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The Ingest Workflow 

Better Editor
Подписаться 4,7 тыс.
Просмотров 2,9 тыс.
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8 окт 2024

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Комментарии : 11   
@born5094
@born5094 2 года назад
Thank you, for answering the why, and not just the how. Love this!
@BetterEditor
@BetterEditor 2 года назад
I live for the why. Thank you!
@born5094
@born5094 2 года назад
@@BetterEditor It's the key to universe tbh. Thank you!
@kailahoward6040
@kailahoward6040 Год назад
This is so great. Been looking for something more in detail. Great video!
@powdowski
@powdowski Год назад
how does this have 50 likes its like i just took a whole ass class. girl u KNOW i was taking notes
@stosicmediagroup
@stosicmediagroup 2 года назад
Thank you for this!!
@BetterEditor
@BetterEditor 2 года назад
You bet!
@BranBillington
@BranBillington Год назад
Awesome video! Isn't there quality lost when you transcode? Wouldn't it be best to always create proxies instead and then just relink to the original footage? Also what do you do with the original footage once you've transcoded?
@BetterEditor
@BetterEditor Год назад
Yes there can be, so it depends on your source format. H264 flavors are fine converting to prores or dnxhd flavors. Anything that is raw or log should definitely use proxies. Great catch!
@darjivishal9047
@darjivishal9047 Год назад
why we can not transcode RAW footage after all we are going to connect original later so doesnt matter if RAW Destroy during Edit
@BetterEditor
@BetterEditor Год назад
You can transcode raw footage for use in a proxy workflow. Just remember that after it’s transcoded, you won’t be able to adjust its color properties. If you’re reconnecting later for color correction, then no worries.
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