you’re playing. like if the crowd is a little quiet then u could try to do something new to see if the crowd gets more exciting
Also, keys can determine energy and tempo. A lot of people think it's just BPMs that control energy and tempo, however, cleverly increasing keys can also increase energy and tempo. 3's are your friend here. For example, if you're playing a 2A song (add 3) and you can mix in a 5A song to increase energy. View the numbers as a up and down, 1 - 7 up, 8 - 9 maintains, 10 - 12 lowers. Keys 10 to 12 are generally really deep, thus lowering in energy, so if you're playing a 11A track (add 3) and mix in a 2A, or, you can subtract 3 from the 11A and mix in a 8A, it also works. I think by now you get the drift. But don't use this as a be all end all, sometimes tracks with mismatching keys can go well, especially if mixed properly. However, it's a good way to set up the energy spikes of your set.
Thanks for yet another great tutorial! I'm 60 years old and just started to mixing mostly House music and very much appreciate this as a hobby. Thanks a lot for your time and knowledge!
Every tutorial is so detailed... DJ Carlo doesn't only explain the theory of mixing, he executes them practically in such a way that seems so simple and easy even though the task might be quite challenging. ❣️❤️❤️❣️
Thanks for the tips. I've been a DJ since the mid 80's when DJs didn't know what keys were. But I've noticed a big difference when mixing in key. I'm even a better DJ now 💪
@@djcarlo I learned music growing up as in played piano and learned ear training and theory (though don't ask me anything about that I can't remember much lol). I just played on a friend's Mixstream pro recently, first time DJ-ing, I love it, I bought a FLX4 that's on its way and have binge watched your content, taken notes, it makes sense. I don't get why they chose A for minor and B for major though, I wonder what the reasons and why not A for Major (as there is an A in there)
@@djcarlo I actually asked my friend what the key thing was, but he didn't want to bombard me with info so he said it helps to reference and blend music but didn't go further than that so now I know the theory
I'm an arabic dj i djing since i was 17 and now i have my channel on RU-vid but ur channel teaching me something new every single video.. i know about mixing with key but i usually use the traditional way with note key but i will try to mix with camelote now .. i thinks its more easier 🙌🏻🔥 keep up the hard work bro 🤍
What's up Carlo? I know we've chatted now and then, and you've given me tons of information. Just wanted to update you. Was able to play in a prominent club pre pandemic. Using all the techniques, tips and skills that you have shown, I was able to keep the club rocking. So know that many of us are listening and applying what you are teaching. Peace from an American in Germany.
I'm a beginner dj and also likes to mix in key. The "T" example is a great way to remember how to mix in key. Fantastic reminder on how to use the Camelot Wheel. I loved the tutorial.
We'd like to take the time to thank and congratulate you for the work that you do. It's very clear, concise and good vibe. Wishing you the best in your journey, and thanks for being part of ours. Take care
Just remember this to Mix in Key - 1:21 GET MIXED IN KEY 10 AT A HUGE DISCOUNT WITH THIS CODE: DJCARLO10 ►mixedinkey.com/ DOWNLOAD MY BEGINNER DJ COURSE: sellfy.com/p/ms3fx1/
you probably dont care but does anybody know of a way to get back into an instagram account? I was dumb forgot my login password. I love any help you can give me
@Rayan Grayson i really appreciate your reply. I found the site on google and im waiting for the hacking stuff now. Looks like it's gonna take quite some time so I will get back to you later with my results.
2 More Tips: 1. If the song has a specific point there no sound plays, that is a good place to SHIFT keys abruptly, as long as the quality is kept. 2. In reference to keys in letter format (A, Gm, C#, etc.), try blending songs that are in thirds or fifths (i.e. from A to G).
For theory people: 1B is B major and 8B is C major. The ‘T’ method is the VImi, IImi & IIImi. Adjacent is obviously the IV and V. In other words, start with diatonic chord patterns and avoid locrian.
Wow, just wow. I've been doing this for 25years and never learned or understood there was a mathematical approach to determine up front whether two songs would match harmonically. I just matched the 4/4 time signature and stretched the track length and blending time before midnight to climax at midnight with short blending time and track length, to go stretched again afterhour. And exactly as you said in the video, a DJ will not compromise the track selection if he has a packed dance floor and extended versions of tracks, he keeps the blending short, clean and accurate. I think this stuff comes in useful playing afterhour where people are likely to give up dancing or decide to leave once they noticed the harmonical disturbance. Thank you and keep up the good work Carlo, you will be known by the number of leaders you create, not by the number of followers.
As a tip to anyone, if you do want to mix tracks with completely different keys then loop some percussion/drums etc and have your cue points set up. Golden rule is don't mix the 'mid-range parts' that's not matched in key at the same time!
Friendly FYI: You are not just limited to the "T" shape on the wheel. You can jump to other keys on the wheel that compliment each other in a big way. However, the "T" method is perfect for beginners.
@@djpurplefreakdjpurplefreak1710 it’s called the Jaws mix. Armin Van Buuren uses it all the time. Look at the video of his Ultra 2017 mixed in key breakdown of his set. He does it like 3-4 times in that set. I’ll try to find the link for you. Thanks for the reply I love chatting with other DJs
As someone who Djed professionally for 20 years and had to learn key by listening to the track and mix without software this makes me feel very old! Would agree with other comments on not needing to mix in key all the time, structure a set based on what works for the crowd first.
Yup! Definitely not all the time; it's fairly restricting. But if you can string some solid bangers together in key, then you'll have one heck of a set!
1. U can make mixing in key not only "T system", for example U can denay +1 semitone! Press button > near your key parametr and you will know new tone. 2. U can change B2A, A2B: if your key is B you must - 3 than change letter, if it's A you must +3 and change letter. For example, 6B = (6-3) & change letter on A = 3A or 10A = change on B & (10+3) = 13, but from Camelot it's 12+1, we got 10A = 1B. Sorry for my russian English)))
dear dj carlo im 13 yrs old, and have been djing and producing for 12 months now, and your vids inspire and help me on my path as a dj /producer all of them are SO great! ps. (by the way this is the channel that usually says joanna escolar, i decided to change channels so when i comment no one thinks im my mom)😅!
The key match feature is also available in VitualDJ, although I keep the feature turned off and have not used it, choosing to use other methods to accomplish perfectly melodic mixes and transitions. I enjoy your tutorials and have learned much from your instruction and thank you for the effort you put into them. I have used VirtualDJ Pro since August/Sept of 2004, and extensively test drove both Serato and Ableton but have stayed with VDJ, which I am familiar and masterful with after such a long daily relationship with the application, I have found that VirtualDJ is virtually, pun intended, never mentioned in tutorial videos/documents, and is ignored "in the wild". I find myself completely amazed by this because I find VDJ not only has all the features of Serrato, Ableton and all other pro applications, but actually is well ahead of the others in features, controller compatibility, UI, price, and all other vitally required element. Having used the software extensively and for what is approaching two full decades, I have seen VDJ continually improve and evolve with each new release. I am mystified by the lack of respect this software receives. I'm not complaining as I have no financial interest in VDJs reputation, I simply am curious. Keep these excellent videos coming my friend!
As someone who has a modicum of musical theory understanding, I never use Camelot. The reason being is that if you understand musical intervals and "the circle of 5ths" you can do a TON of really creative things depending on the track you are playing and the target track. Camelot has its place though. It just seems like it'd be better to grab a bit of music theory understanding if you want to really do well at harmonic mixing. Am I crazy?
Of course not Gabriel! What you have is a better understanding of musical theory and notes. The Camelot wheel is great for someone just getting into mixing in key, and actually can help provide the basis for understanding intervals as well. Once the Camelot wheel is mastered, then one can try more advanced methods of mixing in key
The dj who can combine harmonic mixing with track selection, is the dj who is the dj god, I know a few. If you're good enuff, your ears should tell you if it is harmonic. I do it without thinking. But I'm a very seasoned dj. Where were you in 1973? I was behind the turntables! PS harmonic mixing is one tool in the dj arsenal. Use the tools and tricks to energize your dance floor.
You may have been around when DJing as we know it started! So kudos to you bud! But yeah, eventually, you can train your ears to detect harmonically-similar tracks. I've done it in the past without knowing! But having a tool to help you find more (or confirm your suspicions) won't hurt! And I totally agree; DJs who have a killer track selection and can do harmonic mixing with those tracks is a tour de force to be reckoned with!
Great Explanation! I am a musician and totally understand key, but didn't really understand camelot, WOW this just opened a whole new world of dj'ing for me! 🍀🍀🍀
Great tip Carlo.. I saw one of your scratching competitions with you scratching with vinyl and lap top. It must of been a few years ago as you definitely looked younger.. I had no idea who you was before I saw your tutorials.. now your experience is paying off. Stay cool my friend from the other side of the world. Nicky from london
Glad you enjoyed the video, and learned something from it Nicky! And dang, where was the competition at? I've done a few exhibitions since my Redbull win.
Hi Carlo it must of been the red bull one .. now I remember seeing the redball sign behind you when you was on the decks.. you did look a lot younger so not sure when it was. Stay cool Carlo your tutoring is a must .. Nicky from good old London Town .
After this video, I am 100% sure that your course is worth any money and I will be happy to buy it, which I encourage others to do. You've described in such detail how to avoid the basic mistake I made!
Rane Hook Carlo up man He does so much for Free to promote DJing and Help all us aspiring DJs out the least He deserves is a Rane One to teach us on :)
🍀 would live to see you do a live set sometime. Not sure about the complications and legalities involved in that, but it would definitely be cool to see you do a full set.
this has to be the best tutorial channel i've come across in my life, I have very little experience djing but I understood pretty much everything, great video
Thanks, man! Appreciate your humility. There's always room to learn. I too am learning new stuff everyday from kids younger than myself. Life is awesome!
I tried mixing in key, one of the first things i was tought , but i find finding 'gaps' in tracks to mix the other track in just as important, and/ or 'powermixing '. (which I'm terrible in 😂) but you are right! Mixing In key makes 2 tracks playing for a longer time together much more interesting . + Indeed: track selection! Amen brother!
I no longer DJ, but I remember using this product when it first came out. Not many people knew about it, especially black DJs working in the inner city spinning hip hop.
Hi there carlo i'm from argentina and i've just started mixing songs not the same genres that you show in your videos but i do really apreciate how you show us to mix and some of your tricks continue making videos like that. Good luck
DJ Carlo Atendido, you’re the best...no I actually mean it...you’re the BEST! You have no idea how much your tutorials have helped shape my DJ journey. Cheers!
Thanks Carlo for sharing on key-based mixing. This definitely makes the mix sound better and harmonically pleasing. The *T-Theorem* (1:25) is to the point! :)
Hey, it would be nice to get credit for the Camelot wheel and starting this technique. Mixed In Key helped a lot of people use harmonic mixing and you didn’t mention us 😞 where’s the love?!
🍀 I find myself mixing in and out of key all the time. basically if i visualize that the next track is going to fit well with the song currently playing then i'll play it.
Sir, I have been watching your videos since a while and they are really detailed and helpful for us. One thing I want to request you to kindly make some mixing technique videos with darkpsy music please! @DJ Carlo
Bro, you shocked me when you said the T mixing method, I was blown away, but when I've watched the entire video, I full understand now, what a legend, really helpful video :)✨
The other rule is that you can also go 7 keys up or down...it would be the same as whatever key you’re on just one octave up or down. Still mixes harmonically 🎶
This wouldn't work. 7 keys up or down is simply a fifth and the key wouldn't be close at all. The reason A and B work is because they are relative keys (major and minor) and a number adjacent simple differs by one sharp or flat as per the circle of fifths.
Hi Carlo, I tried way to hard to mix in keys as a beginner but over the years I found the best way (in my opinion) to mix tracks that keep people happy on the dance floor (like you mentioned @ the end). Great video again man
