The Lens That Made Me Forget About New Cameras 

Nice man! Yeah I haven’t invested in any focus rings or anything, But I plan on it. I love the lens so much. Glad you do to!

Fact: I was playing with low light last night with a zihyun mc 20 and slo mo with this lens on my my alpha...got some great plasma shots! just sayin. Edit: forgot to mention the candle.@@WithATwist

Kind of a blanket statement, not always the case. Many of them are quite sharp. In a lot of cases though they don't have modern coatings so they like contrast or are more susceptible to flare.

​@@ZachAshcraftAgreed

I do, absolutely

In the dynamic realm of videography, the question of whether the lens holds more significance than the camera itself remains a subject of ongoing debate. While both components are integral to the creation of high-quality videos, each plays a distinct role in shaping the final outcome. In assessing their importance, it becomes evident that the lens and camera are complementary entities, with their respective strengths and limitations contributing to the overall visual narrative. First and foremost, the camera serves as the foundational apparatus that captures the visual content. It encompasses crucial aspects such as sensor size, resolution, and image processing capabilities, all of which directly influence the clarity, detail, and overall technical quality of the footage. A high-quality camera can provide superior image fidelity, allowing for sharper details, richer colors, and better low-light performance. Advanced features such as high frame rates and dynamic range expand creative possibilities, enabling videographers to capture stunning visuals in various environments and conditions. However, even the most advanced camera can only do so much without a quality lens. The lens acts as the gateway through which light enters the camera, directly impacting factors such as depth of field, focal length, and optical clarity. A well-crafted lens can enhance the visual aesthetics of a video by offering precise control over focus, perspective, and background blur. Different types of lenses, such as wide-angle, telephoto, and prime lenses, provide distinct visual effects, allowing videographers to convey their creative vision with versatility and precision. Moreover, the lens plays a crucial role in determining the overall look and feel of the video. Factors such as lens distortion, bokeh quality, and chromatic aberration contribute to the unique character of each shot, influencing the viewer's perception and emotional engagement. A carefully selected lens can imbue the footage with a cinematic quality, drawing the audience into the narrative and evoking powerful emotions. Whether capturing sweeping landscapes, intimate portraits, or fast-paced action sequences, the choice of lens can significantly impact the storytelling potential of the video. In practical terms, the importance of the lens versus the camera often depends on the specific requirements of the project and the creative vision of the videographer. While a high-quality camera lays the foundation for technical excellence, it is the lens that imbues the footage with personality and style. In many cases, investing in premium lenses can yield significant improvements in image quality and visual impact, even when using a modest camera body. Conversely, pairing a top-of-the-line camera with subpar lenses may result in underwhelming results, as the optical limitations of the lens can undermine the capabilities of the camera. Ultimately, the debate between the lens and the camera is not one of superiority but rather of synergy. Both components are essential pieces of the videographer's toolkit, each contributing its unique strengths to the creative process. By understanding the capabilities and limitations of both lenses and cameras, videographers can make informed decisions that align with their artistic vision and project requirements. Whether prioritizing technical precision or artistic expression, striking the right balance between the lens and the camera is key to achieving compelling and visually captivating videos.

But I digress, thank you for watching my video !

@@nicholasp6502Thanks for the detailed reply! Looking forward to your next upload.

@@nicholasport thank you for being a loyal subscriber!

Fire take 🔥🔥🔥🔥

the new hip thing is the old filmic look. i personally dont think it works for documentaries/corporate videos but to each their own. i personally would rely on AF for run and gun stuff. we dont have luxury of reshooting real life since like u said in movies they use MF because they have rehearsed distances and have known positions where actors are gonna stand with dedicated focus pullers. im too poor to have a friend run around with me pulling focus while filming .

You do have a valid point, but sometimes when things get too pristine and flawless, we get too used to seeing it and its nice to just turn back and enjoy those flaws and imperfections. It's why some of us wear mechanical watches over smartwatches, listen to vinyl records, use film cameras, drive manual sports cars, etc. What's old is new again. I'm not saying it's for everyone, but I feel like it's a cycle and we'll probably past through this phase and then there will be something else that becomes trendy (again)

@@mikes978 again its someones own personal artistic takes on stuff right? i might find it kinda weird or impractical but others might like it. but overall i feel like having an over sharpen imagine is way more versatile than an already dreamy/soft imagine. you can always add filters to add haze and what not to soften it but you cant do the same in reverse.

@@xxichikokoxx I was replying to DailyRiot. I do agree with you, definitely wouldn't use it on corporate videos, I think it could work on broll in documentaries or in flashbacks, but I wouldn't do the interview portion with it, but yeah like I said it's not for everyone. It is art and art is subjective. Everyone is different

Thanks Jesus. Just threw my drone, camera, and other gear in the garbage. Getting ready to learn ChatGPT buddy.

@@nicholasport 😀👍

@@jesusfranco9547 nice try bot

I'm a film maker and award winning artist and I think you are right. But I think that reality you are talking about is not that close yet. And all artists will simply transition then if they don't want to die from hunger or work a normal work.

@@TheGoodContent37 what happened to The Great Content 37?