the "ii V I" no one is talking about

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Get 36 of my all-time favorite major and minor ii V I licks for free: go.jeffschneidermusic.com/sic...
Get "The Last Chord Scale Charts You'll Ever Need" (Free): bit.ly/get-the-charts
Implying Minor-Major ii V I's in your improvised solos will make you sound so much hipper. Give it a try and let me know how it goes in the comments.
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Опубликовано:

22 авг 2021

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Комментарии : 51

@BurntMcgurnt 2 года назад

Holy shit Jeff's finally playing sax again love to see it!

@JeffSchneiderMusic 2 года назад

Good to be back :)

@ChipTheMusicMan 2 года назад

@@JeffSchneiderMusic Hey Jeff - put in my info but didn’t get the 36 free licks…tried it a second time still nothing. Checked my email’s spam/junk just to be sure…hasn’t turned up yet. What should I do?

@JeffSchneiderMusic 2 года назад

@@ChipTheMusicMan Hey Chip! Sometimes it takes a little time to make it through cyber space. But we can get a better idea of what's going on if you email us directly at support@jeffschneidermusic.com. Thanks!

@ChipTheMusicMan 2 года назад

@@JeffSchneiderMusic Done.

@4thesakeofitname 2 года назад

Wow great video again mr. J.Schneider, I appreciate your effords in this and the earlier videos including all those animations, graphs, stickers, annotations etc... Ok; this was a little too technical (for my level) though but at least playable... It was only after trying my own improvisations (I didn't record them of course!) that I started a full appreciation of complex (pro jazz looking) chord progressions with 7ths,9th,11th,13th etc. My fingers somewhow find the right place without knowing much about the circle of fifths :-)

@betofigueredo978 2 года назад

great stuff in you channel, congrats, keep it up!

@peterhorah7884 2 года назад

Wow great video, Jeff! Your delivery and explanation is excellent.I have to keep repeating it to understand for my learning ability - and you are a master teacher!

@JeffSchneiderMusic 2 года назад

Thanks, Peter :)

@Nestor_Fernandez 2 года назад

A concept that I have not seen explained like that before. Great to see you playing hip sax licks again!!

@JeffSchneiderMusic 2 года назад

Thanks, Nestor!

@jambajoby32 2 года назад

Wow I love the 2 5 1 maj-minor sound!

@Brobecreative35 2 года назад

Thanks, I can start practicing this! Thanks for the free resources too, love this channel!

@JeffSchneiderMusic 2 года назад

Good luck! Thanks!

@onesh777 2 года назад

Thank you so much Jeff!!

@oribargil3958 2 года назад

Damn i missed us vids glad that you are back haha

@HoneyDrake 2 года назад

Wow you are talented… I love your piano playing..👍👍👍👍👍

@jasonandrews9058 2 года назад

Thanks Jeff.

@robstevens9590 2 года назад

Good to see (& hear) you playing sax along with the theory!

@JeffSchneiderMusic 2 года назад

Thanks Rob!

@shexton 2 года назад

Wow! Been a while Jeff. Nice video as usual.

@JeffSchneiderMusic 2 года назад

Thanks, Segun!

@almendratlilkouatl 2 года назад

he's back

@MrGuto 2 года назад

as you briefly mentioned, easiest way to think of this IMO is to look ahead at the V7 (e.g. G7) chord and play its b9 (Ab) over the previous ii- (D-) and/or throughout the V7 as well.

@JeffSchneiderMusic 2 года назад

Totally, that's a great approach, too - in fact, many improvisers ignore the ii chord completely and just think V I. Especially helpful at fast tempos when the chords are going by super fast.

@howumighthaveanimatedthat2159 2 года назад

Jeff who. Welcome back

@joselekiwi5695 2 года назад

In minor keys, as long as you respect the leading tone you can make any chord progression work (can lead to many crazy ideas)

@jojo-fj7lw 2 года назад

What do you mean by this

@joselekiwi5695 2 года назад

@@jojo-fj7lw For example in A minor, the leading tone is G sharp. As long as you put G sharp in your "dominant" chord, your progressions will work. Common examples will be: F Minor, D half diminished, G# Lydian augmented or GAlt, Try it for yourself.

@mrbassman7184 10 месяцев назад

Interesting. 🙂 Technically though, I'd argue that the iiø7 chord is not derived from the melodic minor but from the locrian scale, if we assume the i progression is is in the aeolian mode (natural minor). The notes in those two scales contain the same notes and are thus diatonic. Only the V7 chord in the minor progression briefly deviates from the same scale, as it requires the 7th degree of the i chord scale (aeolian) to be raised, turning it into the harmonic minor scale. It leads much stronger back to the i chord than the diatonic m7 chord would, and is hence much more frequently used as the V chord in minor songs.

@KarlBonner1982 5 месяцев назад

Also known as the Picardy third, or Picardy ii-V.

@BeauTylerMakesMusic 2 года назад

1:45 you can’t tell me Jeff is stoned. No judgments at all. If he wasn’t stoned while teaching us about Jazz I’d call him a fraud! 😂 Great video, Jeff.

@stangetz534 2 года назад

allergies?

@stridewell8454 2 года назад

John Mehegan redux. Bravo!

@jeffcrusan2102 2 года назад

Harmonic Major scale should work over this if I'm not mistaken -- the major 3rd would just be a 9th over the ii-7b5 and a 13th over the V7b9 chord. Only problem is the b6 in the scale would put a b13 interval over the Imaj7 -- maybe the only avoid tone in the scale over that chord, or if you like the sound of it maybe not LOL

@sorenballegaardmusic 2 года назад

Hi Jeff, really nice videos. Nice and clear explanation. Question. In all the things you are, is the F#ø7 you are referring to not a continuation of the earlier key of G in the bars before that. So just playing G major from the 7th degree and then add the D# on the B7 to get the E harmonic minor? What you are saying 100% works and fits of course. Was just thinking what I would play on there. Love your approach and the easy going on great and quite heavy material. Thanks a million

@JeffSchneiderMusic 2 года назад

Yup! It's a pivot chord that helps us get from G Major to E Major. B7 could also be labeled a secondary dominant (V of VI). The EMaj7 is the real curveball.

@sorenballegaardmusic 2 года назад

@@JeffSchneiderMusic thank you so much for the answer. Kick ass videos.

@icecold337 2 года назад

Jeff looks high as hell! 😂 Great video though, brother!

@JeffSchneiderMusic 2 года назад

lol just too little sleep

@juwonnnnn 2 года назад

👌

@bizzupthompson6342 2 года назад

🙏🙏🙏💪

@mancavelegostudios9711 2 года назад

Hey jeff! It would be nice if you were to publish books of your pdfs on Amazon. I would really appreciate that because I don't like carrying around thin, tearable paper sheets that come loose out of your binder. Thanks for the good content! Yahweh bless.

@ChipTheMusicMan 2 года назад

Jeff is just too legit to quit. ‘Nuff said

@gabrielforet4098 2 года назад

Of course (at least i hope) there are many of II V I, dont reduce it to only 2 possibilities

@michaelcohen100 Год назад

Hi ! I thought a minor 251 resolves on a I m7maj (melodic minor harmony) and not on I min 7. Never heard a solo on a minor 251 with a 6b on the first degree. Would you have an example ? Am I missing something ? Thanks for your contents !

@zlatkodraskovic5532 2 года назад

🎸🇦🇺😷

@steadyrest 2 года назад

yo jeff you look high af

@rumpelRAINS 2 года назад

I thought this video was gonna be ii-7b5 V7alt i-maj7

@bronzewand 2 года назад

That can be treated the same way as a standard minor 251

@stangetz534 2 года назад

I appreciate the info and don't mean to complain, but youtube feels more and more like a big commercial interrupted by other commercials. Everyone and everything is always trying to sell you something.